The Age of the Understatement

( 1 )

Editorial Reviews

All Music Guide - Heather Phares
It's not that often that side projects are more ambitious than the players' main bands, but the Last Shadow Puppets, the collaboration between the Arctic Monkeys' Alex Turner and the Rascals' Miles Kane, is one of those rare birds. With their day jobs, Turner and Kane are revivalists of different strains of "angry young British man" rock, but with the help of drummer/producer James Ford also of Simian Mobile Disco, arranger Owen Pallett Final Fantasy, and the London Metropolitan Orchestra, on The Age of the Understatement they revitalize the lush, symphonic pop of early Scott Walker and David Bowie, when they needed an orchestra to express just how sweeping their ...
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Editorial Reviews

All Music Guide - Heather Phares
It's not that often that side projects are more ambitious than the players' main bands, but the Last Shadow Puppets, the collaboration between the Arctic Monkeys' Alex Turner and the Rascals' Miles Kane, is one of those rare birds. With their day jobs, Turner and Kane are revivalists of different strains of "angry young British man" rock, but with the help of drummer/producer James Ford also of Simian Mobile Disco, arranger Owen Pallett Final Fantasy, and the London Metropolitan Orchestra, on The Age of the Understatement they revitalize the lush, symphonic pop of early Scott Walker and David Bowie, when they needed an orchestra to express just how sweeping their feelings were. The title track's galloping strings-and-timpani drama begins the album, making it readily apparent just how ironic The Age of the Understatement's name is, and just how well the Last Shadow Puppets have recaptured that lavish late-'60s/early-'70s sound. The main update to it comes from Turner and Kane's voices; stark and suave like Walker and Bowie they are not, but that's a good thing -- their boyish, unpretentious voices and brotherly harmonies keep the album from dipping into kitsch. Instead, a surprising urgency runs through The Age of the Understatement, most noticeably on the taut "Calm Like You" and "Separate and Ever Deadly," but also on softer moments like "The Meeting Place" and the extremely Walker-esque "My Mistakes Were Made for You." Whenever the drama threatens to become too monotonous, the band knows when to change things up: "I Don't Like You Anymore" brings in more of the Arctic Monkeys' spit and spite, building up to a livid guitar solo that practically shakes with loathing, while "Standing Next to Me" and "Time Has Come" rein in the bombast. Despite all the intensity, the Last Shadow Puppets have a light touch -- their songs are short and don't overstay their welcome, and the whole affair is just arty and indulgent enough to make it special. It's not an overstatement to say that The Age of the Understatement is a likable, accomplished working holiday.
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Product Details

  • Release Date: 5/6/2008
  • Label: Domino
  • UPC: 801390018121
  • Catalog Number: 181
  • Sales rank: 13,937

Album Credits

Performance Credits
The Last Shadow Puppets Primary Artist
London Metropolitan Orchestra Track Performer
Owen Pallett Conductor
Alex Turner Track Performer
James Ford Track Performer
Miles Kane Track Performer
Technical Credits
Jimmy Robertson Engineer
Steve McGlaughlin Engineer
Sam Haskins Cover Photo
Deirdre O'Callaghan Portrait Photography
Owen Pallett Arranger, Orchestration
Alex Turner Composer
James Ford Producer
Miles Kane Composer
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Customer Reviews

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( 1 )
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    The Last Shadow Puppets

    TLSP is a great band that rarely comes around these days. With Alex Turner from the Arctic Monkeys and Miles Kane, from the rascals, the connection of these to great artists makes great music. one of my many favourite songs on this record is &amp quot the meeting place&amp quot . soo wake up america and listen to the great music from the UK, maybe they will tour/ visit here.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews