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| Stevie Ray Vaughan and Double Trouble | Primary Artist |
| Stevie Ray Vaughan | Indexed Contributor, Guitar, Vocals |
| Chris Layton | Drums, Group Member |
| Tommy Shannon | Bass, Group Member |
| Buddy Guy | Composer |
| John Hammond Jr. | Executive Producer |
| Lincoln Clapp | Vocal Engineer |
| Double Trouble | Producer |
| James Geddes | Recording Assistant |
| Gregg Geller | Producer |
| Jimi Hendrix | Composer |
| O'Kelly Isley | Composer |
| Rudolph Isley | Composer |
| Richard Mullen | Producer, Engineer |
| Stevie Ray Vaughan | Composer, Producer |
| John Berg | Art Direction |
| Allen Weinberg | Art Direction |
| Vic Anesini | Mastering |
| Josh Cheuse | Art Direction |
| Ashley Kahn | Liner Notes |
| Adam Farber | Direction |
| Jim Parham | Direction |
| Craig Hopkins | Memorabilia |
| Chester Burnett | Composer |
| Marisa Magliola | Direction |
| Brad Holland | Cover Art |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious Vaughan's instrumental talents were, he didn't forge a distinctive voice; instead, he wore his influences on his sleeve, whether it was Albert King's pinched yet ...