Tatiana (Arkady Renko Series #8)

Tatiana (Arkady Renko Series #8)

3.9 28
by Martin Cruz Smith
     
 

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Arkady Renko, one of the iconic inves­tigators of contemporary fiction, has survived the cultural journey from the Soviet Union to the New Russia, only to find the nation as obsessed with secrecy and brutality as was the old Communist dictatorship. In Tatiana, the melancholy hero— cynical, analytical, and quietly subversive— unravels a

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Overview

Arkady Renko, one of the iconic inves­tigators of contemporary fiction, has survived the cultural journey from the Soviet Union to the New Russia, only to find the nation as obsessed with secrecy and brutality as was the old Communist dictatorship. In Tatiana, the melancholy hero— cynical, analytical, and quietly subversive— unravels a mystery as complex and dangerous as modern Russia itself.

The fearless reporter Tatiana Petrovna falls to her death from a sixth-floor window in Moscow the same week that a mob billionaire, Grisha Grigo-renko, is shot and buried with the trappings due a lord. No one else makes the connection, but Arkady is transfixed by the tapes he discovers of Tatiana’s voice describing horrific crimes in words that are at odds with the Kremlin’s official versions.

The trail leads to Kaliningrad, a Cold War “secret city” that is separated by hundreds of miles from the rest of Russia. The more Arkady delves into Tatiana’s past, the more she leads him into a surreal world of wandering sand dunes, abandoned chil­dren, and a notebook written in the personal code of a dead translator. Finally, in a lethal race to uncover what the translator knew, Arkady makes a startling discovery that draws him still deeper into Tatiana’s past—and, paradoxically, into Russia’s future, where bulletproof cars, poets, corruption of the Baltic Fleet, and a butcher for hire combine to give Kaliningrad the “distinction” of having the highest crime rate in Russia.

More than a mystery, Tatiana is Martin Cruz Smith’s most ambitious and politically daring novel since Gorky Park. It is a story rich in character, black humor, and romance, with an insight that is the hallmark of a writer the New York Times has called “endlessly entertaining and deeply serious . . . [not merely] our best writer of suspense, but one of our best writers, period.”

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Editorial Reviews

The New York Times Book Review - Liesl Schillinger
It would be a treat to watch the evening news with Martin Cruz Smith's fabulist's eye and see current events colorized through Renko's dramatic filter. In Tatiana, Smith continues the tradition he began at the end of the Brezhnev era with Gorky Park, using Russia as his game board to make geopolitical conspiracy, well…fun. Tatiana ought to come with a decoder ring so readers who share the author's fondness for brainteasers can try to crack the translator's code on their own. Then again, struggling slowly from benighted dread into the glimmering dawn of fictional resolution is the reward of reading an Arkady Renko thriller.
Publishers Weekly
★ 09/09/2013
In Smith’s riveting seventh Arkady Renko novel (after 2010’s Three Stations), Renko, now a “Senior Investigator for Very Important Cases,” looks into the apparent suicide of crusading investigative journalist Tatiana Petrovna, who fell from a window to her death in Moscow. Renko’s bosses have no problem accepting the suicide theory, but Renko and his loyal partner and friend, Det. Sgt. Victor Orlov, continue to search for answers. Smith spins a complex plot involving the Russian mafia, a teenage genius struggling to crack the code of Petrovna’s notebook, and an excursion to Kaliningrad, the isolated Russian enclave on the Baltic. While Petrovna may be a candidate for sainthood (she’s evidently modeled on real-life reporter Anna Politkovskaya), the most intriguing “character” after Renko is contemporary Russia—freer than it was at the height of the cold war, but at least as corrupt and vastly more unequal—into which Smith offers many insights. Agent: Andrew Nurnberg, Andrew Nurnberg Associates (U.K.). (Nov.)
Cleveland Plain Dealer
“Smith is a first-rate popular novelist, and this is one of his best books: tightly plotted, well-constructed, with a host of memorable secondary characters. . . . Smith is always an inventive storyteller, and he brings this setting vividly to life.”
The Los Angeles Times
“Smith’s point hits the mark with requisite force. . . . Basic human behavior—especially the worst of it—is so deeply embedded into psychological fabric that the same battles are waged even when the monsters keep shifting shapes.”
The Denver Post

