The Aftermath

The Aftermath

3.8 16
by Rhidian Brook

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Hamburg, 1946. Thousands remain displaced in what is now the British Occupied Zone. Charged with overseeing the rebuilding of this devastated city and the de-Nazification of its defeated people, Colonel Lewis Morgan is requisitioned a fine house on the banks of the Elbe, where he will be joined by his grieving wife, Rachael, and only remaining son, Edmund.

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Hamburg, 1946. Thousands remain displaced in what is now the British Occupied Zone. Charged with overseeing the rebuilding of this devastated city and the de-Nazification of its defeated people, Colonel Lewis Morgan is requisitioned a fine house on the banks of the Elbe, where he will be joined by his grieving wife, Rachael, and only remaining son, Edmund.
But rather than force its owners, a German widower and his traumatized daughter, to leave their home, Lewis insists that the two families live together. In this charged and claustrophobic atmosphere all must confront their true selves as enmity and grief give way to passion and betrayal.
The Aftermath is a stunning novel about our fiercest loyalties, our deepest desires and the transformative power of forgiveness.

Editorial Reviews

Library Journal
Somerset Maugham Award winner Brook is poised to break out with this third novel, with rights sold to 18 countries and film rights sold to Ridley Scott. In 1946, when British colonel Lewis Morgan is tasked with the reconstruction of Hamburg, he moves his family into a beautiful house on the Elbe. But he doesn't evict the owner, and the two families must negotiate profound bitterness to reach some sort of understanding.
Publishers Weekly
Postwar Hamburg is the backdrop for British writer Brook’s (The Testimony of Taliesin Jones) emotionally charged third novel, which is inspired by his family history. British Col. Lewis Morgan is stationed in the German city in 1946. He requisitions a house for his family, but instead of casting out its German owners (the standard procedure), he allows them to remain. Brook’s chilling observations of Hamburg’s defeated inhabitants and “the fantastic destruction that lay all around” are unnerving and riveting. “Feral” children, he writes, beg for cigarettes and chocolates, and “Rubble Runners” clean up the remains of bombed-out buildings in exchange for food vouchers. But the novel’s smaller stage—the home that Morgan; his wife, Rachael; and their son, Edmund, share with Stefan Lubert and his daughter, Freda—tells the bigger story. The blended families are uncomfortable with their new relationship, and the toxic effects of unassuaged grief for lost love ones complicates the situation. Fans of WWII-era historical fiction will be drawn to this novel. First printing of 75,000. Agent: Stephanie Cabot, Gernert Company. (Sept. 17)
From the Publisher
“Rhidian Brook’s arresting novel brings vividly to life a little-told aspect of World War II: its aftermath. His story—energetically and authoritatively told—is unsettling and compelling, suffused with suffering and, mercifully, some hope.” —Claire Messud, author of The Woman Upstairs

“Brook’s masterly novel . . . wrings every drop of feeling out of a gripping human situation, and his vignettes of war-ravaged Hamburg are superb.” The Mail on Sunday 
 “Brook’s beautifully written novel ponders issues of decency, guilt, and forgiveness . . . Profoundly moving.” The Independent 
“Reading The Aftermath, one can’t help but wonder if this is the sort of literary memorialization (albeit from a British author) that Sebald might have wished for.”Washington Post

“Superb . . . Conjuring surprise after surprise as it shows how the forces of politics and history penetrate even the most intimate moments of its characters’ emotional lives . . . The house on the Elbe [is] akin to Hamlet’s Elsinore.” The Guardian 
“A moving, always enthralling journey into the dark and light of history. Rhidian Brook has written a brilliant novel.”  —Joseph O’Neill, author of Netherland 
“Brook is wonderful at evoking the atmosphere of this forgotten time and place . . . There is much to think about here.” The Times (London) 
“Brook’s excellent novel [is] a captivating tale of love among the ruins but also of treachery and vengeance . . . It does what all good novels should do: it poses many complex questions and resists neat, topped-and-tailed answers.” Literary Review 
“Brook addresses weighty themes—forgiveness, familial loss—with a light touch . . . Brings to mind no less a novel than J.G. Ballard’s Empire of the Sun.” Financial Times 

