The 13th Target

( 3 )

Overview

When his wife dies of ovarian cancer, Russell Mullins quits the Secret Service to repurpose his life. He joins a Washington D.C. private protection company and is assigned to guard Paul Luguire, a Federal Reserve executive and its chief liaison with the U.S. Treasury.

Mullins and Luguire form a strong friendship. So when a police detective calls in the middle of the night with word of Luguire’s suicide, Mullins doesn’t buy it. His doubts are reinforced by Amanda Church, a former...

See more details below
Other sellers (Paperback)
  • All (23) from $2.27   
  • New (11) from $8.47   
  • Used (12) from $2.27   
The 13th Target

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$6.99
BN.com price

Overview

When his wife dies of ovarian cancer, Russell Mullins quits the Secret Service to repurpose his life. He joins a Washington D.C. private protection company and is assigned to guard Paul Luguire, a Federal Reserve executive and its chief liaison with the U.S. Treasury.

Mullins and Luguire form a strong friendship. So when a police detective calls in the middle of the night with word of Luguire’s suicide, Mullins doesn’t buy it. His doubts are reinforced by Amanda Church, a former Secret Service colleague now in the Federal Reserve’s cyber-security unit. She uncovered a suspicious financial transaction initiated by Luguire only days before his death. He authorized unrequested funds to be transferred from the Federal Reserve to a regional bank.

Even stranger, after Luguire’s suicide, Amanda finds the transaction has been erased from Federal Reserve records. The regional bank now shows the money wired from an offshore account in the name of Russell Mullins. Someone is setting Rusty up. And when the bank president is murdered, Mullins rockets to the top of the suspect list. As a tenacious reporter develops leads, Mullins follows a conspiratorial trail of killing and kidnapping that leads from a shadowy mastermind to the possible destruction of America’s financial system.

In an age of Wall Street meltdowns and downgrading of the U.S. credit rating, the secretive Federal Reserve has a pivotal role. Twelve targets are known. The clock is ticking. What, or who, is the thirteenth?

Read More Show Less

Editorial Reviews

Publishers Weekly
Secret Service agent turned bodyguard Russell “Rusty” Mullins smells a rat when Paul Luguire, the high-level Federal Reserve exec he’s been protecting, apparently commits suicide in this taut political thriller from de Castrique (The Sandburg Connection). Once Rusty starts delving, with some cloak-and-daggerish help from former colleague Amanda Church, he quickly realizes there’s something very, very wrong—especially after one of the first people he interviews turns up dead with planted evidence pointing to Rusty himself. From here the perfidious plot kicks into high gear as Rusty and unlikely allies, including crusty Det. Robert Sullivan and investigative blogger Sidney Levine, race to foil a Fed-centered conspiracy that threatens to blow Washington sky-high. But Rusty must avoid getting arrested first. Plenty of action, convincing color, and sympathetic bit players—particularly a gutsy female hostage—help maintain reader interest even through some overly didactic passages about the Fed. Agent: Linda Allen, Linda Allen Literary Agency. (July)
From the Publisher
"...this intricate thriller from de Castrique (The Sandburg Connection, 2011, etc.) offers a good deal of interesting and timely information on the Federal Reserve." —Kirkus

"This is a fine, action-packed thriller with a very timely theme. With terrorists, bankers, reporters, and the Secret Service involved, readers will trust no one—not even the reporters—and keep turning the pages." —Booklist

Kirkus Reviews
A bodyguard turns shamus when his charge is the victim of a suspicious shooting. An oblique prologue involving an anonymous superrich cabal hints at a grand plot involving the Federal Reserve and the upcoming national election. Cut to Russell Mullins, working as a bodyguard for besieged Reserve executive Paul Luguire after many years protecting presidents as a member of the Secret Service. Mullins feels a strong affinity for the slightly older Luguire, who is clearly showing the stress of his position. When Mullins gets a late-night call that Luguire has been shot and killed, the news hits him hard. He's loath to cooperate with Arlington Police Detective Robert Sullivan, especially when the investigator won't tell him any details about the shooting. Meanwhile, the enigmatic Fares Khoury decides to "wait for the man named Russell Mullins to come to him." Mullins vents to his boss, Ted Lewison, then consults his colleague Amanda Church, also ex-Secret Service, and finally decides to investigate with her assistance. Already on this course is dogged investigative reporter Sidney Levine of The Washington Times, who smells a huge story. A key piece in the complex puzzle is banker Craig Archer, who has noticed irregularities in recent transactions and becomes very stressed indeed when an anonymous caller begins making demands. As he twists in the wind, Levine and Mullins begin to share some of the discoveries that will lead to the truth. Though its prose is merely serviceable and its characters stereotypical, this intricate thriller from de Castrique (The Sandburg Connection, 2011, etc.) offers a good deal of interesting and timely information on the Federal Reserve.
Read More Show Less

Product Details

  • ISBN-13: 9781590586174
  • Publisher: Poisoned Pen Press
  • Publication date: 7/3/2012
  • Series: John the Eunuch Mystery Series
  • Pages: 250
  • Product dimensions: 5.40 (w) x 8.40 (h) x 0.90 (d)

Meet the Author

Mark de Castrique grew up in the mountains of western North Carolina where his mysteries are set. Mark is a veteran of the television and film production industry, and he serves as an adjunct professor at the University of North Carolina at Charlotte. Mark and his wife, Linda, live in Charlotte. The 13th Target is his first standalone thriller. www.markdecastrique.com

Read More Show Less

Read an Excerpt

First, Do No Harm


By Larry Karp

Poisoned Pen Press

Copyright © 2004 Larry Karp
All right reserved.

ISBN: 978-1-59058-166-7


Chapter One

In the light of blue moons, certain doctors appear and blaze into legend, medical sports of nature with diagnostic acumen beyond uncanny, healing powers just this side of miraculous. I'm not talking about the likes of Pasteur, Semmelweis, Walter Reed, healers whose heroic campaigns against the double-headed dragons of disease and human stupidity won them seats as Knights of the Hippocratic Round Table. Legendary docs are not knights, but Merlins, watching over fiercely bubbling cauldrons full of dark ingredients. Dark ingredients, strong magic. Darker ingredients, stronger magic, but greater risk of the pot boiling over—disaster. Unspeakable ingredients ...

My grandfather was one of those Merlins, though I didn't know it until just a couple of days ago. I didn't know anything about my grandfather until a couple of days ago, and I'm twenty-eight years old. Dad never would talk about his father, strange, but Dad is Leo Firestone ... yes, that Leo Firestone. The painter. Refusing to mention his own father's name is way down on the list of Leo Firestone's oddities.

Way up on that list is Dad's art. Nightmarish, bizarre. A teddy bear with barbed-wire fur next to a small disembodied hand, fingers gouged, bleeding. Couples embracing through jagged shards of glass. Doorknobs shaped like grenades. Spring-loaded knives poised to fly up through the seat of a well-used armchair. A mother putting her baby to her breast, the nipple a minefield of tiny blades. Worst are the faces, never shown directly, features shadowed and indistinct, a compelling ambiguity that never fails to pull me, resisting, into the damn paintings, to be slashed and stuck and gouged.

Dad first caught notice in the Fifties, one of those stormy young postwar artists in New York who somehow managed to find time to work despite a full schedule of brawling and carousing. Some of Dad's early companions flamed out in alcohol; some went out on the wrong end of a hypodermic needle. Others gave up, bought a suit and tie. But Dad prospered. Critics pronounced his work as brilliant as it was troubling. Gallery owners fought to feature his canvases. The more Dad called them leeches and vultures, the more they pursued him. Brilliant timing, the perfect Sixties artiste, he left a legacy of angry insults and bloodied faces that may never be matched by any painter, sculptor, writer, or musician.

By the early Seventies, Dad could call any shot he wanted. He sold his little place in the Village, bought a piece of property on Peconic Bay, way out on Long Island, and built a house and studio for himself and his pianist-friend, Tanya Rudolph. Maybe music really does soothe savage breasts, but more likely Tanya just had what it took to stand up to my father. Early on, their fights were the stuff of tabloid headlines, but the only people who ever came away injured were those who tried to get between them. A year after they moved to Peconic, Tanya became Mrs. Firestone, and two years after that—following some loud and serious discussions—I made my appearance. Mother wanted two children. Dad finally agreed to start with one and see what happened. The fact I remained an only child speaks for itself. That, Dad would talk about. My grandparents, never.

Our house was a white stucco-coated Chinese puzzle, all intersecting acute angles, lots of glass. Inside, teak and mahogany-paneled walls covered with paintings, Dad's, his friends'. My favorite was a five-by-four canvas of Mother, hung directly above her Steinway grand in the living room. Typically cryptic face, but Mother, no doubt. Dad really caught that particular way she angled her hip when she stood, the familiar tilt of her head, her flowing platinum hair. Mother went white in her twenties, had the great good smarts to never dye it.

Personality encounters were frequent at our house, artistic skirmishes routine. But space wars, never. Mother's kitchen was immense, bright with copper and steel. Her Steinway seemed dwarfed in its corner of the massive living room. I had both bedroom and private playroom. At one extreme of the house stood Dad's airy painting studio, at the other, his den, a small room with no windows. Dad kept that room locked whether he was inside or not, and Do Not Disturb was understood. No one but Dad went in there, ever. Not Mother, not the cleaning lady, not me.

Wild ... first word to mind for my childhood memories. Winter nights, wind-whipped sheets of water against floor-to-ceiling windows, heavy percussive beat of waves slamming into the shore. One weekend when I was seven or eight, Norman Mailer came to visit. Picture me under the round glass coffee table, watching two men with dark raging eyes, beefy faces, crowns of wild black curls, going nose-to-nose, at least half-crocked, over some artistic particular I couldn't begin to understand. Mailer was no pygmy, but Dad was three or four inches taller, with more muscle and less fat. Mother sat at her piano, hands gliding over the keys, white hair dancing around her face. Every now and then she stopped playing long enough to sip at a drink and study the combatants over the rim of the glass. Laugh lines traveled from the corners of her light blue eyes, then she tossed out a line that stopped Dad and Mailer cold. They all laughed, laughed, laughed.

I was no honor-roll student, worked only at what interested me, responded with equal indifference to carrots and sticks. I refused to learn anything by rote, accepted no givens—a pesty kid, always with a "Why?" or a "How?" Dad called me Professor Skeptikos, used to tell Mother they should've used birth control on that trip to Greece the year before I was born. "He drives me nuts. Asks a question, I give him an answer, here come ten more questions."

One Saturday when I was eleven, Dad came back from a day in New York carrying a carton and wearing a smile straight off the Sphinx. He set the carton on the kitchen table, kissed Mother, then turned to me. "Well? Aren't you going to open it?"

Christmas in March? I tore into that carton, and when a thick manual fell out I thought I'd burst. "A computer. For me?" I ran over, hugged my father.

"Atari-ST," he growled. "Supposed to have the best color graphics. And some new system where you can compose music, then hook up a synthesizer—"

"MIDI," I hooted. "Oh, wow!" I scanned the room, a little man trying to spot a cab in a downpour. Dad jerked a thumb toward the front door. "Rest is in the car, you can help me schlep it in. Monitor, printer, bagful of books. It's a kind of kit. You've got to put it together."

I drew in a breath. I'd been a model-builder since the age of four, when I got a Lego set. At eight I built a model car that ran, at nine, an airplane that flew.

"Maybe that'll keep him out of my hair for a little while," Dad muttered at Mother.

Mother smiled, slipped me a wink.

Dad got me out of his hair, all right. He clearly knew nothing about computers, no point asking him questions. But if he was trying to nudge me toward a career in the arts with that Atari, he failed miserably. Color graphics and MIDI ports were fun, but the computer itself was a whole new world. I found out about bulletin boards, spent a chunk of my savings on a 1200-baud modem, tied up our phone for hours, equal parts software and smut. Not long 'til I began to tinker with the software, putting together programs that by all rights should've blown higher than Everest, and sometimes did. But more and more often, they performed as I intended, usually pointing the way to a new challenge. Add, upgrade, ad infinitum. My childhood playroom became a jungle of wires connecting components set on shelves among books, floppies, tapes, CDs. I worked after school, weekends, and summers to support my habit. When I finished college, I signed on as program designer with Custom Softies, a company in a little office on the tenth floor of an old office building on East Fifteenth, near Union Square. Took a week to move all my stuff into my new apartment in Manhattan.

Five years, no problems, but then my bosses overextended. A couple of weeks after employees voted to accept an across-the-board pay cut, Dad came in to New York to supervise an exhibit setup. Afterward, he took me to dinner. When he asked what was new, I told him about the salary cut. He shrugged. "You'll get by."

"I suspect," I said. "But just in case, I took a night job."

Dad looked amused. "What kind of night job?"

"At Bellevue ..." I paused as Dad's face settled into a scowl, clay hardening. "Bellevue's Cardiology Department is one of Custom Softie's biggest accounts, so I spend a lot of time there. Last week, I saw an ad on a bulletin board for part-time nurse's aides. O.J.T.—"

Dad sprang to his feet roaring. "Jesus Christ. A nurse's aide? At Bellevue? Most ridiculous goddamn thing I ever heard." He reached into his pocket. "How much do you need?" Wallet out, open, fingers pulling at bills. "Shit, Martin, I've got more money than I can ever spend." He held out five hundreds. "Here. Quit that fucking job."

People around us turned to look. I brushed the money away. "Thanks, Dad, but I'd rather try to do it on my own."

The rest of the meal was a disaster. I don't think Dad spoke ten words. After that, I always took care to avoid mentioning my second job, and Dad never brought it up. I worked three partial shifts a week at Bellevue, and a full shift on Sunday. I checked vital signs, gave medications, made sure charts were up to date, emptied bedpans. I even met a girl at Bellevue, married her last year. When I introduced her to Dad and Mother, I told them we'd met at a party.

I watched the Bellevue doctors carefully, listened just as hard. Sometimes they took me aside to explain points. Dr. Charles Donovan, an internist, kept encouraging me to apply to medical school. I talked it over with my wife. Helene gave me that soft smile, the one that had sent me out to buy an engagement ring. "I think that's wonderful, Martin. I do. We'll have no trouble managing on my income."

"But we've talked about children—"

"We'll just keep talking for a while. Do it, Martin."

So I took the M.C.A.T., had an interview at N.Y.U. Med School, and got accepted. Helene was thrilled. "Let's go to Palais Royal. It's Friday, but maybe we can get a late table ... oh, wait. Your parents?"

"I never told them I applied," I said. "If I didn't get in, easier to not have to explain why."

Funny look. Helene handed me the phone. "Well, now you don't need to explain. Just call them. See if they'd like to come in and join us."

No way around it. Three tries before I punched the right numbers into the phone. Dad answered. "Firestone."

"Dad? Martin. I've got something to tell you."

"Somebody's a little late this month?"

"Not that, no. Dad, I applied to medical schools this year, and I've just been accepted. N.Y.U." First, Do No Harm 7

Silence ... well, not quite. Better, no words. I heard a choking sound, almost strangling. "You what?" Dad finally said.

I wished time into rewind. "Got accepted to medical school. I'm going to be a doctor. Start the day after Labor—"

Dad cut me off with a volley of language as foul as I've ever heard, made steelworkers sound like sixty-year-old schoolmarms. I tried a couple of times to break in, but it was like holding a sheet of cellophane up to the stream from a firehose. Finally, Dad barked, "You know where Manny's is? Restaurant."

"Well, sure. You've taken me there a lot. Second, near Fifty-fourth."

"Meet you there tomorrow, one-thirty. Lunch." Not a question, not even a statement. "I ... I've ..."

First sign of weakness, but I knew better than to take advantage. Just waited.

"Got a story to tell you." Slam.

Helene looked up, brows together, as I set down the phone. "Martin, what on earth happened?"

"I walked into an ambush, that's what. For some reason, Dad's more than unhappy. Sounds like I'll get the score tomorrow. Lunch, command performance."

"Your father's very strange, Martin. Sometimes he scares me."

The words were out of my mouth before I completed the thought. "The scariest people are scared people."

This was not like Dad, not at all. A story to tell, barely able to contain it? Dad never told me stories, not about birds and bees, not about anything. Aphorisms were more his style, one-line zingers, right to the heart of the matter and the gut of the listener. As I waited outside Manny's, I couldn't imagine what was coming.

One-thirty sharp, there was Dad in his favorite gray work shirt, splotch of bright green paint above the pocket. He nodded, motioned me inside, not a word.

Lunch hour waning, several highbacked mahogany booths empty. Dad motioned to one all the way in back. "We're going to be here a while," he told the headwaiter. "We'll order, then I don't want anyone bothering us." He pulled a fifty from his wallet, handed it to the maitre d', who slipped it in one smooth motion into his shirt pocket. "I understand, sir. I'll let your waiter know."

As we slid into opposite seats I snuck a look at Dad. Cheeks finished with rough sandpaper, skin slack over the bones. Fatigue lines etched at the corners of his eyes. Dark eyes bloodshot, muddy. Hair tumbling over his forehead and ears. How much sleep did he get last night? How much did he drink? Seventy-six years old, still knocking down the sauce from dark to dawn, then going all-out the next day. He flipped the menu open, scanned it, set it down, looked around.

The waiter, a slim young man in white shirt and snappy plaid tie, caught Dad's eye, scurried over. "Yes, sir? You want to order already?"

Nod. "New York steak sandwich, rare. And a Manhattan, heavy on bitters. Martin?"

I tried not to think about Dad's liver. "Same sandwich," I said. "And iced tea."

The waiter scribbled. "Got it." He slipped his order pad inside his cummerbund. "Headwaiter talked to me. I'll bring your orders soon's they're ready. Then, you want something else, you call me. Right?"

Dad allowed himself the tiniest trace of smile, not pleasant. "Right."

The waiter left quickly. Dad drummed fingers on the table top, looked one way, then the other. Slowly, those black eyes turned toward me, focused, locked into place. "All right, Martin. What's with this crap about medical school?"

I learned as a young boy, flinch and I was a goner. "No crap," I said. "I applied, I got accepted, I'm going. If there's crap, it's coming from your side of the table, and I don't understand. I'm not asking you to pay my way. I'm not asking you for anything. What the hell's your problem?"

"What's my problem? I'll tell you what's my problem." Head cocked, left eye half-closed, mouth twisted like a badly healed scar. "I ask my son a simple fucking question and he won't give me an answer. Martin, why ... the ... hell ... do ... you ... want ... to ... go ... to ... medical school?" Every word punctuated with a sharp nod of his head. Then the ultimate shrug, hands extended toward me, palms up.

Where was he going, my crazy father? I cleared my throat. "All right. Computers are exploding in medical use. Horizon's endless. In ten years doctors will use them every day. Diagnosis, treatment, consultation. Research, devising new paradigms—"

Dad's huge fist hit the table so hard I jumped. "Goddamn, Martin, you're not at an interview and I'm not a dean, so spare me the bullshit. First, you take a lousy night job for peanuts to work at a hospital. Now, all of a sudden, at twenty-eight, you're going to medical school. I'm asking you why, and I want an honest answer. Is that too much to expect?"

Dad watched me like a hawk taking aim at a poor salmon, flopping its way upstream in shallow water. "Dad ... I'm not sure I can tell you exactly why. All those years I played with computers, I thought I was making science fiction real, and then I started working with the cardiac team at Bellevue. I saw them put new valves into hearts. Dad, I watched a heart transplant—they put a new heart into a man's body, he was dying. Three weeks later he walked out of the hospital. What could I ever do with a computer to match that? If a computer crashes, no big deal, just start over, but a doctor gets just one chance, and he'd better do it right ... no, he's got to do it right. I felt hollow, Dad, trivial. Like the big game's going on, people pitching, batting, catching, throwing, the crowd's cheering ... and there I am on the bench in the dugout, a lousy batboy. When I saw that ad on the bulletin board, I had to take it. And you were right. Nothing to do with my pay cut."

(Continues...)



Excerpted from First, Do No Harm by Larry Karp Copyright © 2004 by Larry Karp. Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Read More Show Less

Customer Reviews

Average Rating 4.5
( 3 )
Rating Distribution

5 Star

(1)

4 Star

(2)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted July 24, 2013

    GOOD THRILLER

    Enjoyable book!

    Was this review helpful? Yes  No   Report this review
  • Posted December 28, 2012

    A carefully calculated mystery of unusual proportions and subjec

    A carefully calculated mystery of unusual proportions and subject. Intensely engaging, and rich with sleight-of-hand misdirection, the novel is highly satisfying. None of that is surprising given the wide-ranging experience and talents of this author. His previous novels provide ample evidence of his abilities fashioning strong enjoyable crime fiction.

    Rusty Mullins is at the heart of this tale. He’s a former member of the US Secret Service, now working in D.C. for a private personal protection agency. When his assignment, a highly placed member of the board of the US Federal Reserve dies suddenly, Mullins is convinced it was not the suicide it appears and with almost no evidence on his side, takes a vacation to try to prove murder.

    Mullins calls on several personal “assets” he has developed during his Secret Service tenure, including Amanda Church, now working in security for the Fed. Surprisingly, what begins to turn up are indications that Mullins himself may be involved in a vast, multi-national conspiracy against the United States and its banking structure.

    A novel about banking and movement of large sums of money around the world may seem uninteresting and impenetrable, but the author does an excellent job of bringing personal danger and high emotion to the table. The novel recalls the excellent Emma Lathem series from the previous century that featured banker John Putnam Thatcher. Mullins is not a banker and is younger than Thatcher but numerous parallels exist. An amusing dimension the author has added is Amanda Church’s husband, a thriller writer who offers intriguing insights into the roles sometimes played by minor characters in these crime novels.

    The thirteenth Target is an excellent and enjoyable crime novel with an exciting logical conclusion, and another winner from Poisoned Pen Press.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 1, 2012

    BEST Thriller ever!!!

    I read alot of thrillers/mysteries/spy novels, and yes even some of the vampire stories.

    The 13th Target, is very well written, very intriging and informative about how the Federal Reserve works.

    This author offers twist and turns without getting the reader lost. I will definately be reading more of his books.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing all of 3 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)