Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market

Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market

by Ying Zhu
     
 

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This book explores the political, economic, and cultural forces, locally and globally that have shaped the evolution of Chinese primetime television dramas, and the way that these dramas in turn have actively engaged in the major intellectual and policy debates concerning the path, steps, and speed of China’s economic and political modernization during the

Overview

This book explores the political, economic, and cultural forces, locally and globally that have shaped the evolution of Chinese primetime television dramas, and the way that these dramas in turn have actively engaged in the major intellectual and policy debates concerning the path, steps, and speed of China’s economic and political modernization during the post-Deng Xiaoping era. It intertwines the evolution of Chinese television drama particularly with the ascendance of the Chinese New Left that favors a recentralization of state authority and an alternative path towards China’s modernization and China’s current administration’s call for building a "harmonious society." Two types of serial drama are highlighted in this regard, the politically provocative dynasty drama and the culturally ambiguous domestic drama. The book also provides cross-cultural comparisons that parallel the textual and institutional strategies of transnational Chinese language TV dramas with dramas from the three leading centers of transnational television production, the US, Brazil and Mexico in Latin America, and the Korean-led East Asia region. The comparison reveals creative connections while it also explores how the emergence of a Chinese cultural-linguistic market, together with other cultural-linguistic markets, complicates the power dynamics of global cultural flows.

 

Editorial Reviews

From the Publisher
'This contribution to comparative and global television studies provides readers with an enhanced level of expertise and insight into some of the most fascinating and significant media dynamics at work in our contemporary culture.' - John Downing, Global Media Research Center, Southern Illinois University, USA

'In this book Ying Zhu provides an outstanding account of television in China. Her synthetic analysis of political economy, industrial practice and program content, all set in historical contexts is a model for future study of any national television system.' - Horace Newcomb, Lambdin Kay Chair for the Peabodys and Director, The George Foster Peabody Awards, The University of Georgia, USA

Product Details

ISBN-13:
9781134094608
Publisher:
Taylor & Francis
Publication date:
01/11/2013
Series:
Media, Culture and Social Change in Asia Series , #9
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
200
File size:
398 KB

What People are saying about this

From the Publisher
'This contribution to comparative and global television studies provides readers with an enhanced level of expertise and insight into some of the most fascinating and significant media dynamics at work in our contemporary culture.' - John Downing, Global Media Research Center, Southern Illinois University, USA

'In this book Ying Zhu provides an outstanding account of television in China. Her synthetic analysis of political economy, industrial practice and program content, all set in historical contexts is a model for future study of any national television system.' - Horace Newcomb, Lambdin Kay Chair for the Peabodys and Director, The George Foster Peabody Awards, The University of Georgia, USA

Meet the Author

Ying Zhu is Associate Professor of Media Culture, City University of New York-Staten Island, USA. She is the author of Chinese Cinema during the Era of Reform: The Ingenuity of the System, and her work has appeared in leading media journals and various edited books.

 

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