Tennessee Williams in Provincetown
Tennessee Williams in Provincetown is the story of Tennessee William' four summer seasons in Provincetown, Massachusetts – 1940, ‘41, ‘44 and ‘47. During that time he wrote plays, short stories, and jewel-like poems. In Provincetown, Williams fell in love unguardedly for perhaps the only time in his life. He had his heart broken there, perhaps irreparably. The man he thought might replace his first lover tried to kill him there, or at least Williams thought so. Williams drank in Provincetown, he swam there, and he took conga lessons there. He was poor and then rich there; he was photographed naked and clothed there. He was unknown and then famous – and throughout it all Williams wrote every morning.

The list of plays Williams worked on in Provincetown include The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, the beginnings of The Night of the Iguana and Suddenly Last Summer, and an abandoned autobiographical play set in Provincetown — The Parade.

Tennessee Williams in Provincetown collects original interviews, journals, letters, photographs, accounts from previous biographies, newspapers from the period, and Williams’ own writing to establish how the time Williams spent in Provincetown shaped him for the rest of his life. The book identifies major themes in Williams’ work that derive from his experience in Provincetown, in particular the necessity of recollection given the short season of love. The book also connects Williams’ mature theatrical experiments to his early friendships with Jackson Pollack, Lee Krasner, and the German performance artist, Valeska Gert.

Tennessee Williams in Provincetown, based on several years of extensive research and interviews, includes previously unpublished photographs, previously unpublished poetry, and anecdotes by those who were there.
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Tennessee Williams in Provincetown
Tennessee Williams in Provincetown is the story of Tennessee William' four summer seasons in Provincetown, Massachusetts – 1940, ‘41, ‘44 and ‘47. During that time he wrote plays, short stories, and jewel-like poems. In Provincetown, Williams fell in love unguardedly for perhaps the only time in his life. He had his heart broken there, perhaps irreparably. The man he thought might replace his first lover tried to kill him there, or at least Williams thought so. Williams drank in Provincetown, he swam there, and he took conga lessons there. He was poor and then rich there; he was photographed naked and clothed there. He was unknown and then famous – and throughout it all Williams wrote every morning.

The list of plays Williams worked on in Provincetown include The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, the beginnings of The Night of the Iguana and Suddenly Last Summer, and an abandoned autobiographical play set in Provincetown — The Parade.

Tennessee Williams in Provincetown collects original interviews, journals, letters, photographs, accounts from previous biographies, newspapers from the period, and Williams’ own writing to establish how the time Williams spent in Provincetown shaped him for the rest of his life. The book identifies major themes in Williams’ work that derive from his experience in Provincetown, in particular the necessity of recollection given the short season of love. The book also connects Williams’ mature theatrical experiments to his early friendships with Jackson Pollack, Lee Krasner, and the German performance artist, Valeska Gert.

Tennessee Williams in Provincetown, based on several years of extensive research and interviews, includes previously unpublished photographs, previously unpublished poetry, and anecdotes by those who were there.
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Tennessee Williams in Provincetown

Tennessee Williams in Provincetown

by David Kaplan
Tennessee Williams in Provincetown

Tennessee Williams in Provincetown

by David Kaplan

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Overview

Tennessee Williams in Provincetown is the story of Tennessee William' four summer seasons in Provincetown, Massachusetts – 1940, ‘41, ‘44 and ‘47. During that time he wrote plays, short stories, and jewel-like poems. In Provincetown, Williams fell in love unguardedly for perhaps the only time in his life. He had his heart broken there, perhaps irreparably. The man he thought might replace his first lover tried to kill him there, or at least Williams thought so. Williams drank in Provincetown, he swam there, and he took conga lessons there. He was poor and then rich there; he was photographed naked and clothed there. He was unknown and then famous – and throughout it all Williams wrote every morning.

The list of plays Williams worked on in Provincetown include The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, the beginnings of The Night of the Iguana and Suddenly Last Summer, and an abandoned autobiographical play set in Provincetown — The Parade.

Tennessee Williams in Provincetown collects original interviews, journals, letters, photographs, accounts from previous biographies, newspapers from the period, and Williams’ own writing to establish how the time Williams spent in Provincetown shaped him for the rest of his life. The book identifies major themes in Williams’ work that derive from his experience in Provincetown, in particular the necessity of recollection given the short season of love. The book also connects Williams’ mature theatrical experiments to his early friendships with Jackson Pollack, Lee Krasner, and the German performance artist, Valeska Gert.

Tennessee Williams in Provincetown, based on several years of extensive research and interviews, includes previously unpublished photographs, previously unpublished poetry, and anecdotes by those who were there.

Product Details

ISBN-13: 9781601824202
Publisher: Hansen Publishing Group, LLC
Publication date: 10/02/2010
Sold by: Barnes & Noble
Format: eBook
File size: 280 KB

About the Author

David Kaplan is the author of Tennessee Williams in Provincetown (Hansen Publishing Group) and the Five Approaches to Acting (Hansen Publishing Group) and a theater director who stages plays around the world with professional companies in indigenous languages and settings. He is a former Fellow at the Harry Ransom Humanities Research Center in Austin, Texas, the repository of Tennessee Williams’ literary estate. He has experience directing Williams' repertory around the world.

In 2003, Mr. Kaplan staged Tennessee Williams’ The Eccentricities of a Nightingale in Cantonese at the Hong Kong Repertory Theater. Seasons past include directing the first Russian production of Tennessee Williams’ Suddenly Last Summer (the subject of a TASS documentary); a Sufi King Lear in Tashkent, Uzbekistan, performed in the Uzbek language and broadcast on Uzbek television; and Genet’s The Maids in Ulaan Baator, Mongolia, performed in Mongolian. In America, he has staged his own adaptation of The Circus of Dr. Lao in Los Angeles, Tennessee Williams’ The Traveling Companion at West Beth in New York, and Williams’ Frosted Glass Coffins in Birmingham, Alabama. He is the curator of the Provincetown Tennessee Williams Festival.
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