The Alibi

( 77 )

Overview

Assistant DA Hammond Cross has his sights set on the DA's office. Prosecuting a high-profile murder case practically ensures him the job. But a Saturday night encounter with a mysterious woman is the start of a living nightmare.

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The Alibi

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Overview

Assistant DA Hammond Cross has his sights set on the DA's office. Prosecuting a high-profile murder case practically ensures him the job. But a Saturday night encounter with a mysterious woman is the start of a living nightmare.

Read More Show Less

Editorial Reviews

Library Journal
Only the skimpiest plot details--a prosecuting attorney turns out to be the alibi in a murder case--but unquestionably a big purchase. Copyright 1999 Cahners Business Information.
Dallas Morning News
The suspense is keep-the-lights-on riveting. -Dallas Morning News
USA Today
A master storyteller, carefully crafting tales that keep readers on the edge of their seats.
People Magazine
Murder, deceit, and passion percolate in this thriller.
Midwest Book Review
This crisp tale proves that the best just get better.
Kirkus Reviews
According to her publisher, Brown (Unspeakable, 1998, etc. etc.) has had 37 titles on the New York Times bestseller lists in the past nine years, some of them reprints of her Texas! trilogy and other earlier works. With her latest weighing in at nearly 500 pages, she's one speedy typist—and as styleless as a Latin dictionary, with meticulously clipped sentences compounded of industrial connectives. Charleston assistant district attorney Hammond Cross unaccountably finds himself at a county fair, where he meets a mysterious woman and saves her from hungry servicemen. She leads him on, then fades into the night. Meanwhile, Charleston's biggest developer and satyr, Lute Petitjohn, is murdered in the Charles Towne Plaza. Lute was the ex–brother-in-law of top detective Rory Smilow, who is investigating the murder and whom sexy assistant county solicitor Steffi Mundell begs to help her land this super–high-profile case. All avenues at last lead to Dr. Alex Ladd, the very woman Hammond was dancing with while the murder occurred. But Hammond can't reveal he's her alibi without compromising his job as a legal-evidence–gatherer for the city. A story Brown's fans will savor, however charmless its language. (Literary Guild main selection)
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Product Details

  • ISBN-13: 9780446608657
  • Publisher: Grand Central Publishing
  • Publication date: 8/28/2000
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 592
  • Sales rank: 119,482
  • Product dimensions: 4.25 (w) x 6.75 (h) x 1.00 (d)

Meet the Author

Sandra Brown

Sandra Brown is the author of sixty New York Times bestsellers, including TOUGH CUSTOMER (2010), SMASH CUT (2009), SMOKE SCREEN (2008), PLAY DIRTY (2007), RICOCHET (2006), CHILL FACTOR (2005), WHITE HOT (2004), HELLO, DARKNESS (2003), THE CRUSH (2002), ENVY (2001), THE SWITCH (2000), THE ALIBI (1999), UNSPEAKABLE (1998) and FAT TUESDAY (1997), all of which have jumped onto the Times bestseller list in the number one to five spot. Brown now has over eighty million copies of her books in print worldwide, and her work has been translated into thirty-four languages.

Biography

In 1979, Sandra Brown lost her job at a television program and decided to give writing a try. She bought an armful of romance novels and writing books, set up a typewriter on a card table and wrote her first novel. Harlequin passed but Dell bit, and Brown was off and writing, publishing her works under an assortment of pseudonyms.

From such modest beginnings, Brown has evolved into multimillion publishing empire of one, the CEO of her own literary brand; she towers over the landscape of romantic fiction. Brown has used her growing clout to insist her publishers drop the bosom-and-biceps covers and has added more intricate subplots, suspense, and even unhappy endings to her work. The result: A near-constant presence on The New York Times bestsellers list. In 1992, she had three on the list at the same time, joining that exclusive club of Stephen King, Tom Clancy, J. K. Rowling, and Danielle Steel.

Her work in the mainstream realm has taken her readers into The White House, where the president's newborn dies mysteriously; the oil fields and bedrooms of a Dallas-like family dynasty; and the sexual complications surrounding an investigation into an evangelist's murder. Such inventions have made her a distinct presence in a crowded genre.

"Brown is perhaps best known now for her longer novels of romantic suspense. The basic outline for these stories has passionate love, lust, and violence playing out against a background of unraveling secrets and skeletons jumping out of family closets," wrote Barbara E. Kemp in the book Twentieth-Century Romance & Historical Writers . Kemp also praises Brown's sharp dialogue and richly detailed characters. "However, her greatest key to success is probably that she invites her readers into a fantasy world of passion, intrigue, and danger," she wrote. "They too can face the moral and emotional dilemmas of the heroine, safe in the knowledge that justice and love will prevail."

Critics give her points for nimble storytelling but are cooler to her "serviceable prose," in the words of one Publishers Weekly reviewer. Still, when writing a crack page-turner, the plot's the thing. A 1992 New York Times review placed Brown among a group of a writers "who have mastered the art of the slow tease."

Staggeringly prolific, Brown found her writing pace ground to a halt when she was given a different assignment. A magazine had asked her for an autobiographical piece, and it took her months to complete. Her life in the suburbs, though personally fulfilling, was nonetheless blander than fiction. That may be why she dives into her fiction writing with such workhorse gusto. "I love being the bad guy," she told Publishers Weekly in 1995, "simply because I was always so responsible, so predictable growing up. I made straight A's and never got into any trouble, and I still impose those standards on myself. So writing is my chance to escape and become the sleaziest, scummiest role."

When she started writing, her goal was always to break out of the parameters of romance. After about 45 romances, the woman who counts Tennessee Williams and Taylor Caldwell among her influences told The New York Times that felt she had reached a plateau. In fact, she doesn't even look at her books as romances anymore. "I think of my books now as suspense novels, usually with a love story incorporated," she said. "They're absolutely a lot harder to write than romances. They take more plotting and real character development. Each book is a stretch for me, and I try something interesting each time that males will like as well as women."

Good To Know

  • "I hate to exercise and only do so because I absolutely must."

  • "I love to eat and my favorite foods are all bad for the body. Fried chicken and gravy, TexMex, red meat (hey, I'm from Texas!). My only saving grace is that I'm not that fond of sweets. Salty is my thing. Chocolate cake and ice cream I can skip. But a bag of Fritos. . ."

  • "It takes me a long time to go to sleep, usually because I read in bed and hate to put down the book. But when I do nod off, I'm a champion sleeper. I can easily do eight or nine hours a night."

  • "My worst "thing" is mean-spirited people. People who deliberately belittle or embarrass someone really irk me. The people I admire most are the ones who find something good about even the most undesirable individual. That was a quality my mother had, the one I hope most to emulate."

  • "I have a fear of gravity. Recently my whole family went to Belize. We had several adventures. We tubed a river through miles of cave, wearing head lamps so we'd have illumination. No problem. I scaled Mayan ruins. I rode horseback (on a monster named Al Capone) through the rain forest. No problem. But I couldn't zip line. Even though my five-year-old grandsons did it with glee, I just couldn't make that leap."

  • "I and my husband are huge fans of Jeopardy! We never miss it if we can help it. Does that make us complete dorks?"

  • Read More Show Less
      1. Also Known As:
        Laura Jordan, Rachel Ryan and Erin St. Claire
      2. Hometown:
        Arlington, TX
      1. Date of Birth:
        March 12, 1948
      2. Place of Birth:
        Waco, Texas
      1. Education:
        Honorary Doctorate of Humane Letters, Texas Christian University, 2008
      2. Website:

    Read an Excerpt

    " chapter 1
    He noticed her the moment she stepped into the pavilion. Even in a crowd of other women dressed, for the most part, in skimpy summer clothing, she was definitely a standout. Surprisingly, she was alone.
    As she paused to get her bearings, her gaze stopped briefly on the dais, where the band was performing, before moving to the dance floor, then to the haphazard arrangement of chairs and tables surrounding it. Spotting a vacant table, she moved to it and sat down.
    The pavilion was round in shape, about thirty yards in diameter. Although it was an open-air structure with a conical roof, the underside of which was strung with clear Christmas lights, the pitched ceiling trapped the noise inside, making the din incredible.
    What the band lacked in musical talent they made up for with volume, obviously of the opinion that decibels would make their missed notes less discernible. They did, however, play with raucous enthusiasm and showmanship. On the keyboard and guitar, the musicians seemed to be pounding the notes out of their instruments. The harmonica player's braided beard bounced with every jerking motion of his head. As the fiddler sawed his bow across the strings, he danced an energetic jig that showed off his yellow cowboy boots. The drummer seemed to know only one cadence, but he applied himself to it with verve.
    The crowd didn't seem to mind the discordant sound. For that matter, neither did Hammond Cross. Ironically, the racket of the county fair was somehow soothing. He absorbed the noise-the squeals coming from the midway, catcalls from rowdy teenage boys at the top of the Ferris wheel, the crying of babies grown tired, the bells and whistles and horns, the shouts and laughter inherent to a carnival.
    Going to a county fair hadn't been on his agenda today. Although there had probably been some advance publicity about it in the local newspaper and on TV, it had escaped his notice.
    He'd happened on the fair by accident about a half hour outside of Charleston. What had compelled him to stop, he would never know. It wasn't like he was an avid carnival-goer. His parents certainly had never taken him to one. They had avoided general-public attractions like this at all costs. Not exactly their crowd. Not their kind of people.
    Ordinarily Hammond probably would have avoided it, too. Not because he was a snob, but because he worked such long, hard hours, he was selfish with his leisure time and selective about how he spent it. A round of golf, a couple hours of fishing, a movie, a quiet dinner at a good restaurant. But a county fair? That wouldn't have topped his list of pleasurable pursuits.
    But this afternoon in particular the crowd and the noise appealed to him. Left alone, he only would have brooded over his troubles. He would have reflected himself into despondency, and who needed that on one of the few remaining weekends of the summer?
    So when his highway speed was reduced to a crawl and he got trapped in the traffic inching into the temporary parking lot-actually a cow pasture turned parking lot by an enterprising farmer-he had remained in line with the other cars and vans and SUVs.
    He paid two bucks to the tobacco-chewing youth who was collecting for the farmer and was fortunate enough to find a spot for his car beneath a shade tree. Before getting out, he removed his suit jacket and tie, and rolled up his shirtsleeves. As he picked his way carefully around cow patties, he wished for blue jeans and boots instead of dress slacks and loafers, but already he felt his spirits rising. Nobody here knew him. He didn't have to talk to anyone if he didn't want to. There were no obligations to be met, no meetings to attend, no telephone messages to return. Out here he wasn't a professional, or a colleague. Or a son. Tension, anger, and the weight of responsibility began to melt off him. The sense of freedom was heady.
    The fairgrounds were demarcated by a plastic rope strung with multicolored pennants that hung still and limp in the heat. The dense air was redolent with the tantalizing aromas of cooking food-junk food. From a distance, the music didn't sound half bad. Hammond was immediately glad he had stopped. He needed this . . . isolation.
    Because despite the people streaming through the turnstile, he was, in a very real sense, isolated. Being absorbed by a large, noisy crowd suddenly seemed preferable to spending a solitary evening in his cabin, which had been his original plan upon leaving Charleston.
    The band had played two songs since the auburn-haired woman had sat down across the pavilion from where he was seated. Hammond had continued to watch her, and to speculate. Most likely she was waiting for someone to join her, probably a husband and assorted children. She appeared to be not quite as old as he, maybe early thirties. About the age of the carpool-driving set. Cub Scout den mothers. PTA officers. The homemakers concerned with DPT booster shots, orthodontia, and getting their laundry whites white and their colors bright. What he knew of such women he had learned from TV commercials, but she seemed to fit that general demographic.
    Except that she was a little too . . . too . . . edgy.
    She didn't look like a mother of young children who was enjoying a few minutes' respite while Daddy took the kids for a ride on the carousel. She didn't have the cool, competent air of his acquaintances' wives who were members of Junior League and other civic clubs, who went to salad luncheons and hosted birthday parties for their kids and dinner parties for their husbands' business associates, and who played golf or tennis at their respective country clubs once or twice a week between their aerobics classes and Bible study circles.
    She didn't have the soft, settled body of a woman who had borne two or three offspring, either. Her figure was compact and athletic. She had good-no, great-legs that were muscled, sleek, and tan, shown off by a short skirt and low-heeled sandals. Her sleeveless top had a scooped neck, like a tank top, and a matching cardigan which had been knotted loosely around her neck before she had removed it. The outfit was smart and chic, a cut above what most of this shorts-and-sneakers crowd was wearing.
    Her handbag, which she'd placed on the table, was big enough only for a key ring, a tissue, and possibly a lipstick, but nowhere near large enough for a young mother whose purse was packed with bottled water and Handi Wipes and natural snacks and enough equipment to survive days in the wilderness should an emergency situation arise.
    Hammond had an analytical mind. Deductive reasoning was his forte. So he concluded, with what he felt was a fair degree of accuracy, that it was unlikely this woman was a mom.
    That did not mean that she wasn't married, or otherwise attached, and waiting to be joined by a significant other, whoever he might be and whatever the nature of their relationship. She could be a woman devoted to a career. A mover and a shaker in the business community. A successful salesperson. A savvy entrepreneur. A stockbroker. A loan officer.
    Sipping his beer, which was growing tepid in the heat, Hammond continued to stare at her with interest.
    Then suddenly he realized that his stare was being returned. When their eyes met, his heart lurched, perhaps from embarrassment for having been caught staring. But he didn't look away. Despite the dancers that passed between them, intermittently blocking their line of sight, they maintained eye contact for several seconds.
    Then she abruptly broke it, as though she might also be embarrassed for having picked him out of the crowd. Chagrined over having such a juvenile reaction to something as insignificant as making eye contact, Hammond relinquished his table to two couples who'd been hovering nearby waiting for one to become available. He weaved his way through the press of people toward the temporary bar. It had been set up during the fair to accommodate the thirsty dancers.
    It was a popular spot. Personnel from the various military bases in the area were standing three deep at the bar. Even if not in uniform, they were identifiable by their sheared heads. They were drinking, scoping out the girls, weighing their chances of getting lucky, wagering on who would and who wouldn't, playing one-upmanship.
    The bartenders were dispensing beer as fast as they could, but they couldn't keep up with the demand. Hammond tried several times to flag one's attention but finally gave up and decided to wait until the crowd had thinned out before ordering another.
    Feeling a little less pathetic than he had no doubt looked sitting alone at his table, he glanced across the dance floor toward her table. His spirits drooped. Three men now occupied the extra chairs at her table. In fact, the wide shoulders of one were blocking her from Hammond's view. The trio weren't in uniform, but judging by the severity of their haircuts and their cockiness he guessed they were marines.
    Well, he wasn't surprised. Disappointed, but not surprised.
    She was too good-looking to be alone on a Saturday night. She'd been merely biding her time until her date showed up.
    Even if she had come to the fair alone, she wouldn't have remained dateless for long. Not at a meat market like this. An unattached serviceman with a weekend pass had the instincts and singlemindedness of a shark. He had one purpose in mind, and that was to secure a female companion for the evening. Even without trying, this one would have attracted attention.
    Not that he had been thinking about picking her up, Hammond told himself. He was too old for that. He wouldn't regress to a frat-rat mentality, for crying out loud. Besides, it really wouldn't be proper, would it? He wasn't exactly committed, but he wasn't exactly uncommitted, either.
    Suddenly she stood up, grabbed her cardigan, slung the strap of her small purse over her shoulder, and turned to leave. Instantly the three men seated with her were on their feet, crowding around her. One, who appeared to be hammered, placed his arm across her shoulders and lowered his face close to hers. Hammond could see his lips moving; whatever he was saying to her made his companions laugh uproariously. She didn't think it was funny. She averted her head, and it appeared to Hammond that she was trying to extricate herself from an awkward situation without causing a scene. She took the serviceman's arm and removed it from around her neck and, smiling stiffly, said something to him before once again turning as though to leave.
    Not to be put off, and goaded by his two friends, the spurned one went after her. When he reached for her arm and pulled her around again, Hammond acted.
    Later, he didn't remember crossing the dance floor, although he must have practically plowed his way through the couples now swaying to a slow dance, because within seconds he was reaching between two of the muscle-bound, hard-bellied marines, shoving the persistent one aside, and hearing himself say, "Sorry about that, honey. I ran into Norm Blanchard and you know how that son-of-a-gun can talk. Lucky for me, they're playing our song."
    Curving his arm around her waist, he drew her out with him onto the dance floor.
    * * *
    "You got my instructions?"
    "Yes, sir, Detective. No one else comes in, no one leaves. We've sealed off all the exits."
    "That includes everybody. No exceptions."
    "Yes, sir."
    Having made his orders emphatic, Detective Rory Smilow nodded to the uniformed officer and entered the Charles Towne Plaza through the hotel's main doors. The staircase had been touted by numerous design magazines to be an architectural triumph. Already it had become the signature feature of the new complex. Epitomizing southern hospitality, two arms of wide steps swept up from the lobby floor. They seemed to be embracing the incredible crystal chandelier, before merging forty feet above the lobby to form the second-story gallery.
    On both levels of the lobby policemen were mingling with hotel guests and employees, all of whom had heard by now that there had been what appeared to be a murder on the fifth floor.
    Nothing created this kind of expectant atmosphere like a killing, Smilow thought as he assessed the scene.
    Sunburned, perspiring, camera-toting tourists milled around, asking questions of anyone in authority, talking among themselves, speculating on the identity of the victim and what had provoked the murder.
    In his well-tailored suit and French cuff shirt, Smilow was conspicuously overdressed. Despite the sweltering heat outside, his clothing was fresh and dry, not even moist. An irritated subordinate had once asked beneath his breath if Smilow ever sweated. "Hell, no," a fellow policeman had replied. "Everybody knows that aliens don't have sweat glands."
    Smilow moved purposefully toward the bank of elevators. The officer he'd spoken with at the entrance must have communicated his arrival because another officer was standing in the elevator, holding the door open for him. Without acknowledging the courtesy, Smilow stepped in. "Shine holding up, Mr. Smilow?"
    Smilow turned. "Oh yeah, Smitty. Thanks."
    The man everyone knew only by his first name operated three shoeshine chairs in an alcove off the hotel lobby. For decades he had been a fixture at another hotel downtown. Recently he had been lured to the Charles Towne Plaza, and his clientele had followed him. Even from out-of-towners he received excellent tips because Smitty knew more than the hotel concierge about what to do, and where to go, and where to find whatever you were looking for in Charleston.
    Rory Smilow was one of Smitty's regulars. Ordinarily he would have paused to exchange pleasantries, but he was in a hurry now and actually resented being detained. Curtly he said, "Catch you later, Smitty." The elevator doors slid closed.
    He and the uniformed cop rode up to the top floor in silence. Smilow never fraternized with fellow officers, not even those of equal ranking, but certainly not with those of lower rank. He never initiated conversation unless it pertained to a case he was working on. Men in the department who were fearless enough to try chitchatting with him soon discovered that such attempts were futile. His bearing discouraged comradeship. Even his natty appearance was as effective as concertina wire when it came to approachability.
    When the elevator doors opened on the fifth floor, Smilow experienced a thrill he recognized. He had visited countless murder scenes, some rather tame and unspectacular, others remarkably grisly. Some were forgettable and routine. Others he would remember forever, either because of the imaginative flair of the killer, the strange surroundings in which the body had been discovered, the bizarre method of execution, the uniqueness of the weapon, or the age and circumstance of the victim.
    But his first visit to a crime scene never failed to give him a rush of adrenaline, which he refused to be ashamed of. This was what he had been born to do. He relished his work.
    When he stepped out of the elevator, the conversation among the plainclothes officers in the hallway subsided. Respectfully, or fearfully, they stepped aside for him as he made his way to the open door of the hotel suite where a man had died today.
    He made note of the room number, then peered inside. He was glad to see that the seven officers comprising the Crime Scene Unit were already there, going about their various duties.
    Satisfied that they were doing a thorough job, he turned back to the three detectives who'd been dispatched by the Criminal Investigation Division. One who'd been smoking a cigarette hastily crushed it out in a smoking stand. Smilow treated him to a cold, unblinking stare. "I hope that sand didn't contain a crucial piece of evidence, Collins."
    The detective stuffed his hands into his pockets like a third-grader who'd been reprimanded for not washing after using the rest room. "Listen up," Smilow said, addressing the group at large. He never raised his voice. He never had to. "I will not tolerate a single mistake. If there's any contamination of this crime scene, if there's the slightest breach of proper procedure, if the merest speck of evidence is overlooked or compromised by someone's carelessness, the offender's ass will be shredded. By me. Personally."
    He made eye contact with each man. Then he said, "Okay, let's go." As they filed into the room they pulled on plastic gloves. Each man had a specific task; each went to it, treading lightly, touching nothing that they weren't supposed to.
    Smilow approached the two officers who had been first on the scene. Without preamble, he asked, "Did you touch him?"
    "No, sir."
    "Touch anything?"
    "No, sir."
    "The doorknob?"
    "The door was standing open when we got here. The maid who found him had left it open. The hotel security guard might have touched it. We asked, he said no, but . . ." He raised his shoulders in a shrug.
    "Telephone?" Smilow asked.
    "No, sir. I used my cellular. But again, the security guy might have used it before we got here."
    "Who have you talked to so far?"
    "Only him. He's the one who called us."
    "And what did he say?"
    "That a chambermaid found the body." He indicated the corpse. "Just like this. Face down, two gunshot wounds in his back beneath the left shoulder blade."
    "Have you questioned the maid?"
    "Tried. She's carryin' on so bad we didn't get much out of her. Besides, she's foreign. Don't know where she's from," the cop replied to Smilow's inquiring raised eyebrow. "Can't tell by the accent. She just keeps saying over and over, 'Dead man,' and boo-hooing into her hankie. Scared her shitless."
    "Did you feel for a pulse?"
    The officer glanced at his partner, who spoke for the first time. "I did. Just to make sure he was dead."
    "So you did touch him."
    "Well, yeah. But only for that."
    "I take it you didn't feel one."
    "A pulse?" The cop shook his head. "No. He was dead. No doubt."
    Up to this point, Smilow had ignored the body. Now he moved toward it. "Anybody heard from the M.E.?"
    "On his way."
    The answer registered with Smilow, but he was intently gazing at the dead man. Until he saw it with his own eyes, he had been unable to believe that the reported murder victim was none other than Lute Pettijohn. A local celebrity of sorts, a man of renown, Pettijohn was, among other things, CEO of the development company that had converted the derelict cotton warehouse into the spectacular new Charles Towne Plaza.
    He had also been Rory Smilow's brother-in-law.
    (c) 1999 by Sandra Brown"
    Read More Show Less

    First Chapter

    Chapter 1

    He noticed her the moment she stepped into the pavilion. Even in a crowd of other women dressed, for the most part, in skimpy summer clothing, she was definitely a standout. Surprisingly, she was alone.

    As she paused to get her bearings, her gaze stopped briefly on the dais, where the band was performing, before moving to the dance floor, then to the haphazard arrangement of chairs and tables surrounding it. Spotting a vacant table, she moved to it and sat down.

    The pavilion was round in shape, about thirty yards in diameter. Although it was an open-air structure with a conical roof, the underside of which was strung with clear Christmas lights, the pitched ceiling trapped the noise inside, making the din incredible.

    What the band lacked in musical talent they made up for with volume, obviously of the opinion that decibels would make their missed notes less discernible. They did, however, play with raucous enthusiasm and showmanship. On the keyboard and guitar, the musicians seemed to be pounding the notes out of their instruments. The harmonica player's braided beard bounced with every jerking motion of his head. As the fiddler sawed his bow across the strings, he danced an energetic jig that showed off his yellow cowboy boots. The drummer seemed to know only one cadence, but he applied himself to it with verve.

    The crowd didn't seem to mind the discordant sound. For that matter, neither did Hammond Cross. Ironically, the racket of the county fair was somehow soothing. He absorbed the noise-the squeals coming from the midway, catcalls from rowdy teenage boys at the top of the Ferris wheel, the crying of babies grown tired, the bells and whistles and horns, the shouts and laughter inherent to a carnival.

    Going to a county fair hadn't been on his agenda today. Although there had probably been some advance publicity about it in the local newspaper and on TV, it had escaped his notice.

    He'd happened on the fair by accident about a half hour outside of Charleston. What had compelled him to stop, he would never know. It wasn't like he was an avid carnival-goer. His parents certainly had never taken him to one. They had avoided general-public attractions like this at all costs. Not exactly their crowd. Not their kind of people.

    Ordinarily Hammond probably would have avoided it, too. Not because he was a snob, but because he worked such long, hard hours, he was selfish with his leisure time and selective about how he spent it. A round of golf, a couple hours of fishing, a movie, a quiet dinner at a good restaurant. But a county fair? That wouldn't have topped his list of pleasurable pursuits.

    But this afternoon in particular the crowd and the noise appealed to him. Left alone, he only would have brooded over his troubles. He would have reflected himself into despondency, and who needed that on one of the few remaining weekends of the summer?

    So when his highway speed was reduced to a crawl and he got trapped in the traffic inching into the temporary parking lot-actually a cow pasture turned parking lot by an enterprising farmer-he had remained in line with the other cars and vans and SUVs.

    He paid two bucks to the tobacco-chewing youth who was collecting for the farmer and was fortunate enough to find a spot for his car beneath a shade tree. Before getting out, he removed his suit jacket and tie, and rolled up his shirtsleeves. As he picked his way carefully around cow patties, he wished for blue jeans and boots instead of dress slacks and loafers, but already he felt his spirits rising. Nobody here knew him. He didn't have to talk to anyone if he didn't want to. There were no obligations to be met, no meetings to attend, no telephone messages to return. Out here he wasn't a professional, or a colleague. Or a son. Tension, anger, and the weight of responsibility began to melt off him. The sense of freedom was heady.

    The fairgrounds were demarcated by a plastic rope strung with multicolored pennants that hung still and limp in the heat. The dense air was redolent with the tantalizing aromas of cooking food-junk food. From a distance, the music didn't sound half bad. Hammond was immediately glad he had stopped. He needed this . . . isolation.

    Because despite the people streaming through the turnstile, he was, in a very real sense, isolated. Being absorbed by a large, noisy crowd suddenly seemed preferable to spending a solitary evening in his cabin, which had been his original plan upon leaving Charleston.

    The band had played two songs since the auburn-haired woman had sat down across the pavilion from where he was seated. Hammond had continued to watch her, and to speculate. Most likely she was waiting for someone to join her, probably a husband and assorted children. She appeared to be not quite as old as he, maybe early thirties. About the age of the carpool-driving set. Cub Scout den mothers. PTA officers. The homemakers concerned with DPT booster shots, orthodontia, and getting their laundry whites white and their colors bright. What he knew of such women he had learned from TV commercials, but she seemed to fit that general demographic.

    Except that she was a little too . . . too . . . edgy.

    She didn't look like a mother of young children who was enjoying a few minutes' respite while Daddy took the kids for a ride on the carousel. She didn't have the cool, competent air of his acquaintances' wives who were members of Junior League and other civic clubs, who went to salad luncheons and hosted birthday parties for their kids and dinner parties for their husbands' business associates, and who played golf or tennis at their respective country clubs once or twice a week between their aerobics classes and Bible study circles.

    She didn't have the soft, settled body of a woman who had borne two or three offspring, either. Her figure was compact and athletic. She had good-no, great-legs that were muscled, sleek, and tan, shown off by a short skirt and low-heeled sandals. Her sleeveless top had a scooped neck, like a tank top, and a matching cardigan which had been knotted loosely around her neck before she had removed it. The outfit was smart and chic, a cut above what most of this shorts-and-sneakers crowd was wearing.

    Her handbag, which she'd placed on the table, was big enough only for a key ring, a tissue, and possibly a lipstick, but nowhere near large enough for a young mother whose purse was packed with bottled water and Handi Wipes and natural snacks and enough equipment to survive days in the wilderness should an emergency situation arise.

    Hammond had an analytical mind. Deductive reasoning was his forte. So he concluded, with what he felt was a fair degree of accuracy, that it was unlikely this woman was a mom.

    That did not mean that she wasn't married, or otherwise attached, and waiting to be joined by a significant other, whoever he might be and whatever the nature of their relationship. She could be a woman devoted to a career. A mover and a shaker in the business community. A successful salesperson. A savvy entrepreneur. A stockbroker. A loan officer.

    Sipping his beer, which was growing tepid in the heat, Hammond continued to stare at her with interest.

    Then suddenly he realized that his stare was being returned. When their eyes met, his heart lurched, perhaps from embarrassment for having been caught staring. But he didn't look away. Despite the dancers that passed between them, intermittently blocking their line of sight, they maintained eye contact for several seconds.

    Then she abruptly broke it, as though she might also be embarrassed for having picked him out of the crowd. Chagrined over having such a juvenile reaction to something as insignificant as making eye contact, Hammond relinquished his table to two couples who'd been hovering nearby waiting for one to become available. He weaved his way through the press of people toward the temporary bar. It had been set up during the fair to accommodate the thirsty dancers.

    It was a popular spot. Personnel from the various military bases in the area were standing three deep at the bar. Even if not in uniform, they were identifiable by their sheared heads. They were drinking, scoping out the girls, weighing their chances of getting lucky, wagering on who would and who wouldn't, playing one-upmanship.

    The bartenders were dispensing beer as fast as they could, but they couldn't keep up with the demand. Hammond tried several times to flag one's attention but finally gave up and decided to wait until the crowd had thinned out before ordering another.

    Feeling a little less pathetic than he had no doubt looked sitting alone at his table, he glanced across the dance floor toward her table. His spirits drooped. Three men now occupied the extra chairs at her table. In fact, the wide shoulders of one were blocking her from Hammond's view. The trio weren't in uniform, but judging by the severity of their haircuts and their cockiness he guessed they were marines.

    Well, he wasn't surprised. Disappointed, but not surprised.

    She was too good-looking to be alone on a Saturday night. She'd been merely biding her time until her date showed up.

    Even if she had come to the fair alone, she wouldn't have remained dateless for long. Not at a meat market like this. An unattached serviceman with a weekend pass had the instincts and singlemindedness of a shark. He had one purpose in mind, and that was to secure a female companion for the evening. Even without trying, this one would have attracted attention.

    Not that he had been thinking about picking her up, Hammond told himself. He was too old for that. He wouldn't regress to a frat-rat mentality, for crying out loud. Besides, it really wouldn't be proper, would it? He wasn't exactly committed, but he wasn't exactly uncommitted, either.

    Suddenly she stood up, grabbed her cardigan, slung the strap of her small purse over her shoulder, and turned to leave. Instantly the three men seated with her were on their feet, crowding around her. One, who appeared to be hammered, placed his arm across her shoulders and lowered his face close to hers. Hammond could see his lips moving; whatever he was saying to her made his companions laugh uproariously. She didn't think it was funny. She averted her head, and it appeared to Hammond that she was trying to extricate herself from an awkward situation without causing a scene. She took the serviceman's arm and removed it from around her neck and, smiling stiffly, said something to him before once again turning as though to leave.

    Not to be put off, and goaded by his two friends, the spurned one went after her. When he reached for her arm and pulled her around again, Hammond acted.

    Later, he didn't remember crossing the dance floor, although he must have practically plowed his way through the couples now swaying to a slow dance, because within seconds he was reaching between two of the muscle-bound, hard-bellied marines, shoving the persistent one aside, and hearing himself say, "Sorry about that, honey. I ran into Norm Blanchard and you know how that son-of-a-gun can talk. Lucky for me, they're playing our song."

    Curving his arm around her waist, he drew her out with him onto the dance floor.

    * * *

    "You got my instructions?"

    "Yes, sir, Detective. No one else comes in, no one leaves. We've sealed off all the exits."

    "That includes everybody. No exceptions."

    "Yes, sir."

    Having made his orders emphatic, Detective Rory Smilow nodded to the uniformed officer and entered the Charles Towne Plaza through the hotel's main doors. The staircase had been touted by numerous design magazines to be an architectural triumph. Already it had become the signature feature of the new complex. Epitomizing southern hospitality, two arms of wide steps swept up from the lobby floor. They seemed to be embracing the incredible crystal chandelier, before merging forty feet above the lobby to form the second-story gallery.

    On both levels of the lobby policemen were mingling with hotel guests and employees, all of whom had heard by now that there had been what appeared to be a murder on the fifth floor.

    Nothing created this kind of expectant atmosphere like a killing, Smilow thought as he assessed the scene.

    Sunburned, perspiring, camera-toting tourists milled around, asking questions of anyone in authority, talking among themselves, speculating on the identity of the victim and what had provoked the murder.

    In his well-tailored suit and French cuff shirt, Smilow was conspicuously overdressed. Despite the sweltering heat outside, his clothing was fresh and dry, not even moist. An irritated subordinate had once asked beneath his breath if Smilow ever sweated. "Hell, no," a fellow policeman had replied. "Everybody knows that aliens don't have sweat glands."