“Rhidian Brook takes a piece of history I thought I knew well and breaks it open; The Aftermath is a compelling, surprising, and moving novel.” —Sadie Jones, author of The Uninvited Guests

Kirkus Reviews
The ruins of post–World War II Germany provide the complicated emotional background to a sensitive but inconsistent story exploring the fallout from epic catastrophe and loss. Like Sadie Jones in Small Wars, Brook (The Testimony of Taliesin Jones, 2001, etc.) approaches history through the differing experiences of a married couple. British colonel Lewis Morgan has been so immersed in war that he has scarcely grieved the loss of his elder son. Now appointed governor of Pinneberg, in the fire-bombed city of Hamburg, and reunited with wife Rachael and younger son Edmund after a 17-month separation, Lewis is billeted in a luxurious art-deco mansion, saving its owner, cultured German architect Stefan Lubert, from eviction by allowing him and his rebellious daughter to live in an upstairs apartment. Rachael, still consumed by grief and "fragile nerves," responds icily to Lubert, at first. Meanwhile, the British, trying to put Germany back on its feet while weeding out the Nazis, are caught between pressure from Russia and the struggle to satisfy the expectations of a victorious but exhausted nation at home. This promising scenario, drawn in part from family history, offers Brook the opportunity for insight and empathy in Lewis, but elsewhere, the psychology and plot developments are patchier. The open-ended conclusion could conceivably lead to a sequel. Uneven storytelling fails to do justice to a fascinating moment in history.

