Tess of the d'Urbervilles (Case Studies in Contemporary Criticism Series) / Edition 1by John Paul Riquelme, Thomas Hardy
Pub. Date: 03/01/1998
Publisher: Bedford/St. Martin's
Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's 'bestseller,' and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men—Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely/i>
Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's 'bestseller,' and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men—Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband—Tess escapes from her vise of passion through a horrible, desperate act.
'Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination,' said Irving Howe. 'In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting.'
Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.
Table of Contents
The Complete Text
• Biographical and Historical Contexts: Tess of the d'Urbervilles
• Case Study in Contemporary Criticism
• Cultural Criticism: Jennifer Wicke, "The Same and the Different: Standards and Standardization in Tess of the d'Urbervilles "
• Deconstruction: John Paul Riquelme, "Doubling and Repetition in Tess of the d'Urbervilles "
• Feminist Criticism: Ellen Rooney, "Tess and the Subject of Sexual Violence: Reading, Rape, Seduction"
• New Historicism: Catherine Gallagher, "Tess of the d'Urbervilles : Hardy's Anthropology of the Novel"
• Reader-Response Criticism: Garrett Stewart, "'Driven Well Home to the Reader's Heart': Tess's Implicated Audience"
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