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Tepper Isn't Going Out

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Overview

Murray Tepper would say that he is an ordinary New Yorker who is simply trying to read the newspaper in peace. But he reads while sitting behind the wheel of his parked car, and his car always seems to be in a particularly desirable parking spot. Not surprisingly, he is regularly interrupted by drivers who want to know if he is going out.

Tepper isn?t going out. Why not? His explanations tend to be rather literal?the indisputable fact, for ...

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Overview

Murray Tepper would say that he is an ordinary New Yorker who is simply trying to read the newspaper in peace. But he reads while sitting behind the wheel of his parked car, and his car always seems to be in a particularly desirable parking spot. Not surprisingly, he is regularly interrupted by drivers who want to know if he is going out.

Tepper isn’t going out. Why not? His explanations tend to be rather literal—the indisputable fact, for instance, that he has twenty minutes left on the meter.

But once New Yorkers become aware of Tepper, some of them begin to suspect that he knows something they don’t. And an ever-increasing number of them are willing to line up for the opportunity to sit in his car with him and find out what it is.

Tepper Isn’t Going Out is a wise and witty story of an ordinary man who, perhaps innocently, changes the world around him.

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Editorial Reviews

From the Publisher
“Good for smiles, guffaws, and sometimes laughter that brings tears.”
The Boston Globe

“Beginning, middle, and end are equally charming....Nothing can take away from this novel’s delight.”
The Washington Post

“[Told] with great, cranky affection [and] an irresistible way of mixing the quotidian with the absurd.”
The New York Times

“Trillin is at his charmingly funny best in this good-humored satire.”
Los Angeles Times

From The Critics
By turns sweet and sassy, at times laugh-out-loud funny, Calvin Trillin's comic novel is a New York charmer, a portrait of the city at its blithe, tumultuous best. Even in this idyll, however, unknowing portents of the coming tragedy intrude. The narrator imagines a bulwarked City Hall: "Large, movable shields made of bullet-resistant Plexiglas were in strategic spots around the lawn, blocking what had been determined to be sight lines that terrorist snipers could use if they took over the discount computer store across the street and began firing at city officials."

The Beirut-style security underscores the bunker mentality of Mayor Frank Ducavelli, the book's mock-Giuliani. Here, of course, he isn't the Giuliani astride the WTC rubble, but the earlier Rudy of top-cop notoriety. Nicknamed Il Duce, Ducavelli is draconian in his crusade against skimpy running shorts in Central Park; any whisper of opposition inflames in him the moral ire of a Torquemada (he bellows in capital letters). A puppet of his own self-righteous fury (he moves in "a peculiarly jerky way"), he's forever shoring himself up against largely imagined "forces of disorder"—Ukrainians, media pundits, whomever. And he won't let up. As one of the novel's priceless newspaper columnists quips, "Mayor Ducavelli has become to vindictiveness what the early New York Mets were to infield errors."

One of his odder targets is the book's titular hero, the wonderful Murray Tepper. Remember Herman Melville's Bartleby the Scrivener, the wallflower to whom any mundane request would be met by a cryptic "I would prefer not to"? Well, Tepper's a sunnier, less existentially fraught Bartleby. But he's just as adamant in hisminor-key defiance, his unruffled refusal to kowtow. Tepper's thing is parking. He pulls over, feeds the meter and then simply sits, meditates, reads the paper. In New York such behavior is unheard of, like killing cows in New Delhi. You "go out" of the parking space whenever you're done with your errands. Tepper declines—and for no reasons other than his inscrutable own.

A spry, nearly seventy-year-old man, Tepper runs Worldwide Lists, a company that scouts prospects for mail-order firms. He snacks on whitefish-and-herring salad. He's as courteous as Confucius. Yet around him a maelstrom gathers. His wife seeks reassurance: His parking obsession/ritual, she needs to believe, isn't a crack-up but a hobby. His son-in-law, yuppified and overanalyzed, opines in psychobabble that Tepper is "trying to exert some meaningful control over [his] environment." A friend tells Tepper, "I say that you're a symbol of the alienation of your times."

Soon enough, Tepper becomes a cause celebre. He begins to draw crowds. His parked car becomes a kind of Hebraic confessional; he lends his ear to the lost and lovelorn and dispenses homespun wisdom. "There's always something," he mutters, in deadpan consolation.