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Knopf Doubleday Publishing Group
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“We’ve found a house for you, sir.”
Captain Wilkins stubbed out his cigarette and placed his yellowed finger on the map of Hamburg that was pinned to the wall behind his desk. He traced a line west from the pinhead marking their temporary headquarters, away from the bombed-out districts of Hammerbrook and St. Georg, over St. Pauli and Altona, towards the old fishing suburb of Blankenese, where the Elbe veered up and debouched into the North Sea. The map—pulled from a pre-war German guidebook—failed to show that these conurbations were now a phantom city comprised only of ash and rubble.
“It’s a bloody great palace by the river. Here.” Wilkins’s finger circled the crook at the end of the Elbchaussee, the road running parallel to the great river. “I think it’ll be to your taste, sir.”
The word belonged to another world: a world of surplus and civil comfort. In the last few months, Lewis’s tastes had narrowed to a simple checklist of immediate and basic needs: 2,500 calories a day, tobacco, warmth. “A bloody great palace by the river” suddenly seemed to him like the demand of a frivolous king.
Lewis had “gone off ” again; off into that unruly parliament inside his head, a place where, more and more, he found himself in hot debate with colleagues.
“Isn’t there someone living in it already?”
Wilkins wasn’t sure how to respond. His CO was a man of excel- lent repute with an impeccable war record, but he seemed to have these quirks, a way of seeing things differently. The young captain resorted to reciting what he had read in the manual: “These people have little moral compass, sir. They are a danger to us and to them- selves. They need to know who is in charge. They need leadership. A firm but fair hand.”
Lewis nodded and waved the captain on, saving his words. The cold and the calories had taught him to ration these.
“The house belongs to a family called Lubert. Loo-bear-t. Hard ‘T.’ The wife died in the bombings. Her family were bigwigs in the food trade. Connections with Blohm and Voss. They also owned a series of flour mills. Herr Lubert was an architect. He’s not been cleared yet but we think he’s a probable white or, at worst, an acceptable shade of grey; no obvious direct Nazi connections.”
Lewis had not eaten all day and had taken the short leap from “flour mill” to bread without thinking; the bread he pictured in his head was suddenly more present, more real, than the captain stand- ing at the map on the other side of the desk.
“Go on—the family.” Lewis made an effort to look as if he was listening, nodding and setting his jaw at an inquisitive tilt.
Wilkins continued: “Lubert’s wife died in ’43. In the firestorm. One child—a daughter. Freda, fifteen years old. They have some staff—a maid, a cook and a gardener. The gardener is a first-rate handyman—ex-Wehrmacht. The family have some relatives they can move in with. We can billet the staff, or you can take them on. They’re clean enough.”
The process by which the soul-sifters of the Control Commis-sion’s Intelligence Branch assessed cleanliness was the Fragebogen, or questionnaire: 133 questions to determine the degree of a German citizen’s collaboration with the regime. From this, they were categorized into three colour-coded groups—black, grey and white, with intermediate shades for clarity—and dispatched accordingly.
“They’re expecting the requisition. It’s just a matter of you viewing the place then turfing them out. I don’t think you’ll be disappointed, sir.”
“You think they will be disappointed, Captain?”
“The Luberts? When I turf them out.” “They’re not allowed the luxury of disappointment, sir. They’re Germans.”
“Of course. How silly of me.” Lewis left it there. Any more such questions and this efficient young officer with his shiny Sam Browne and perfect puttees would have him reported to Psychiatric.
He stepped from the overheated British Military Detachment Headquarters into the premature cold of a late-September day. He blew vapour and pulled on the kid gloves that Captain McLeod, the American cavalry officer, had given him in the town hall at Bremen the day the Allies had announced the division lines of the new Germany. “Looks like you get the bum deal,” he had said, reading the directive. “The French get the wine, we get the view and you guys get the ruins.”
Lewis had lived among the ruins for so long now he had stopped noticing them. His uniform was fitting garb for a governor in this new, quadripartite Germany—a kind of internationalized mufti which, in the midst of post-war disorientation and re-regulation, passed without comment.
The American gloves were prized but it was his Russian-front sheepskin coat that gave him the most pleasure, its provenance traceable back via the American to a Luftwaffe lieutenant who had, in turn, taken it from a captured Red Army colonel. He’d be wearing it soon enough if this weather kept up.
It was a relief to get away from Wilkins. The young officer was one of the new brigade of civil servants that made up the Control Commission, Germany, a bloated force of clipboard men who saw themselves as the architects of the reconstruction. Few of these people had seen action—or even a German—and this allowed them to pronounce and theorize their way to decisions with confidence. Wilkins would make major before long.
Lewis took a silver-plated cigarette case from his coat and opened it, catching the light from the sun on its clear, buffed surface. He polished it regularly. The case was the only material treasure he had with him, a parting gift from Rachael given to him at the gates of the last proper house he’d lived in—in Amersham, three years ago. “Think of me when you smoke” was her instruction, and this he had tried to do, fifty, sixty times a day for three years; a little ritual to keep the flame of love alive. He lit a cigarette and thought about that flame. With distance and time it had been easy to make it seem hotter than it was. The remembrance of their lovemaking and of his wife’s olive-smooth, curvy flesh had sustained him through the cold and lonely months (her flesh seemingly growing smoother and curvier as the war went by). But he had grown so comfortable with this imagined, ersatz version of his wife that the imminent prospect of actually touching and smelling her unsettled him.
A sleek black Mercedes 540K with a British pennant on the bon- net pulled up in front of the steps of the headquarters. The Union Jack at the wing mirror was the only thing that looked out of place. Despite its associations, Lewis liked this vehicle, its lines and the silky purr of its engine. It was appointed like an ocean-going liner, and the ultra-careful driving style of his driver—Herr Schroeder— added to the impression of it being like a ship. No amount of British insignia could de-Germanize this car, though. British military personnel were built for the bumbling, bulbous Austin 16, not these brute-beautiful, world-conquering machines.
Lewis walked down the steps and gave his driver a half-salute.
Schroeder, a reedy, unshaven man wearing a black cap and cape, leapt from the driver’s seat and walked briskly round to the rear passenger door. He bowed once in Lewis’s direction and, with a flourish of his cape, opened the door.
“The front seat is fine, Herr Schroeder.”
Schroeder seemed agitated at Lewis’s self-demotion. “Nein, Herr Kommandant.”
“Really. Sehr gut,” Lewis repeated.
“Bitte, Herr Oberst.”
Schroeder clunked the rear door shut and held up a hand, still not wanting Lewis to lift a finger.
Lewis stepped back, playing the game, but the German’s deference depressed him: these were the motions of a defeated man clinging to patronage. Inside, Lewis handed Schroeder the scrap of paper on which Wilkins had scribbled the address of the house that was probably going to be his home for the foreseeable future. The driver squinted at it and nodded his approval of the destination.
Schroeder was forced to steer a weaving course between the bomb craters that pocked the cobbled road and the rivulets of people walking in dazed, languid fashion, going nowhere in particular, carrying the remnant objects of their old lives in parcels, sacks, crates and cartons, and a heavy, almost visible, disquiet. They were like a people thrown back to the evolutionary stage of nomadic gatherers.
The ghost of a tremendous noise hung over the scene. Something out of this world had undone this place and left an impossible jig- saw from which to reconstruct the old picture. There was no put- ting it back together again and there would be no going back to the old picture. This was Stunde Null. The Zero Hour. These people were starting from scratch and scratching a living from nothing. Two women pushed and pulled a horse cart stacked with furniture between them, while a man carrying a briefcase walked along as though in search of the office where he once worked without even a glance at the fantastic destruction that lay all around him, as if this apocalyptic architecture were the natural state of things.
A smashed city stretched as far as the eye could see, the rubble reaching as high as the first floor of any building still standing. Hard to believe that this was once a place where people read newspapers, made cakes and thought about which pictures to hang on the walls of their front parlours. The facade of a church stood on one side of the road, with only sky for stained glass and the wind for a congregation. On the other side, apartment blocks—intact except for the fronts, which had been completely blown off, revealing the rooms and furniture within—stood like giant doll’s houses. In one of these rooms, oblivious to the elements and exposure to watching eyes, a woman stood lovingly brushing a young girl’s hair in front of a dressing table.
Further along the road, women and children stood around piles of rubble, scavenging for sustenance or looking to save fragments of their past. Black crosses marked the places where bodies lay waiting to be buried. And, everywhere, the strange pipe-chimneys of a subterranean city protruded from the ground, pouring black smoke into the sky.

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Meet the Author

Rhidian Brook is an award-winning writer of fiction, television and film. His debut novel, The Testimony of Taliesin Jones, won three prizes including the Somerset Maugham Award, and was made into a film. His numerous stories have appeared in Paris Review and New Statesman, and he has written for the Observer, the Guardian and the Daily Telegraph.

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The Aftermath 3.8 out of 5 based on 0 ratings. 16 reviews.
Anonymous More than 1 year ago
I realky liked this book. It caused me to think about and do some research on a different perspective of WWII. Great characters and realistic emotions. This author has some beautiful imagery about a very ugly time in history.
Anonymous More than 1 year ago
I enjoyed this book. Built on character development instead of action, I found myself completely emerged in this book. Each character's story is told with open ended possibilities which had me thinking about this book and rereading it. I would recommend it.
Anonymous More than 1 year ago
Stunning. My favourite book of 2013. A classic in the making.  Have been telling anyone and everyone to read this beautiful and brilliant novel. 
meac More than 1 year ago
The Aftermath is set in 1945 Hamburg, Germany during the early months of the British occupation. As Americans, we were taught in history class how the Allies were heroes who rebuilt Germany. This story doesn't dispute that, but it does illustrate what it was like to live in Germany in those early days after the war and how both the Germans and the Allies (in this case, the British) dealt with hardship and an uncertain future. The prose is beautiful and the characters are well developed and deserve our empathy.
Beachi206 More than 1 year ago
Anyone with an interest in WW II history, this gem of a book vividly creates 1946 Germany and the aftermath of this worst war the world have ever seen. The setting is fascinating and the characters' story arcs pull the reader in. I would call this a page turner although it is not a thriller or a mystery.
Anonymous More than 1 year ago
Well-named this book elegantly tells the story of two small families (one English and the other German) in Hamburg a year after the war ends as the Allies set about rebuilding Germany so history doesn't repeat itself. Each family needs repaired as well and how they ultimately help each other makes for a touching and satisfying read. Interesting plot twists. Highly recommend.
Anonymous More than 1 year ago
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Anonymous More than 1 year ago
I knew that Hamburg was a mess after the war, but this novel points out the ineptitude of the British occupation forces. They were, for the most part, very stuffy and really not interested in rehabilitating the German people who were starving.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Wonderful book! Cannot stop thinking about the different characters.
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mbd96 More than 1 year ago
This book was disappointing. I learned a bit about the Allied Occupation of Germany post-WWII, but otherwise the book was not worth reading: predictable story line, pedestrian dialogue and writing, undeveloped characters. A lot could have been done with the premise of this novel, but it would need a better writer than this author.
Anonymous More than 1 year ago
I hate this book so much + $$$$$$$$$