Tess of the d'Urbervilles

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Overview

A ne'er-do-well exploits his gentle daughter's beauty for social advancement in this masterpiece of tragic fiction. Hardy's 1891 novel defied convention to focus on the rural lower class for a frank treatment of sexuality and religion. Then and now, his sympathetic portrait of a victim of Victorian hypocrisy offers compelling reading.

Hardy creates a striking and tragic heroine, who has become memorable in the annals of literature....

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Tess of the d'Urbervilles (Barnes & Noble Classics Series)

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Overview

A ne'er-do-well exploits his gentle daughter's beauty for social advancement in this masterpiece of tragic fiction. Hardy's 1891 novel defied convention to focus on the rural lower class for a frank treatment of sexuality and religion. Then and now, his sympathetic portrait of a victim of Victorian hypocrisy offers compelling reading.

Hardy creates a striking and tragic heroine, who has become memorable in the annals of literature. Here is an interesting example of the extent to which Hardy was obliged to bow to the dictates of late-Victorian morality.

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Editorial Reviews

Publishers Weekly

Anna Bentinck ratchets up the melodrama for this full-blooded reading of Hardy's classic-a staple of high-school English classes everywhere. Students desperate to penetrate Hardy's notoriously slow masterpiece should turn to Bentinck, who gives it an intense emotional coloring. She makes Hardy sound like a brother to the Brontë sisters: passionate and brooding. Bentinck alternates between a crisp, precise narrative voice that sounds like Helen Mirren, and Tess's own voice, quavering, shallow and meek. Bentinck retains her composure throughout, and her assured performance may be a welcome rescue for struggling 11th graders across the country. (June)

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From Barnes & Noble
The tragic story of a woman wronged by two men and by the harsh, repressive society in which she lives. Hardy's most striking and tragic heroine, Tess is a woman of intense vitality and innate goodness, and the author's favorite character.
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Product Details

  • ISBN-13: 9789626348673
  • Publisher: Naxos of America, Inc.
  • Publication date: 4/17/2008
  • Series: Complete Classics Series
  • Format: CD
  • Edition description: Unabridged, 14 CDs, 17 hrs. 30 min.
  • Product dimensions: 5.40 (w) x 5.30 (h) x 2.30 (d)

Meet the Author


Thomas Hardy was born on June 2, 1840, in a thatched-roof cottage in upper Bockhampton, Dorset, England, a prophetic birthplace that lay in the center of 'Wessex,' the fictional region of southwest England which would serve as the backdrop for his novels. The eldest son of a prosperous builder and stonemason, Hardy was educated at the village school and apprenticed at the age of sixteen to local architect and church restorer John Hicks. In 1862 he went to London to pursue his architectural career; he also began writing at this time. Hardy returned to Dorset in 1867 to become assistant to John Hicks and wrote his first novel, The Poor Man and the Lady, of which only fragments remain. Although George Meredith, who was reader for Chapman & Hall publishers, advised against its publication, he encouraged Hardy to keep writing, preferably a story with a more complicated plot. Over the next several years he produced three more novels: Desperate Remedies (1871) and Under the Greenwood Tree (1872) were published anonymously, but A Pair of Blue Eyes (1873) bore the author's name.

In November 1872, Leslie Stephen, the distinguished critic and editor, wrote to Hardy inviting him to contribute a novel for serialization in the Cornhill Magazine, a prestigious monthly that had published the work of such established writers as Anthony Trollope. Hardy accepted and in his letter to Stephen added that 'the chief characters would probably be a young woman-farmer, a shepherd, and a sergeant of cavalry.' He wrote Far from the Madding Crowd both in and out of doors at Bockhamptom as if possessed. 'Occasionally without a scrap of paper at the very momentwhen [I] felt volumes . . . [I] would use large dead leaves, white chips left by the woodcutters, or pieces of stone or slate that came to hand,' Hardy later recalled. Published anonymously in 1874, Far from the Madding Crowd sold out in just over two months and marked the turning point in Hardy's literary career. As Virginia Woolf later noted: 'The subject was right; the method was right; the poet and the countryman, the sensual man, the sombre reflective man, the man of learning, all enlisted to produce a book which, however fashions may chop and change, must hold its place among the great English novels.'

The success of Far from the Madding Crowd in 1874 encouraged Hardy to abandon architecture and devote himself entirely to the craft of fiction. His next novel, The Hand of Ethelberta (1876), also appeared in the Cornhill Magazine but did not repeat the success of its predecessor. In 1874 Hardy married Emma Lavinia Gifford, and the couple soon settled in an idyllic cottage overlooking the Dorset Stour, at Sturminster Newton, where Hardy wrote The Return of the Native (1878). In 1878 he moved to London. Although he became a well-known figure in literary circles and was considered a catch for hostesses, Hardy wrote three disappointing 'minor' novels during his years there: The Trumpet-Major (1880), A Laodicean (1881), and Two on a Tower (1882). This fallow period in his career seemed to lift in 1885 with his return to Dorset to live at Max Gate. Over the next three years he published The Mayor of Casterbridge (1886), which many regard as his greatest tragic novel, The Woodlanders (1887), and his first collection of short stories, Wessex Tales (1888). In 1891 Tess of the d'Urbervilles appeared, and in 1895 Hardy's final novel, Jude the Obscure, came out. The book sent shock waves of indignation rolling across Victorian England. It was denounced as pornography and subjected the author to an avalanche of abuse. Hardy's disgust at the public's reaction led him to announce in 1896 that he would never again write fiction.

During the remaining years of his life, Hardy devoted himself to poetry, publishing his first book of verse, Wessex Poems, in 1898. A second collection, Poems of the Past and Present, appeared in 1901. Over the next five years Hardy wrote The Dynasts, an epic drama about the Napoleonic War. In 1912 he made a final revision of his novels for the authoritative Wessex Editions. Hardy's wife died suddenly the same year. In February 1914 he married his longtime secretary, Florence Emily Dugdale. Over the next decade Hardy continued to write poetry and to work on his autobiography, The Early Life of Thomas Hardy, which was supposedly authored by his second wife and published posthumously. Thomas Hardy died in Dorset on January 11, 1928. His heart was buried in the Wessex countryside in the parish churchyard at Stinsford; his ashes were placed next to those of Charles Dickens in the Poets' Corner of Westminster Abbey.

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Read an Excerpt

ON an evening in the latter part of May a middle-aged man was walking homeward from Shaston to the village of Marlott, in the adjoining Vale of Blakemore or Blackmoor. The pair of legs that carried him were rickety, and there was a bias in his gait which inclined him somewhat to the left of a straight line. He occasionally gave a smart nod, as if in confirmation of some opinion, though he was not thinking of anything in particular. An empty egg-basket was slung upon his arm, the nap of his hat was ruffled, a patch being quite worn away at its brim where his thumb came in taking it off. Presently he was met by an elderly parson astride on a gray mare, who, as he rode, hummed a wandering tune.

'Good night t'ee,' said the man with the basket.

'Good night, Sir John,' said the parson.

The pedestrian, after another pace or two, halted, and turned round.

'Now, sir, begging your pardon; we met last market-day on this road about this time, and I zaid 'oGood night', and you made reply 'Good night, Sir John', as now.'

'I did,' said the parson.

'And once before that—near a month ago.'

'I may have.'

'Then what might your meaning be in calling me 'Sir John' these different times, when I be plain Jack Durbeyfield, the haggler?'

The parson rode a step or two nearer.

'It was only my whim,' he said; and, after a moment's hesitation: 'It was on account of a discovery I made some little time ago, whilst I was hunting up pedigrees for the new county history. I am Parson Tringham, the antiquary, of Stagfoot Lane. Don't you really know, Durbeyfield, that you are the lineal representative of the ancient and knightlyfamily of the d'Urbervilles, who derive their descent from Sir Pagan d'Urberville, that renowned knight who came from Normandy with William the Conqueror, as appears by Battle Abbey Roll?'

'Never heard it before, sir?'

'Well it's true. Throw up your chin a moment, so that I may catch the profile of your face better. Yes, that's the d'Urberville nose and chin—a little debased. Your ancestor was one of the twelve knights who assisted the Lord of Estremavilla in Normandy in his conquest of Glamorganshire. Branches of your family held manors over all this part of England; their names appear in the Pipe Rolls in the time of King Stephen. In the reign of King John one of them was rich enough to give a manor to the Knights Hospitallers; and in Edward the Second's time your forefather Brian was summoned to Westminster to attend the great Council there. You declined a little in Oliver Cromwell's time, but to no serious extent, and in Charles the Second's reign you were made Knights of the Royal Oak for your loyalty. Aye, there have been generations of Sir Johns among you, and if knighthood were hereditary, like a baronetcy, as it practically was in old times, when men were knighted from father to son, you would be Sir John now.'

'Ye don't say so!'

'In short,' concluded the parson, decisively smacking his leg with his switch, 'there's hardly such another family in England.'

'Daze my eyes, and isn't there?' said Durbeyfield. 'And here have I been knocking about, year after year, from pillar to post, as if I was no more than the commonest feller in the parish . . . And how long hev this news about me been knowed, Pa'son Tringham?'

The clergyman explained that, as far as he was aware, it had quite died out of knowledge, and could hardly be said to be known at all. His own investigations had begun on a day in the preceding spring when, having been engaged in tracing the vicissitudes of the d'Urberville family, he had observed Durbeyfield's name on his waggon, and had thereupon been led to make inquiries about his father and grandfather till he had no doubt on the subject.

'At first I resolved not to disturb you with such a useless piece of information,' said he. 'However, our impulses are too strong for our judgment sometimes. I thought you might perhaps know something of it all the while.'

'Well, I have heard once or twice, 'tis true, that my family had seen better days afore they came to Blackmoor. But I took no notice o't, thinking it to mean that we had once kept two horses where we now keep only one. I've got a wold silver spoon, and a wold graven seal at home, too; but, Lord, what's a spoon and seal? . . . And to think that I and these noble d'Urbervilles were one flesh all the time. 'Twas said that my gr't-grandfer had secrets, and didn't care to talk of where he came from . . . And where do we raise our smoke, now, parson, if I may make so bold; I mean, where do we d'Urbervilles live?'

'You don't live anywhere. You are extinct—as a county family.'

'That's bad.'

'Yes—what the mendacious family chronicles call extinct in the male line—that is, gone down—gone under.'

'Then where do we lie?'
'At Kingsbere-sub-Greenhill: rows and rows of you in your vaults, with your effigies under Purbeck-marble canopies.'

'And where be our family mansions and estates?'

'You haven't any.'

'Oh? No lands neither?'

'None; though you once had 'em in abundance, as I said, for your family consisted of numerous branches. In this county there was a seat of yours at Kingsbere, and another at Sherton, and another at Millpond, and another at Lullstead, and another at Wellbridge.'

'And shall we ever come into our own again?'

'Ah—that I can't tell!'

'And what had I better do about it, sir?' asked Durbeyfield, after a pause.

'Oh—nothing, nothing; except chasten yourself with the thought of 'how are the mighty fallen'. It is a fact of some interest to the local historian and genealogist, nothing more. There are several families among the cottagers of this county of almost equal lustre. Good night.'

'But you'll turn back and have a quart of beer wi' me on the strength o't, Pa&rs'n Tringham? There's a very pretty brew in tap at The Pure Drop—though, to be sure, not so good as at Rolliver'.'

'No, thank you—not this evening, Durbeyfield. You've had enough already.' Concluding thus the parson rode on his way, with doubts as to his discretion in retailing this curious bit of lore.

When he was gone Durbeyfield walked a few steps in a profound reverie, and then sat down upon the grassy bank by the roadside, depositing his basket before him. In a few minutes a youth appeared in the distance, walking in the same direction as that which had been pursued by Durbeyfield. The latter, on seeing him, held up his hand, and the lad quickened his pace and came near.

'Boy, take up that basket! I want 'oee to go on an errand for me.'

The lath-like stripling frowned. 'Who be you, then, John Durbeyfield, to order me about and call me 'boy'? You know my name as well as I know yours!'

'Do you, do you? That's the secret—that's the secret! Now obey my orders, and take the message I'm going to charge 'ee wi' . . . Well, Fred, I don't mind telling you that the secret is that I'm one of a noble race—it has been just found out by me this present afternoon, P.M.' And as he made the announcement, Durbeyfield, declining from his sitting position, luxuriously stretched himself out upon the bank among the daisies.

The lad stood before Durbeyfield, and contemplated his length from crown to toe.

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Table of Contents

About the Series
About This Volume
Pt. 1 Tess of the d'Urbervilles: The Complete Text
The Complete Text 19
Pt. 2 Tess of the d'Urbervilles: A Case Study in Contemporary Criticism
A Critical History of Tess of the d'Urbervilles 387
The New Historicism and Tess of the d'Urbervilles 405
Tess of the d'Urbervilles: Hardey's Anthropology of the Novel 422
Feminist and Gender Criticism and Tess of the d'Urbervilles 441
Tess and the Subject of Sexual Violence: Reading, Rape, Seduction 462
Deconstruction and Tess of the d'Urbervilles 484
Echoic Language, Uncertainty, and Freedom in Tess of the d'Urbervilles 506
Reader-Response Criticism and Tess of the d'Urbervilles 521
"Driven Well Home to the Reader's Heart": Tess's Implicated Audience 537
Cultural Criticism and Tess of the d'Urbervilles 552
The Same and the Different: Standards and Standardization in Thomas Hardy's Tess of the d'Urbervilles 571
Glossary of Critical and Theoretical Terms 591
About the Contributors 605
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First Chapter

PHASE THE FIRST

THE MAIDEN

Chapter One

On an evening in the latter part of May a middle-aged man was walking homeward from Shaston to the village of Marlott, in the adjoining Vale of Blakemore or Blackmoor. The pair of legs that carried him were rickety, and there was a bias in his gait which inclined him somewhat to the left of a straight line. He occasionally gave a smart nod, as if in confirmation of some opinion, though he was not thinking of anything in particular. An empty egg-basket was slung upon his arm, the nap of his hat was ruffled, a patch being quite worn away at its brim where his thumb came in taking it off. Presently he was met by an elderly parson astride on a gray mare, who, as he rode, hummed a wandering tune.

"Good night t'ee," said the man with the basket.

"Good night, Sir John," said the parson.

The pedestrian, after another pace or two, halted, and turned round.

"Now, sir, begging your pardon; we met last market-day on this road about this time, and I zaid 'Good night,' and you made reply 'Good night, Sir John,' as now."

"I did," said the parson.

"And once before that -- near a month ago."

"I may have."

"Then what might your meaning be in calling me 'Sir John' these different times, when I be plain Jack Durbeyfield, the haggler?"

The parson rode a step or two nearer.

"It was only my whim," he said; and, after a moment's hesitation: "It was on account of a discovery I made some little time ago, whilst I was hunting up pedigrees for the new county history. I am Parson Tringham, the antiquary, of Stagfoot Lane. Don't you really know, Durbeyfield, that yourgyman explained that, as far as he was aware, it had quite died out of knowledge, and could hardly be said to be known at all. His own investigations had begun on a day in the preceding spring when, having been engaged in tracing the vicissitudes of the d'Urberville family, he had observed Durbeyfield's name on his waggon, and had thereupon been led to make inquiries about his father and grandfather till he had no doubt on the subject.

"At first I resolved not to disturb you with such a useless piece of information," said he. "However, our impulses are too strong for our judgment sometimes. I thought you might perhaps know something of it all the while."

"Well, I have heard once or twice, 'tis true, that my family had seen better days afore they came to Blackmoor. But I took no notice o't, thinking it to mean that we had once kept two horses where we now keep only one. I've got a wold silver spoon, and a wold graven seal at home, too; but, Lord, what's a spoon and seal?...And to think that I and these noble d'Urbervilles were one flesh all the time. 'Twas said that my gr't-grandfer had secrets, and didn't care to talk of where he came from...And where do we raise our smoke, now, parson, if I may make so bold; I mean, where do we d'Urbervilles live?"

"You don't live anywhere. You are extinct -- as a county family."

"That's bad."

"Yes -- what the mendacious family chronicles call extinct in the male line -- that is, gone down -- gone under."

"Then where do we lie?"

"At Kingsbere-sub-Greenhill: rows and rows of you in your vaults, with your effigies under Purbeck-marble canopies."

"And where be our family mansions and estates?"

"You haven't any."

"Oh? No lands neither?"

"None; th ough you once had 'em in abundance, as I said, for your family consisted of numerous branches. In this county there was a seat of yours at Kingsbere, and another at Sherton, and another at Millpond, and another at Lullstead, and another at Wellbridge."

"And shall we ever come into our own again?"

"Ah -- that I can't tell!"

"And what had I better do about it, sir?" asked Durbeyfield, after a pause.

"Oh -- nothing, nothing; except chasten yourself with the thought of 'how are the mighty fallen.' It is a fact of some interest to the local historian and genealogist, nothing more. There are several families among the cottagers of this county of almost equal lustre. Good night."

"But you'll turn back and have a quart of beer wi' me on the strength o't, Pa'son Tringham? There's a very pretty brew in tap at The Pure Drop -- though, to be sure, not so good as at Rolliver's."

"No, thank you -- not this evening, Durbeyfield. You've had enough already." Concluding thus the parson rode on his way, with doubts as to his discretion in retailing this curious bit of lore.

When he was gone Durbeyfield walked a few steps in a profound reverie, and then sat down upon the grassy bank by the roadside, depositing his basket before him. In a few minutes a youth appeared in the distance, walking in the same direction as that which had been pursued by Durbeyfield. The latter, on seeing him, held up his hand, and the lad quickened his pace and came near.

"Boy, take up that basket! I want 'ee to go on an errand for me."

The lath-like stripling frowned. "Who be you, then, John Durbeyfield, to order me about and call me 'boy'? You know my name as well as I know yours!"

"Do you, do you? That's the secret -- th at's the secret! Now obey my orders, and take the message I'm going to charge 'ee wi'....Well, Fred, I don't mind telling you that the secret is that I'm one of a noble race -- it has been just found out by me this present afternoon, P.M." And as he made the announcement, Durbeyfield, declining from his sitting position, luxuriously stretched himself out upon the bank among the daisies.

The lad stood before Durbeyfield, and contemplated his length from crown to toe.

"Sir John d'Urberville -- that's who I am," continued the prostrate man. "That is if knights were baronets -- which they be. 'Tis recorded in history all about me. Dost know of such a place, lad, as Kingsbere-sub-Greenhill?"

"Ees. I've been there to Greenhill Fair."

"Well, under the church of that city there lie -- "

"'Tisn't a city, the place I mean; leastwise 'twaddn' when I was there -- 'twas a little one-eyed, blinking sort o' place."

"Never you mind the place, boy, that's not the question before us. Under the church of that there parish lie my ancestors -- hundreds of 'em -- in coats of mail and jewels, in gr't lead coffins weighing tons and tons. There's not a man in the county o' South-Wessex that's got grander and nobler skillentons in his family than I."

"Oh?"

"Now take up that basket, and goo on to Marlott, and when you've come to The Pure Drop Inn, tell 'em to send a horse and carriage to me immed'ately, to carry me hwome. And in the bottom o' the carriage they be to put a noggin o' rum in a small bottle, and chalk it up to my account. And when you've done that goo on to my house with the basket, and tell my wife to put away that washing, because she needn't finish it, and wait till I come hwome, as I've news t o tell her."

As the lad stood in a dubious attitude, Durbeyfield put his hand in his pocket, and produced a shilling, one of the chronically few that he possessed.

"Here's for your labour, lad."

This made a difference in the young man's estimate of the position.

"Yes, Sir John. Thank 'ee. Anything else I can do for 'ee, Sir John?"

"Tell 'em at hwome that I should like for supper, -- well, lamb's fry if they can get it; and if they can't, black-pot; and if they can't get that, well, chitterlings will do."

"Yes, Sir John."

The boy took up the basket, and as he set out the notes of a brass band were heard from the direction of the village.

"What's that?" said Durbeyfield. "Not on account o' I?"

"'Tis the women's club-walking, Sir John. Why, your da'ter is one o' the members."

"To be sure -- I'd quite forgot it in my thoughts of greater things! Well, vamp on to Marlott, will ye, and order that carriage, and maybe I'll drive round and inspect the club."

The lad departed, and Durbeyfield lay waiting on the grass and daisies in the evening sun. Not a soul passed that way for a long while, and the faint notes of the band were the only human sounds audible within the rim of blue hills.

Copyright © 1998 by Simon & Schuster

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Reading Group Guide

1. Why do you think Thomas Hardy chose the subtitle "A Pure Woman"? How does Hardy define "pure, " and in what sense does Tess personify purity? Does Hardy idealize Tess? Is she a victim or does she participate in her own undoing?

2. Discuss the roles of Alec d'Urberville and Angel Clare in Tess's life. Consider the ways in which Hardy describes them and how his choices influence the reader's impressions of them.

3. What is the significance of the seven phases into which the book is divided? Tess of the d'Urbervilles was serialized in a newspaper before it was published. Do you think the divisions relate to the serialized breaks? What else might the junctures represent and what episodes do they separate? What is the meaning of Hardy's use of the number seven?

4. In the course of the novel, Tess Durbeyfield becomes a d'Urberville. In what ways does Tess's transformation from "field" to "ville"-and her move from a country farm to a mansion in a larger town-mimic the change in English agrarian life in the wake of the Industrial Revolution?

5. In Hardy's hands, Tess and the landscape seem to have a reciprocal relationship. How does the landscape represent and reflect Tess's outlook and her situation? How do Hardy's descriptions of Tess mirror what is happening to the countryside from which she hails?

6. Before devoting himself to writing full-time, Hardy apprenticed with an architect and intended to become one himself. How do the principles of architecture inform the structural elements of the novel?

7. Thomas Hardy seems to work both within and without the traditions of theliterature of his day. What are some of the hallmarks of the writing of the time? In what ways does he break with the styles and themes of many of his contemporaries?

8. Hardy once said that he refused to "[end] a story happily merely to suit conventional ideas." Indeed, his novel took an unconventional moral stance and shocked readers upon its publication. In what ways might Tess of the d'Urbervilles have been controversial? What were some of the mores that governed and epitomized the Victorian age?

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Customer Reviews

Average Rating 3.5
( 232 )
Rating Distribution

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See All Sort by: Showing 1 – 20 of 233 Customer Reviews
  • Posted March 15, 2009

    more from this reviewer

    A Woman's Sacrifice: Herself

    An enchanting, yet tragic story, Tess of the D'Urbervilles, has definitely shown its true Realism colors. Demonstrating how a woman's gender and status will always make society belittle her, Tess was a young maiden representing purity, natural beauty, innocence, and virtue. She has shown us the acts of sacrifice for love and her own sex. This story is calling out to woman everywhere, and for all history.



    Tess was a woman who stood strong no matter how unlucky she had been presented as. For example, when her rich and cynical cousin Alec had seduced/raped her while she was sleeping she had still tried to go on with her life. This shows that Tess was innocent no matter what people thought about her and she only wanted to find happiness in her life. In addition, her child Sorrow had died because it was so unhealthy, but she did stay in remorse. Her baby's name also tells us that her relationship between her and Alec was built with sorrow and sadness and ended in that way.


    She was also a great woman of virtue. Like from the very beginning she had protected her father from the rude gossipers, even though she knew herself that he was like that. This shows that although her family had put shame upon her, she had still treated them with respect and kindness. Furthermore, before she was about to get hanged, she asked her only true love to marry her sister. This shows, that even though she loved him, she showed no jealousy but desired what was best for him.



    But most of all, Tess was a woman of sacrifice. For example, when she had stabbed Alec to death in order to gain forgiveness from Angel Clare. This shows that even death and immorality cannot withstand her overflowing romance and love for Angel. In addition, before she gets captured, she sleeps on the Stonehenge; in that time, the Stonehenge was an immoral icon. This shows that she was lying there as if she was a sacrifice to the Heathen gods and in the same way she was sacrificing her life as the police came to arrest her.



    This fictional character signifies all women that have sacrificed their lives all because of men's greed and pride. Women who have tried to make a difference in this world so that maybe someone could not bias them because of their gender. But Thomas Hardy recognizes them, and asks us to recognize them too. He also aks us as Eves to continue to fight for our rights and their rights even in the 21st century, and all the centuries to come until we have finally reached our goals of being Adam's equal in all society, and in all humanity.

    14 out of 17 people found this review helpful.

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  • Anonymous

    Posted August 17, 2008

    A beautiful novel

    I love this book. It is actually my favorite. Tess's story is tragic, as many others have pointed out. She's manipulated, used, abused, and eventually just breaks. The story is more or less a psychological study of this poor girl. I recommend this book to everyone who ever asks me. It's beautifully written and truly a wonderful book.

    6 out of 8 people found this review helpful.

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  • Posted January 9, 2009

    more from this reviewer

    A thought-provoking and somewhat-depressing novel

    I thoroughly enjoyed reading Tess of the d'Urbervilles because, as with most well-written novels, I was instantly endeared to the characters. You truly sympathize with the main character, Tess, and feel all the unfairness life heaps upon her. Hardy's characters come alive with passion and sorrow (and a little sarcasm) and he paints a clear picture of the duplicity of how one action so drastically affects two people. The opinions expressed on religion, morality and humanity give much food for thought. I felt at times the language ran on a little long, but I highly reccomend this book. <BR/><BR/>One word of warning though...it's not a happy-ending book, and I was pretty depressed the whole of the next day. That being said, I'm still glad I read it and am looking forward to seeing the mini-series.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted September 4, 2008

    A Good Read

    I really enjoyed this book and found that it had a lot of unexpected turns. At times I found it a little hard to relate to the main character but enjoyed it all the same. Unfortunately I am finding that the classics do not alway end 'happily ever after'!

    5 out of 6 people found this review helpful.

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  • Anonymous

    Posted December 22, 2007

    A Review

    Thomas Hardy was way ahead of his time, and Tess is one of the most memorable characters in literature. One can't help but become emotionally involved and reminded of many of the problems with society that have changed little a century later.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted October 9, 2007

    A reviewer

    I've read this book over and over again many times during the past 10 years and each time I read it, I come away with something that I missed the previous time. I feel that Thomas Hardy is a genius and Tess is his greatest character. This story of a young woman wronged by society still rings true in our day. No matter how much women are given equal rights, it's still a man's world. Take the time to read this book and I promise that it will become one of your favourites as well.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted April 22, 2012

    Wonky type

    There are whole paragraphs in this edition that seem not to have been transcribed well. Sentences don't make sense, punctuation is missing, weird symbols appear in random places. Sometimes a page will just end midway with no period. The next page moves on normally, but it makes me wonder what I'm missing. If this were a hard copy I would return it to the store. Not sure if that's possible with e-books.

    4 out of 7 people found this review helpful.

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  • Anonymous

    Posted July 16, 2006

    Confusing at times but enjoyable

    I somewhat enjoyed this novel. However, at times I was confused about what was going on because of the descriptiveness of the writing. This novel seems to have a deeper meaning but it was kind of hard to pinpoint it. At times the writing is very bland and boring, but the dialogue is very enjoyable. It was extremely emotional and touching.

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted July 6, 2009

    Depressing!

    The writing style, characters, and plot were all excellent, but the ending was very depressing.

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted July 9, 2008

    A reviewer

    I have read Tess multiple times and looking forward to the next time, too. The enchanting scenes (when Angel carries Tess across the water) and emotionally shocking scenes (the ending, beginning with Angels return) draw you in. Yes, the novel is tragic but beautiful all the same.

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted January 18, 2008

    beware

    This was a well written book, but if you are going to read it, be prepared because it is one of the most tragic books i have ever read. Don't expect a happy ending, it concludes, so you aren't left hanging, but like most books during this time period. It is depressing. For like a whole day after i read it, i felt very down. BUT if you can handle it, it is good. I don't regret reading it.

    3 out of 4 people found this review helpful.

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  • Posted December 26, 2012

    This book is required reading for upper division English in Coll

    This book is required reading for upper division English in Colleges and Universities.  To call it depressing is dismissive and sophomoric .  Of course it's depressing, most Hardy novels are depressing by nature, but he examines the human condition from a vulnerable, innocent, well meaning character's point of view.  Some might feel it goes a little over the top in terms of misfortune, but I have always seen this as a testament of strength of the character.  What ironically breaks her is when utmost desperate, she commits murder, which plunges her into the depths of despair.  The use of Stonehenge as a symbol of sacrifice makes the situation all the more poignant .  Anyone who says she is bored with this needs to stop reading action novels and start looking a little deeper than 2 inches.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted August 15, 2010

    I Also Recommend:

    It was a good read, just a very sad Book.

    I enjoyed this book, you can really get attached to Tess as a character a feel for her and what she is going though. I cried a lot reading this book and there were times where I had to take a break from it. Over all I liked the book. If you like Classics go for it!

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 8, 2007

    A reviewer

    This book was complete and utter trash. Tess is quite possibly the dumbest character in all of literature and the most annoying. The beginning of the book is really good and then you get to about page 170ish.... Whatever, the ending made me laugh hysterically.

    2 out of 12 people found this review helpful.

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  • Anonymous

    Posted December 15, 2013

    1 star as far as "you should read this" goes. However,

    1 star as far as &quot;you should read this&quot; goes. However, if the ratings were based on how depressing and sadistic a book is, then I suppose it would deserve 5 stars.
    I have recurring nightmares that I AM Tess in this story. I don't even understand why it's a classic. Hardly any of the choices the characters make, especially Angel and Tess, make any sense at all. I feel like Hardy literally just wrote this with the sole purpose of making everything go horribly wrong for Tess all the time. It's not even a sad book actually, it's just a stupid and pathetic book.

    1 out of 3 people found this review helpful.

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  • Posted November 25, 2013

    Can be a bit slow and lengthy at times but overall is a very goo

    Can be a bit slow and lengthy at times but overall is a very good read. The characters seem so real and you can't help but hoping that everything will turn out well for Tess. You begin to love some characters while completely hating others. Tess is so naive and helpless at times that you just want to jump into the novel and help her.
    However, it is definitely not the easiest of reads; but for those who love classic literature and are ok with having a box of tissues near them when they're reading, it's definitely a must read!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 1, 2012

    Very good.

    I liked the part where Tess was trying to figure out a way to support her parents after their horse died.

    1 out of 2 people found this review helpful.

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  • Posted November 27, 2012

    So tragic and frustrating, it makes you glad you live in the 21s

    So tragic and frustrating, it makes you glad you live in the 21st century. All of the opportunities lost by Tess and her companions due to misunderstandings and 'coincidences' make you feel the bitter pain of Tess' hardships as if they were your own. Thomas Hardy probably never imagined that he would be making young maiden girls weep at the horrible beauty of his story decades after it was written! I recommend this book only to those who don't mind heartache - this book certainly brings its share.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 12, 2012

    If you Love the Classics...

    This is a great change of pace.

    1 out of 1 people found this review helpful.

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  • Posted August 22, 2012

    more from this reviewer

    This novel had me frustrated at times but I did love it very muc

    This novel had me frustrated at times but I did love it very much! I do
    not want to spoil the story, but I wish there was more forgiveness for
    Tess since it was not her fault. At times I found the language a bit
    too much, and could not make out what things meant and had to use spark
    notes for references- I would not have known what happened to Tess with
    Alec if I did not use the cheat! Overall the story is great, and I
    felt for the protagonist very much!

    1 out of 1 people found this review helpful.

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