"All novels should be as dark and mysterious and entertaining as Three Stations; all series should be so consistently excellent; all prose should be so dazzling; and all writers so talented as Martin Cruz Smith."
The New York Times Book Review
“Smith is at heart a deeply moral writer, and beneath his wry, cynical tone you can feel his authorial anger twitching a safe distance away. Paired with what reads deceptively like a native’s knowledge of Russia, it makes for a potent brew. . . . At times the writing mesmerizes with its originality. . . . Long live Renko.”
The San Francisco Chronice
“By the time Three Stations’ intertwining story strands wind tightly together, a read has come to care about or marvel at the book’s various characters as much as (it’s clear) their author does. The more travails Smith’s long-suffering inspector suffers, the harder we root for him.”
New York Times

Praise for Martin Cruz Smith

“The sustained success of Smith’s Renko books is based on much more than Renko. This author’s gift for tart, succinct description creates a poisonous political backdrop, one that makes his characters’ survival skills as important as any of their other attributes. . . . [This is] one top-flight series, still sharply honed, none the worse for wear.”
Chicago Tribune

“What ultimately sets the Renko books apart is the careful writing, and, more important, the knowledge of the human heart that is carried through it, through them, first to last.”
People
“With gallows humor and a soulful mortality, Smith has conjured another irresistible adventure for one of crime fiction’s great detectives.”
Associated Press Staff
“Riveting . . . Fast-paced . . . The characters are painted with nuanced brush strokes . . . Smith has nailed it for an absorbing read.”
The Seattle Times
“Engrossing. . . Three Stations delivers a satisfying punch.”
Kirkus Reviews
In Smith's latest Arkady Renko novel, the Russian investigator seeks the truth about a young reporter's apparent suicide. Tatiana Petrovna is one of the last occupants of a Kaliningrad apartment building that developers want to raze. When she falls six stories to her death, authorities are quick to rule the tragedy as a suicide. Renko suspects otherwise and gets his boss' permission to look into it. The young woman had been a troublemaker, with a nose for rooting out the corruption widely known to be rampant in Russia, so few people seem to miss her. Renko can't view the body, because police say they are unable to produce it. This certainly won't stop him, though. Fans of his earlier adventures (Gorky Park, 1981; Red Square, 1992) know he's not a flashy fellow, perhaps in part because he walks around with a bullet lodged in his skull. But he is an honorable man, persistent in asking questions, raising doubts and following leads. At the center of the plot is a notebook that appears to be filled with symbols looking like gibberish. Can Renko find someone to decipher it? Sitting on the Baltic seacoast, Kaliningrad is portrayed as a bleak industrial city that's probably on no one's vacation itinerary. The novel suggests a deep cynicism pervading Russian society, where officials and businessmen are expected to bribe and steal. For example, submarines costing hundreds of millions of dollars may sink into the ocean and never resurface since half the money goes to graft instead of craft. Smith is a master storyteller, delivering sharp dialogue, a tight plot, memorable descriptions and an understated hero in Arkady Renko. Anyone who enjoys crime novels but hasn't read Smith is in for a treat. Read this book, then look for other Arkady Renko adventures.
From the Publisher
Praise for Three Stations

Three Stations . . . is filled with stunning prose. Such is the journey of every Smith novel: a mixture of undeniably artful prose alongside a sharp-witted and masterfully entertaining plot. With a tip of the hat to Smith himself, all that’s left to say is this: All novels should be as dark and mysterious and entertaining as Three Stations; all series should be so consistently excellent; all prose should be so dazzling; and all writers so talented as Martin Cruz Smith.”

“Engrossing. . . Three Stations delivers a satisfying punch.”

“Smith is at heart a deeply moral writer, and beneath his wry, cynical tone you can feel his authorial anger twitching a safe distance away. Paired with what reads deceptively like a native’s knowledge of Russia, it makes for a potent brew. . . . At times the writing mesmerizes with its originality. . . . Long live Renko.”

“By the time Three Stations’ intertwining story strands wind tightly together, a read has come to care about or marvel at the book’s various characters as much as (it’s clear) their author does. The more travails Smith’s long-suffering inspector suffers, the harder we root for him.”

“Smith’s point hits the mark with requisite force. . . . Basic human behavior—especially the worst of it—is so deeply embedded into psychological fabric that the same battles are waged even when the monsters keep shifting shapes.”

“Smith is a first-rate popular novelist, and this is one of his best books: tightly plotted, well-constructed, with a host of memorable secondary characters. . . . Smith is always an inventive storyteller, and he brings this setting vividly to life.”

The New York Times Book Review Liesl Schillinger
“It would be a treat to watch the evening news with Martin Cruz Smith’s fabulist’s eye and see current events colorized through Renko’s dramatic filter. In Tatiana, Smith continues the tradition he began at the end of the Brezhnev era with Gorky Park, using Russia as his game board to make geopolitical conspiracy, well . . . fun. Tatiana ought to come with a decoder ring so readers who share the author’s fondness for brainteasers can try to crack the translator’s code on their own. Then again, struggling slowly from benighted dread into the glimmering dawn of fictional resolution is the reward of reading an Arkady Renko thriller. Figuring everything out too quickly would only spoil the game.”
Washington Post
A New York Times Bestseller

“Smith is that uncommon phenomenon: a popular and well-regarded crime novelist who is also a writer of real distinction. . . . Based, in part, on Anna Politkovskaya, a Russian journalist and human rights activist . . . [Tatiana] is one of Smith’s strongest . . . lending the narrative much of its moral and emotional substance. . . . Over the years, [Renko] has developed into one of the most appealing characters in crime fiction. . . . Perhaps most important, Tatiana showcases Smith’s ability to convey the frustrating, frequently absurd nature of daily life in a fractured, tragic and traumatized country. Taken as a whole, the Arkady Renko series offers something unique in modern literature: an evolving vision of a complex society struggling, often futilely, to rise above the ruins of its own calamitous history.”

San Francisco Chronicle
“Exquisite . . . Darkly romantic . . . Tatiana is as tight, vivid, and haunting as any of the other installments in Smith’s consistently first-rate series.”
The Dallas Morning News Alan Cheuse
“With the recent death of the reigning master of the suspense novel, Elmore Leonard, to whom do we turn in the hopes of a masterly glide through dire straits in the dark side of life, with pitch-perfect dialogue, intriguing characters and a plot with punchy turns and a satisfying twist? My candidate would be California writer Martin Cruz Smith, creator of some two dozen works of popular fiction, whose series of novels starring the Russian police investigator Arkady Renko have been coming to us every now and then since Gorky Park first appeared in 1981. The latest is Tatiana, the eighth Renko novel and certainly one of the best.”
USA Today (3 1/2 out of 4 stars)
"Masterful . . . Renko is one of the most compelling characters in modern fiction, sarcastic, quietly heroic, humble, depressive yet with a romantic's eye of a future that could be. . . . Smith's writing conveys irony, social commentary and wry humor."
Library Journal
★ 09/01/2013
One of the most affecting memes emerging from Russia today is that of a crusading woman journalist whose quest illuminates the darkest reaches of post-Soviet iniquity. Arkady Renko, also a crusader for truth and justice, finds the official explanation of journalist Tatiana Petrovna's death (inspired by the real-life murder of journalist Anna Politkovskaya) fishy and follows his nose to the murky enclave of Kaliningrad. There he grapples with a horrific plot among Chinese shipbuilders, the Russian mafia, and defense agency profiteers to make a rotten deal that will lead to a bonanza for the bad guys. Renko may be reaching the last of his fabled nine lives in this eighth chapter (after Three Stations) of the Russian police inspector's epic life. VERDICT Burnished to a fine sheen, this tale has it all: a high-velocity plot complete with diabolically clever codes, endearing chess-playing teenagers, patricide, and death-defying Renko, still indomitable despite a scarred and weary hide. Pair Renko with Stuart Kaminsky's Inspector Rostnikov, and throw in Brett Ghelfi's gun-for-hire Alexei Volkovoy to achieve an unbeatable season of well-written and crackling reading enjoyment. [See Prepub Alert, 5/20/13.]—Barbara Conaty, Falls Church, VA

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Product Details

ISBN-13:
9781439140215
Publisher:
Simon & Schuster
Publication date:
11/12/2013
Series:
Arkady Renko Series, #8
Pages:
304
Sales rank:
870,264
Product dimensions:
6.46(w) x 9.26(h) x 1.06(d)

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Tatiana


  • It was the sort of day that didn’t give a damn. Summer was over, the sky was low and drained of color, and dead leaves hung like crepe along the road. Into this stillness dashed a cyclist in red spandex, pumping furiously, taking advantage of the flat terrain.

    Joseph spoke six languages. In restaurants he spoke French, with tradesmen he preferred Chinese and he dreamed in Thai. He was a one-man crowd. It meant that he could travel and find work anywhere in the world. The United Nations sent him one place and the European Union sent him somewhere else. Always, he took his black custom-made bike, his designer jersey and shorts, his molded saddle and tear-shaped helmet. He had started biking too late in life to be a competitive racer, but he could astonish the locals at most rallies. Anyway, winning didn’t matter. It was the tension, the feeling of a drawn bow, that he found most satisfying. At this point he calculated he had ridden twice around the world. He’d never married. His schedule wouldn’t allow it. He felt sorry for saps stuck on tandem bikes.

    He loved word games. He had a photographic memory—an eidetic memory, to be exact. He could look at a crossword puzzle and play it out in his mind while he biked, teasing out those words that existed only in crossword puzzles: ecru, ogee, amo, amas, amat. A clue that was not in English was all the easier. A tort was a civil action; a torte was a piece of cake. A full-grown anagram could occupy his mind from Toulon to Aix-en-Provence. He had the afternoon off, and he needed it after interfacing in Russian and Chinese. When the two sides broke early, the interpreter seized the opportunity to ride.

    He prided himself on finding routes out of the ordinary. His idea of hell was being in Tuscany or Provence stuck behind tourists wobbling on and off the road in rented bikes as they worked off a lunch of cheese and wine. Elastic pockets in the back of his jersey held water bottles, energy bars, a map and repair kit. He was willing to patch a tire or two if he could have a new vista to himself. Kaliningrad had a reputation of being ugly and crime ridden, a city that was an orphan or bastard or both. Escape the city, however, and, voilà, a pastoral delight.

    He was born to translate; his father was Russian, his mother French, and both were Berlitz instructors. In boarding school he spread a rumor that they were dead, tragically killed in a car crash in Monte Carlo, and became the boy most invited for the holidays by wealthy classmates. He was ingratiating and sometimes he imagined ending his days as a guest in a villa not far from the sea. He still sent his parents a card at Christmastime, although he hadn’t seen them for years.

    He interpreted for film stars and heads of state, but the most lucrative work was corporate negotiations. They were usually carried out by small teams operating in strict confidentiality and an interpreter had to be omnipresent yet nearly invisible. Most of all, he had to be discreet, trusted to forget what he heard, to wipe the slate clean when the job was done.

    As the road became a country lane he flew past occasional ruins of brick smothered by lilacs. Fortunately, there was almost no traffic. He navigated pothole after pothole and, at one point, rode through asphalt as humped as waves. A butcher’s van with a plastic pig on the roof came the opposite way and seemed to aim straight at the bike until they passed like ships at sea.

    In fact, the interpreter had not erased everything. There were his notes. Even if the notes were stolen, they would be safe, because nobody could read them but himself.

    The road ended at a desolate parking area with a shuttered kiosk and a billboard of events past. An ice-cream cart lay on its side. Everything described postseason ennui. Nevertheless, when he heard the screech of gulls he got off his bike and carried it over the brow of a dune to a view of a beach that stretched in either direction as far as he could see and wavelets that advanced in regular order. Mist turned the sea and sky into luminous bands of blue. Sand skipped in the wind and nestled into beach grass that grew among the dunes. Rough wooden beach umbrellas, stripped of canvas, stood guard, but no one else was in view, which made it perfect.

    He set the bicycle down on the sand and removed his helmet. This was a find. This was the sort of mini-adventure that would make for a good story around the fireplace with a glass of red wine and a captivated audience. A little derring-do to cap his career. To give it significance; that was the word.

    Although the air was cool, Joseph was warm from cycling, and he removed his biking shoes and socks. The sand was fine, not like the loose stones of most resorts, and unspoiled, probably because Kaliningrad had been a closed city during the Cold War. Water rushed up, hissed around his feet, and drew back.

    His reverie was interrupted by the approach of a vehicle rolling like a drunken sailor across the beach. It was the butcher van. The plastic piggy, pink and smiley, rocked from side to side until the van came to a stop and a man about thirty years old with a homburg and stringy hair climbed out. A dirty apron fluttered around him.

    “Looking for amber?”

    Joseph asked, “Why would I be looking for amber?”

    “This is the place. But you have to wait for a storm. You have to wait for a storm to rile up all the amber.”

    Roil, not rile, Joseph thought, but let it pass. Joseph detected nothing in common with the man, no intellect to engage with. Sooner or later the character would demand money for vodka and they’d be done.

    “I’m waiting for friends,” Joseph said.

    The tilt of the homburg lent the butcher an antic air. He seemed dizzy or drunk—in any case, so amused at a private joke that he stumbled into the bike.

    “Idiot! Watch where you’re going!” Joseph said.

    “Sorry, real sorry. Say, is this Italian?” The butcher picked up the bicycle by its top rail. “S’fucking beautiful. You don’t see many of these in Kaliningrad.”

    “I wouldn’t know.”

    “You can take my word for it.”

    Joseph noticed that the butcher’s hands were nicked and raw from handling frozen beef, and his apron was suitably daubed with liverish stains, although his sandals were hardly appropriate footwear for slippery ice lockers.

    “Can you give me the bike, please? The last thing I want is sand in the gears.”

    “No problem.” The butcher let the bike drop and brightly asked, “Holidays?”

    “What?”

    “It’s a question. Are you here on holidays or business?”

    “Holidays.”

    The butcher’s face split into a grin. “Really? You came to Kaliningrad for a vacation? You deserve a medal.” He pretended to pin a decoration to Joseph’s chest. “Give me the highlights of Kaliningrad. Like, what did you see this morning?”

    Joseph had worked all morning, not that it was anyone else’s concern, but the butcher produced a nickel-plated pistol that he weighed in his hand like loose change. What had been to Joseph a cool breeze now gave him a chill, and grains of sand stuck to the sweat on his skin. Maybe this was an ordinary shakedown. No problem. He would pay whatever was asked and be reimbursed by the client.

    “Are you the police?”

    “Do I look like the fucking police?”

    “No.” Joseph’s heart sank. He had been trained to be calm and cooperative in hostage situations. The statistics were actually reassuring. People only got killed when someone tried to be a hero. “What do you want?”

    “I saw you at the hotel with those people. They’re surrounded by bodyguards and have a whole floor to themselves.” The butcher became confidential. “Who are they?”

    “Businessmen.”

    “International business or they wouldn’t need an interpreter, right? Without you, everything comes to a halt. The machinery stops, doesn’t it? The big wheel is stopped by the little wheel, isn’t that so?”

    Joseph was uneasy. This was Kaliningrad, after all. The pig glowed, happy to go to the abattoir. Joseph contemplated running from this madman. Even if he didn’t get shot, he would have to abandon his bike; the sand was too deep and soft for the tires. The entire scene was demeaning.

    “I just interpret,” Joseph said. “I’m not responsible for content.”

    “And take notes of secret meetings.”

    “Totally legal. The notes simply aid my memory.”

    “Secret meetings or you wouldn’t be in Kaliningrad; you’d be living it up in Paris.”

    “It’s sensitive,” Joseph conceded.

    “I bet it is. You have a real skill. People run at the mouth and you translate it word for word. How do you remember it all?”

    “That’s where the notes come in.”

    “I’d like to see those.”

    “You wouldn’t understand them.”

    “I can read.”

    Joseph was quick to say, “I wasn’t suggesting that you couldn’t, only that the material is highly technical. And they’re confidential. We’d be breaking the law.”

    “Show me.”

    “I honestly can’t.” Joseph looked around and saw nothing but gulls patrolling the beach in case food appeared. No one had told the gulls that the season was over.

    “You don’t get it. I don’t need to know the ins and outs. I’m a pirate like those Africans who hijack tankers. They don’t know a dog’s turd about oil. They’re just a few black bastards with machine guns, but when they hijack a tanker they hold all the cards. Companies pay millions to get their ships back. The hijackers aren’t going to war; they’re just fucking up the system. Tankers are their targets of opportunity and that’s what you are, my target of opportunity. All I’m asking is ten thousand dollars for a notebook. I’m not greedy.”

    “If you’re just an errand boy that changes everything.” Immediately, Joseph understood that it was the wrong thing to say and the wrong way to have said it. It was like poking a cobra. “Let me . . . show . . .” Joseph reached around and wrestled with the pockets of his jersey, spilling a water bottle and energy bars until he found a notebook and pencils.

    “Is this it?” the butcher asked.

    “Yes, only it’s not what you expect.”

    The butcher opened the notebook to the first page. Flipped to the second page, the third and fourth. Finally, he raced to the end.

    “What the fuck is this? Pictures of cats? Doodles?”

    “That’s how I take notes.” Joseph couldn’t help a hint of pride.

    “How do I know these are the notes?”

    “I’ll read them to you.”

    “You could say anything you fucking please. What am I supposed to show them?”

    “Who is them?”

    “Who do you think? These people, you fuck with them, they fuck with you.”

    His employers? If he could just explain.

    “My notes—”

    “Are a joke? I’ll show you a joke.” The butcher dragged Joseph to the back of the van and opened the rear door. Out of the interpreter’s many languages, the only word that came to mind was Jesu. Inside the van, two skinned lambs hung upside down, looking cold and blue.

    Joseph couldn’t find more to say. He couldn’t even find the air.

    “Let the birds read it.” The butcher cast the notebook into the wind, then tossed Joseph into the back of the van and climbed in after.

    From everywhere gulls materialized. They descended as a succession of thieves, each robbing the other. Every scrap from Joseph’s pockets was snatched and inspected. A tug-of-war developed over a half-eaten energy bar. The birds were momentarily startled by a shot and a winner flew off, trailed by other gulls and screams of outrage. The rest settled into a sullen peace facing the wind. As the haze retreated, a horizon appeared and waves rolled in with the sound of beads spilled on a marble floor.

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