Luis J. Rodriguez
"'Órale, ya era tiempo.' Stories of 'the Movement' too often emphasize men's roles, ignoring the vital participation of women or relegating them to the sidelines. In Teatro Chicana, women are central to the ideas, emotions, strategies, writing, art, and music of the 1960s and 1970s when this countryand much of the worldrocked with revolutionary imagination and fervor. The Chicano Movement, like most social movements, also had many women warrior/leaders-this struggle was shaped and ignited by women, fed and nurtured by women, with many men at their sides. I was part of thisI knew first hand how feminine spirit, energy, and love embraced and impelled us. Seeing it again through the voices of the elder-teachers in this book, I'm remindedno movement is complete without la mujer."
Luis J. Rodriguez
'Órale, ya era tiempo.' Stories of 'the Movement' too often emphasize men's roles, ignoring the vital participation of women or relegating them to the sidelines. In Teatro Chicana, women are central to the ideas, emotions, strategies, writing, art, and music of the 1960s and 1970s when this countryand much of the worldrocked with revolutionary imagination and fervor. The Chicano Movement, like most social movements, also had many women warrior/leaders-this struggle was shaped and ignited by women, fed and nurtured by women, with many men at their sides. I was part of thisI knew first hand how feminine spirit, energy, and love embraced and impelled us. Seeing it again through the voices of the elder-teachers in this book, I'm remindedno movement is complete without la mujer.
Ana Castillo
This collection of testimonials of early Xicanistas and their work in teatro is an important contribution to the preservation of the spirit and energy that made the Chicano Movement.
Ana Castillo, author of The Guardians and So Far from God
Rudolfo Anaya
These memoirs are the personal, honest, and riveting testimonials of seventeen Chicanas who performed Chicana theater during the 1970s. These carnalas empowered themselves and thousands during the tumultuous years of the Movimiento by performing plays for working-class communities. From college campuses to the fields where campesinos toiled, estas mujeres had the courage to fight gender inequality. We need their courage today. And we need their stories for a new generation of Chicanas and for working women everywhere.
Rudolfo Anaya, author of Bless Me, Ultima and Curse of the ChupaCabra