The 46th State: Spooks

Overview

Will Cuba be free, or will it become part of the United States?

As the election draws near, Cuba becomes a powder keg. The exactions of El Santero continue, terrifying the liberators-turned-occupiers and enflaming the spirit of the freedom-starved Cubans. In response, American authorities don’t hesitate to use extreme violence to ensure that their candidate will win and become not the president of the Republic of Cuba, but the first governor of the 46th state. For the SPOOKS, ...

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Overview

Will Cuba be free, or will it become part of the United States?

As the election draws near, Cuba becomes a powder keg. The exactions of El Santero continue, terrifying the liberators-turned-occupiers and enflaming the spirit of the freedom-starved Cubans. In response, American authorities don’t hesitate to use extreme violence to ensure that their candidate will win and become not the president of the Republic of Cuba, but the first governor of the 46th state. For the SPOOKS, torn between duty and convictions, the danger is real, and choices will have to be made…

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Product Details

  • ISBN-13: 9781849181853
  • Publisher: Cinebook, Ltd
  • Publication date: 4/7/2014
  • Edition description: Volume 4
  • Pages: 64
  • Sales rank: 994,944
  • Product dimensions: 7.00 (w) x 9.90 (h) x 0.30 (d)

Meet the Author

Xavier Dorison is one of the rising stars of the French comics scene. Author of several successful series such as “Prophet,” “Sanctuary” and “Long John Silver,” he also co-wrote the script of the French movie “Les Brigades du Tigre” with Fabien Nury. In addition to his collaboration with Xavier Dorison, Fabien Nury has produced some 15 successful graphic novels in six short years, including “Il était une fois en France,” “Le Maître de Benson Gates” and “I am Legion” (with American artist John Cassaday). Christian Rossi is an established artist with series such as “Le Chariot de Thespis” and “La Gloire d’Héra” to his name; his credentials also include taking over the art of “Les Aventures de Jim Cutlass” from no less than Jean Giraud himself.
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