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Editorial Reviews
Barnes & Noble - Scott Paulin
Like many a young violin soloist, Joshua Bell rode his first wave of celebrity on the core repertoire of Romantic-era concertos, moving from Mendelssohn and Bruch to the meatier fare of Tchaikovsky and Brahms. In 1988 and 1994, Bell joined the Cleveland Orchestra with Vladimir Ashkenazy conducting on the first occasion and Christoph von Dohnányi on the second to record the latter two concertos, and paired them respectively with those of Wieniawski No. 2 and Schumann. None of Bell's early discs for Decca were less than excellent, and these performances still hold their own in an ever-more-crowded field, especially as a bargain-priced two-disc compendium. Bell seems ...