Then Tepper's a star. He becomes a poster boy for all of the city's disaffected. A Web site, Tepperisntgoingout.com, springs up. Sy Lambert, a hotshot literary agent, woos Tepper with a book deal and gives him the skinny on the book biz. "Remember the days when writers would live in garrets and dream of writing a great book and becoming famous?" Passé, argues Sy. These days, "The big authors are big because they're famous—they're famous politicians or famous CEO's or famous adulterers. The point is, they're famous. That's what you're going to be." Blinded by paparazzi, meek Murray Tepper is overwhelmed.

All the while, Ducavelli has simmered. Finally, having had it up to here with this new cancer in the body politic, he sets his sights on the hapless Tepper. He trains high-powered legal eagles against Tepper and tries in court to terminate him with extreme prejudice. New York, of course, rises to the defense of the little guy.

This being a comedy, all's well in the end for Tepper—but not before a manic round of kangaroo court high jinks, a nifty rally of the outraged citizenry and the admirable spectacle of Tepper, a still point in a turning world, holding his own, unperturbed.

A columnist for The New Yorker for thirty-five years, Trillin knows, and plainly loves, his city. With Tepper Isn't Going Out, he's written his best fiction—a Capraesque fantasy of the unwitting underdog winning out (with Mel Brooks, say, subbing for Jimmy Stewart in the title role). It's a gentle vision: a valentine to undaunted individuality. This fine, winsome book is a reminder of how we may prevail in small ways.
—Paul Evans

Publishers Weekly
Trillin is a highly accomplished storyteller as well as a humorist and memoirist, and this oddly titled novel is by far his funniest and sunniest yet. It's a quintessentially New York comedy (and how pleasant to see those words in conjunction again) revolving around Murray Tepper, a quiet, good-humored man whose one oddity is his passion for parking on Manhattan streets. His knowledge of arcane New York parking rules is encyclopedic, and he likes nothing better than to park legally and sit in his car reading the paper. This irritates countless other drivers who think he is about to leave a desirable spot, and the title refers to his quirky determination to stay just where he is. Paradoxically, people begin to gravitate to him, to sit with him in the car and tell him their troubles; they even line up to do so. This in turn irritates the mayor (shades here of pre-crisis Giuliani), who accuses Tepper of fomenting disorder on the streets. Such a conflict becomes the stuff of tabloid headlines, and next, of course, is the offer of a book contract and a TV show. Nothing much happens beyond this, and the plot is resolved with calm good sense, but along the way Trillin captures dozens of pitch-perfect New York moments, in restaurants, in a loutish literary agent's office and in the quaintly old-fashioned business where Tepper works (he runs a mailing-list service and is a genius at perceiving the odd connections between people, where they live and what they buy). Trillin's book is the best tonic for post-September 11 blues imaginable. Agent, Lescher and Lescher, Ltd. 8-city author tour. (Jan. 15). Copyright 2001 Cahners Business Information.
Library Journal
Of course it's funny: this is the story of a man whose joy in life is parking. Copyright 2002 Cahners Business Information.
Kirkus Reviews
A fond fable from what one hopes is not a vanished New York. So deft and so deeply kind is Trillin (Family Man, 1998, etc.) that this send-up of Mayor Giuliani, written before the September disaster, instead of collapsing like a dead souffle, survives high and light. Courteous, friendly, family man Murray Tepper has become a burr under Mayor Ducavelli's saddle. His crime? Parking. Mr. Tepper, a modest Manhattan businessman, who became expert in the arcane specialty of street-parking regulations in the '70s and '80s, now, at his wife's request, rents space in a garage convenient to his home. But, at the turn of the millennium, though he could safely stow the car in its slot and forget it, he has taken to exercising his street parking savvy and rights in the evening and on weekends. It's not a big deal. He just likes to drive to one of those a nice parking spots he knows as well as anyone alive, pay the meter if necessary, take out the paper, and enjoy a nice read. The parking is always scrupulously legal (he wouldn't dream of refilling a meter.), but Tepper's making trouble. Other parkers, taking his presence in the car to indicate imminent departure, become routinely incensed when he politely waves them on. His wife, friends, and business associates have begun to worry. Why would anybody spend time parking on the streets when there's this perfectly good and paid-for spot in the garage? Tepper, though always polite, provides no explanation, pointing out only that he is parking legally. But not, apparently, morally. Fussbudget Mayor Ducavelli ("Il Duce" in the tabs), reading a city column about Tepper's odd abuse of parking rights, takes Tepper for a saboteur of civil order and sics thepolice on him. The mayoral harassment becomes quickly public, and Tepper, despite his innate modesty, becomes something of a city hero for standing up to the bully. Sweetly silly and very wise. This is what we want to put back in place when the city pulls out of the nightmare.
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Product Details

  • ISBN-13: 9780375758515
  • Publisher: Random House Publishing Group
  • Publication date: 1/14/2003
  • Edition description: Reprint
  • Pages: 213
  • Sales rank: 205,534
  • Product dimensions: 5.15 (w) x 8.01 (h) x 0.50 (d)

Meet the Author

CALVIN TRILLIN

Calvin Trillin has been acclaimed in fields of writing that are remarkably diverse. A staff writer for The New Yorker for forty years, Trillin has been called “perhaps the finest reporter in America.” His antic commentary on the American scene and his books chronicling his adventures as a “happy eater” have earned him renown as “a classic American humorist.”

Trillin was born and raised in Kansas City, MO. He graduated from Yale in 1957, served in the army and then joined Time magazine. After a year covering the South from the Atlanta bureau, he became a writer for Time in New York.

In 1963, he became a staff writer for The New Yorker. From 1978 to 1985, Trillin was a columnist for The Nation, writing what USA Today called “simply the funniest regular column in journalism.” From 1986 through 1995, the column was syndicated to newspapers. His columns have been collected in five books: Uncivil Liberties; With All Disrespect, If You Can’t Say Something Nice (1987), Enough’s Enough, and Too Soon to Tell. From 1996 to 2001, Trillin did a column for Time.

Since 1990, Trillin has written a piece of comic verse weekly for The Nation. In 1994, he published Deadline Poet, his account of being a commentator-in-rhyme on the news of the day.

Trillin’s books have included three comic novels, a collection of short stories, a travel book and an account of the desegregation of the University of Georgia. His three antic books on eating — American Fried, Alice Let’s Eat and Third Helpings — were compiled in 1994 into a single volume called The Tummy Trilogy. His memoirs include Remembering Denny and Messages from My Father, both New York Times bestsellers.

Trillin lives in New York City.

Biography

As a religion reporter, Calvin Trillin showed himself as something of a Doubting Thomas.

He was working for Time in the 1960s, and he didn't much like his assigned beat. So, he turned to one of the standard tricks of a good reporter: He hedged. "I finally got out of that by prefacing everything with 'alleged,' " he told Publishers Weekly. "I'd write about 'the alleged parting of the Red Sea,' even 'the alleged Crucifixion,' and eventually they let me go."

Fans of Trillin's writing -- his snapshots of ordinary U.S. life for The New Yorker, his political poetry in the Nation, his search for the ideal meal with his wife good-naturedly in tow -- will recognize his style in this early exercise in subversion. He is warm, gentle, and human, but there can be a dash of mischievousness for taste. Even the unwelcome sight of a brussels sprout at a buffet provoked his ire. Turning to his wife, he said, "The English have a lot to answer for."

Humorist Mark Russell took note in the pages of The New York Times in 1987: "Mark Twain, Robert Benchley and [S. J.] Perelman are dead, but Calvin Trillin is right there with the post-funeral cocktail to assure us that life goes on."

Born in Kansas City but transplanted to the West Village of New York City, Trillin has kept in touch with his midwestern roots for much of his writing. A collection of articles from The New Yorker on so-called ordinary murders from around the country became the book Killings, called by The Wall Street Journal "one of the most low-key, dispassionate, matter-of-fact books on murder ever produced."

In its review, the Los Angeles Times said: "He may be The New Yorker's finest stylist, and his writing is quite different from the careful accretion of detail that characterizes much of the magazine's writing. Trillin omits as much as he possibly can; he leaves spaces for resonating, like a guitar string stopped and kept mute to sound the overtone from the next string down."

In Travels with Alice he writes of looking for hamburgers on the Champs Elysées in Paris. Even in a classic New York story, Tepper Isn't Going Out, he writes not of theater or restaurants or even a rent-controlled apartment equidistant between Zabar's and Central Park. Instead he seeks out deeper pleasures: finding the perfect parking space, and holding onto it.

Humor is a Trillin trademark. He began writing a humor column for The Nation in the late 1970s called Uncivil Liberties that became two book collections. In 1980, The New York Times chuckled gratefully at his first novel, writing that "the antics around the nameless news magazine in...Floater are as funny as The Front Page and as absurd as playground pranks."

In 1990, he began treating Nation readers to a new column, a weekly spot of verse on the political hijinks of the day, pieces with names like "If You Knew What Sununu." This, too, became a book, The Deadline Poet: My Life as a Doggerelist. He even shares insights into the creative process: "A fool is fine. A pompous fool's sublime. / It also helps if they have names that rhyme."

Trillin's résumé has a sense of elasticity: journalist, novelist, humorist, satirist, poet. But there is a commonality to his work: It's approachable. And The Washington Post's Jonathan Yardley points out that, for a journalist, this may be the toughest feat of all.

"Calvin Trillin is like an old shoe," he wrote in a 1998 review of Trillin's Family Man. "Whatever he may be writing about, he always makes you want to slip into it and get comfy. This may seem like a modest compliment, but it is a high one indeed. Few tricks are more difficult for the journalist to pull off than being consistently likable and engaging, making oneself and one's little world interesting and appealing to others."

Good To Know

Growing up in Kansas City, Calvin Marshall Trillin was known as Buddy.

The family name was originally Trilinsky.

He staged two one-man shows showcasing his humor in the late 1980s and early 1990s.

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    1. Also Known As:
      Calvin Marshall Trillin (full name)
    2. Hometown:
      New York, New York
    1. Date of Birth:
      December 5, 1935
    2. Place of Birth:
      Kansas City, Missouri
    1. Education:
      B.A., Yale University, 1957

Read an Excerpt

Curtain Time

"It's absolutely unconscionable," the young man said loudly, shaking a banana in front of the fruit peddler's face. "It's simply not to be believed. It's unbelievable."

Murray Tepper looked up from his newspaper to see what was happening. Tepper was sitting behind the wheel of a dark blue Chevrolet Malibu that was parked on the uptown side of Forty-third Street, between Fifth and Sixth. Across the street, an argument was going on between an intense young man in a suit and the peddler who set up a stand on Forty-third Street every day to sell apples and bananas and peaches to office workers. Tepper had seen them go at it before. The young man was complaining about the price that the peddler charged for a single banana. The peddler was defending himself in an accent that Tepper couldn't place even by continent. There had been a time when the accents of New York fruit peddlers were dependably Italian—Tepper had for years thought of "banana" as a more or less Italian word, in the way that some New Yorkers thought of "aggravation" as a more or less Yiddish word—but that time had long passed. As the young man in the suit practically pulsated with outrage, the peddler repeated a single phrase over and over again in his mysterious accent. Finally, Tepper was able to figure out what the peddler kept saying: "free-market economy, free-market economy, free-market economy. . . ."

It was six-thirty on a Tuesday evening in May. The air was mild. For ten days, there had been clear skies and spring temperatures, disappointing those New Yorkers who liked to complain every May that the weather had changed from bitterly cold winter to brutally hot summer as if God—a stern and vengeful God—had flipped a switch. Tepper was comfortable in the suit he'd worn to work that day—a garment that was in the category he sometimes referred to as "office suits," slightly worn and maybe a bit shiny at the elbows. He thought of his office suits as the equivalents of the suits a high-school teacher nearing retirement age might wear to school. In fact, Tepper thought of himself as looking a bit like a high-school teacher nearing retirement age—a medium-sized man with thin hair going gray and a face that didn't seem designed to hold an expression long.

There was plenty of light left on Forty-third Street. Tepper was reading the New York Post, which he still considered an evening paper, even though it had been coming out in the morning for years. The proprietors of the Post could publish it any time of day they wanted to; Tepper read it in the evening. People who had finished up late at the office were walking briskly toward the subway stops or Grand Central. A few of them, before going their separate ways, stopped to chat with colleagues at building entrances. The chats tended to be brief, perhaps because the entrances still smelled something like the bottom of an ashtray from a full day of smokers having ducked out of their smoke-free offices to pace up and down in front of the building, taking long, purposeful drags and exchanging nods now and then, like lifers in the exercise yard greeting people to whom they had long ago said everything they had to say.

Aside from an occasional argument over the price of fruit, Forty-third Street didn't provide much entertainment for Tepper. Forty-seventh Street between Fifth and Sixth, just a few blocks uptown, would undoubtedly be livelier. Forty-seventh Street was the diamond district, after all, and it had always fielded an interesting variety of pedestrians—Hasidic Jews taking a break from their diamond-cutting jobs, young couples on their way to buy an engagement ring from a dealer who had apparently given a very good deal to some acquaintance's brother-in-law's uncle, innocuous-looking security people on the alert for thieves who knew that any number of people walked up and down Forty-seventh Street with thousands of dollars' worth of diamonds jangling in their pockets. Tepper had, in fact, bought his wife's engagement ring on Forty-seventh Street many years before, from a man whose device for building trust was to confide in the customer about the perfidy of other dealers.

"See that one over there," Tepper's dealer had said, indicating with a quick jerk of his eyebrows a small man in the booth across the way. "Perlmutter. I saw him sell a piece of cut glass to a young couple by implying, without actually saying so in so many words, that it was a four-carat diamond that may have been—may have been, he wanted to emphasize; he didn't claim to have proof of this—worn by Marie of Rumania. The boy he was talking to was a yokel, a farmer. You could practically see the hay coming out of his ears. He looked like he came from Indiana or Idaho or one of them. Perlmutter had to spell 'Rumania' for him. Maybe 'Marie,' too; I don't remember. The yokel bought the ring. A shonda was what that was, young man. A scandal. A disgrace to the trade and to those of us trying to make an honest living. Now, let me show you a small but elegant little stone that, to be quite frank with you . . ."

Forty-seventh Street would be livelier, Tepper thought, although the dealer who'd pointed out the wily Perlmutter was undoubtedly long gone and these days a lot of young couples probably bought their engagement rings over the Internet.

Behind Tepper, a car was coming slowly down Forty-third Street. As it passed the imposing structure occupied by the Century Club, it slowed even more, and, a few yards farther, came to a stop just behind Tepper's Chevrolet. Taking his eyes away from the paper for only an instant, Tepper shot a quick glance toward his side mirror. He could see a Mercury with New Jersey license plates—probably theatergoers from the suburbs who knew that these streets in the forties were legal for long-term metered parking after six. The New Jersey people would be hoping to find a spot, grab a bite in a sushi bar or a deli, and then walk to the theater. Good planners, people from New Jersey, Tepper thought, except for the plan they must have hatched at some point to move to New Jersey. (The possibility that anybody started out in New Jersey—that any number of people had actually been born there—was not a possibility Tepper had ever dwelled on.) He pretended to concentrate on his newspaper, although he was, in fact, still thinking of the state of New Jersey, which he envisioned as a series of vast shopping-mall parking lots, where any fool could find a spot. The Mercury's driver tapped his horn a couple of times, and then, getting no response, moved even with Tepper's Chevy. The woman who was sitting on the passenger side stuck her head out of the window and said, "Going out?"

Tepper said nothing.

"Are you going out?" the woman asked again.

Tepper did not look up, but with his right hand he reached over toward the window and wagged his index finger back and forth, in the gesture some Southern Europeans have perfected as a way of dealing with solicitations from shoeshine boys or beggars. Tepper had been able to wag his finger in the negative with some authority since 1954, when, as a young draftee who regularly reminded himself to be grateful that at least the shooting had stopped, he spent thirteen miserable months as a clerk-typist in a motor pool in Pusan and had to ward off prostitutes and beggars every time he left the base. An acquaintance had once expressed envy for the gesture as something that seemed quite cosmopolitan, but Tepper would have traded it in an instant for the ability to do the legendary New York taxi-hailing whistle that was accomplished by jamming a finger in each corner of the mouth.

He had never been able to master that whistle, despite years of patient coaching by a doorman named Hector, on West Eighty-third. Tepper had encountered Hector while looking for overnight parking spots in his own neighborhood, in the days before his wife managed to persuade him to take space for his car by the month in a multilevel garage a few blocks from their apartment. He hadn't seen anybody use the fingers-in-the-mouth whistle on the street for a long time. He hadn't tried it for a long time himself. Was it something that might simply come to him, after all these years? Now that he wasn't trying it several evenings a week under the pressure of Hector's watchful eye, might it just appear, the way a smooth golf swing sometimes comes inexplicably to duffers once the tension of their expensive lessons has ended? He was about to jam a couple of fingers in the corners of his mouth to see if the gift might have arrived unannounced when he realized that the Mercury was still idling next to him, making it necessary to remain focused on the newspaper.

"He's not going out," the woman shouted to the man at the wheel, loudly enough for Tepper to hear.

"He's not going out?" the driver shouted back, sounding incredulous. "What do you mean he's not going out?"

"He probably parks there just before six and sits there so he can tell people he's not going out," the woman shouted.

The driver gunned the motor in irritation, and the Mercury from New Jersey pulled away. Just past the entrance to the Princeton Club, it briefly stopped again, the occupants apparently having mistaken a no-parking zone in front of the post office for a legal spot. Then the driver slowly made his way toward Sixth Avenue, speeding up suddenly when a spot came open on the left and screeching to a halt a moment later as a sport-utility vehicle two cars in front of him positioned itself to go into the spot. The woman got out of the Mercury and shouted back toward Tepper. "It's your fault!" she said. "That should have been our spot! It's your fault. Making people waste time talking to you! You ought to be ashamed of yourself."

Tepper, pretending not to hear her, went back to his newspaper. He was reading a story about an office betting pool that had been held every week in a commodities-trading firm for as long as anyone in the firm could remember. A committee of the firm's partners met regularly to decide on each week's pool topic, always based on current events. The office pool had been a subject of press interest before. During the Vietnam War, some people objected to the pool's being based for several weeks in a row on casualty figures. One of the firm's partners responded by saying, "People who don't want to play hardball should get out of the game," but the casualty-figure pools were quietly dropped in favor of pools based on how many tons of explosives would be dropped on North Vietnam that week.

The commodity firm's pool was back in the news because it had been based that week on how many people would be cited for hailing a taxicab incorrectly. The mayor, Frank Ducavelli, as part of his never-ending campaign to make the city more orderly, had declared a crackdown on people who stepped out in the street to hail a taxi rather than remaining on the curb, as required by an ordinance that nobody but the mayor and his city attorney had ever heard of. Tabloid headlines didn't have the space for the mayor's entire last name. It was known that when Frank Ducavelli first became a force in the city he had hoped that headline writers might refer to him as the Duke, suggesting not only nobility but the Dodger great Duke Snider. Given the mayor's interest in order and his draconian response to anyone who disagreed with him, though, the tabloids tended to go with Il Duce. The item Tepper was reading about the weekly pool at the commodities-trading firm was headlined il duce edict hot commodity.

The taxi drivers had objected to the enforcement of the ordinance, of course, and the mayor had called them vermin. The senior staff attorney of the New York Civil Liberties Union, Jeremy Thornton, had said that Ducavelli's attempt to enforce the ordinance was "another of the spitballs that our mayor regularly flings at the Constitution of the United States." The mayor had replied that Jeremy Thornton had a constitutional right to demonstrate that he was a reckless and irresponsible fool but that he should probably be disbarred anyway, as a public service. When a city councilman, Norm Plotkin, usually a supporter of City Hall, pointed out that someone flagging a cab from behind a line of parked cars was unlikely to be seen, he had been dismissed by Mayor Ducavelli as "stupid and imbecilic—someone who obviously has no regard whatsoever for public safety and is totally unconcerned about citizens of this city being struck down and killed in the street like dogs."

Years before, in an article about how jokes get created and spread around, Tepper had read that commodities traders were at the heart of the joke distribution system. The article had inspired him to test a list of licensed commodities brokers for a client who was trying to sell a book of elephant jokes through the mail, and the list had done fairly well—well enough to justify its use again to sell a book of lightbulb jokes and a tape-cassette course on how to be a hit at parties. Tepper had decided that the actual trading of commodities must not require a lot of time if traders could engage in so many extracurricular activities, like organizing betting pools and distributing jokes.

Tepper could hear the drone of another car moving slowly down the street behind him. He decided to use the backhand flick if the car stopped next to him. He had perfected the backhand flick only that week—a speeded-up version of someone clearing away cobwebs while walking through a dimly lit attic. He used only his left hand. Without looking up from his newspaper, he would flick his fingers in the direction of the inquiring parker. It had taken some time to find precisely the right velocity of flicking—a movement that contained authority but lacked aggression.

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  • Posted October 22, 2010

    more from this reviewer

    Delightfully odd and humorous and intriguing

    Tepper is sitting in his car, reading the paper and people-watching. He's in New York. There are lots of people to watch. But who's watching Tepper?

    Murray Tepper is a very likeable character with a very odd quirk. He seems to like sitting in his car. He seems to enjoy searching the streets, no mean feat, to find a parking space. Then he sits and reads.

    Tepper has his some favorite places to stop, and soon there are favorite people to watch; even a young wannabe reporter who writes a newspaper article. And "Tepper isn't going out." His car's staying right where it is, so those drivers waiting for him to move will simply have to seek respite elsewhere.

    Tepper's wife is a little concerned. After all, people don't usually leave the house to sit in the car. Tepper's son-in-law seems to doubt his father-in-law's sanity. Tepper's co-workers continue to ask about those mailing lists, and the reader is left to ponder other connections. people who need help like talking to strangers in cars perhaps. (Well, kids who need to talk are far more likely to in a car, as parents can tell, but usually it's moving.)

    Then there's the mayor who seems to feel oddly threatened by many things. Then there's the altercation between would-be parkers and would-be people watching Tepper watching people. It gets more complicated, and more fun, while Tepper continues to placidly maintain, if there's money on the meter, Tepper isn't going out.

    The story climbs to amusing heights with gentle irony and a pleasing twist. Not necessarily laugh-out-loud, it's certainly laugh-quietly and smile-behind-your-book; a really enjoyable, pleasantly wise, and curiously cheerful kind of tale. I really enjoyed it.

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  • Anonymous

    Posted June 23, 2004

    Judge this book by its cover

    If you've lived or worked in NYC, you'll not be able to stop nodding and smiling while you read this book. 'Tepper isn't going out' is a story you will wish didn't have to end. By the time you finish reading this book, you are reassured that you are not the only one with the problems.

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  • Anonymous

    Posted January 31, 2004

    A delightful tale about a seemingly simple man

    I completely enjoyed this story. Written in a very smooth style with plenty of witty humor. So original!

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  • Anonymous

    Posted May 7, 2003

    The Philosophy of Parking

    Tepper is a simple man who has one true desire in life: to find the perfect parking spot in NYC. He so enjoys the mission of finding such a space that he's taken to reading the evening paper in his parked car, much to the agitation of other drivers looking for a similar space. Accidentally, Tepper becomes the center of controversy and wisdom, drawing the attention of the media, the mayor and the citizens of NYC.

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  • Anonymous

    Posted January 10, 2003

    A GOOD READ

    The author had a simple, yet unique, idea for the plot of this book. A very light, entertaining, easy book to read. I will recommend this one!

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  • Anonymous

    Posted September 22, 2002

    Tepper doesn't have a life, nor does this book...

    This book was given to me as a gift and I read it with much anticipation, being a NYer who owns a car and parks it on the street. I hoped to be laughing out loud in every chapter. Instead I found most of it tedious reading, a sort of imitation "Bonfire of the Vanities" without the compelling characters. There were moments of laugh out loud humor and a savy (not out of date) about parking trivia in NYC, but I was mostly groaning at a protagonist who did not sustain any interest for me. The idea of anyone in NYC spending hours parking for the fun of it just doesn't fly. As an episode of Seinfeld, it might hold more appeal, But as literature? A miss.

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  • Anonymous

    Posted July 15, 2002

    I love to read for symbolism, deeper meanings, ect...

    but sometimes you just need to read a book for what it is. The title gives you a peek as to what the book entails. I would recomend this to anyone who is looking for a funny book and easy reading.

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  • Anonymous

    Posted June 4, 2002

    Funny Book!

    This book is hilarious! It could easily be a movie or sitcom. Please treat yourself and read this book!

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  • Anonymous

    Posted February 22, 2010

    No text was provided for this review.

  • Anonymous

    Posted October 29, 2008

    No text was provided for this review.

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