    Smilow moved purposefully toward the bank of elevators. The officer he'd spoken with at the entrance must have communicated his arrival because another officer was standing in the elevator, holding the door open for him. Without acknowledging the courtesy, Smilow stepped in. "Shine holding up, Mr. Smilow?"

    Smilow turned. "Oh yeah, Smitty. Thanks."

    The man everyone knew only by his first name operated three shoeshine chairs in an alcove off the hotel lobby. For decades he had been a fixture at another hotel downtown. Recently he had been lured to the Charles Towne Plaza, and his clientele had followed him. Even from out-of-towners he received excellent tips because Smitty knew more than the hotel concierge about what to do, and where to go, and where to find whatever you were looking for in Charleston.

    Rory Smilow was one of Smitty's regulars. Ordinarily he would have paused to exchange pleasantries, but he was in a hurry now and actually resented being detained. Curtly he said, "Catch you later, Smitty." The elevator doors slid closed.

    He and the uniformed cop rode up to the top floor in silence. Smilow never fraternized with fellow officers, not even those of equal ranking, but certainly not with those of lower rank. He never initiated conversation unless it pertained to a case he was working on. Men in the department who were fearless enough to try chitchatting with him soon discovered that such attempts were futile. His bearing discouraged comradeship. Even his natty appearance was as effective as concertina wire when it came to approachability.

    When the elevator doors opened on the fifth floor, Smilow experienced a thrill he recognized. He had visited countless murder scenes, some rather tame and unspectacular, others remarkably grisly. Some were forgettable and routine. Others he would remember forever, either because of the imaginative flair of the killer, the strange surroundings in which the body had been discovered, the bizarre method of execution, the uniqueness of the weapon, or the age and circumstance of the victim.

    But his first visit to a crime scene never failed to give him a rush of adrenaline, which he refused to be ashamed of. This was what he had been born to do. He relished his work.

    When he stepped out of the elevator, the conversation among the plainclothes officers in the hallway subsided. Respectfully, or fearfully, they stepped aside for him as he made his way to the open door of the hotel suite where a man had died today.

    He made note of the room number, then peered inside. He was glad to see that the seven officers comprising the Crime Scene Unit were already there, going about their various duties.

    Satisfied that they were doing a thorough job, he turned back to the three detectives who'd been dispatched by the Criminal Investigation Division. One who'd been smoking a cigarette hastily crushed it out in a smoking stand. Smilow treated him to a cold, unblinking stare. "I hope that sand didn't contain a crucial piece of evidence, Collins."

    The detective stuffed his hands into his pockets like a third-grader who'd been reprimanded for not washing after using the rest room. "Listen up," Smilow said, addressing the group at large. He never raised his voice. He never had to. "I will not tolerate a single mistake. If there's any contamination of this crime scene, if there's the slightest breach of proper procedure, if the merest speck of evidence is overlooked or compromised by someone's carelessness, the offender's ass will be shredded. By me. Personally."

    He made eye contact with each man. Then he said, "Okay, let's go." As they filed into the room they pulled on plastic gloves. Each man had a specific task; each went to it, treading lightly, touching nothing that they weren't supposed to.

    Smilow approached the two officers who had been first on the scene. Without preamble, he asked, "Did you touch him?"

    "No, sir."

    "Touch anything?"

    "No, sir."

    "The doorknob?"

    "The door was standing open when we got here. The maid who found him had left it open. The hotel security guard might have touched it. We asked, he said no, but . . ." He raised his shoulders in a shrug.

    "Telephone?" Smilow asked.

    "No, sir. I used my cellular. But again, the security guy might have used it before we got here."

    "Who have you talked to so far?"

    "Only him. He's the one who called us."

    "And what did he say?"

    "That a chambermaid found the body." He indicated the corpse. "Just like this. Face down, two gunshot wounds in his back beneath the left shoulder blade."

    "Have you questioned the maid?"

    "Tried. She's carryin' on so bad we didn't get much out of her. Besides, she's foreign. Don't know where she's from," the cop replied to Smilow's inquiring raised eyebrow. "Can't tell by the accent. She just keeps saying over and over, 'Dead man,' and boo-hooing into her hankie. Scared her shitless."

    "Did you feel for a pulse?"

    The officer glanced at his partner, who spoke for the first time. "I did. Just to make sure he was dead."

    "So you did touch him."

    "Well, yeah. But only for that."

    "I take it you didn't feel one."

    "A pulse?" The cop shook his head. "No. He was dead. No doubt."

    Up to this point, Smilow had ignored the body. Now he moved toward it. "Anybody heard from the M.E.?"

    "On his way."

    The answer registered with Smilow, but he was intently gazing at the dead man. Until he saw it with his own eyes, he had been unable to believe that the reported murder victim was none other than Lute Pettijohn. A local celebrity of sorts, a man of renown, Pettijohn was, among other things, CEO of the development company that had converted the derelict cotton warehouse into the spectacular new Charles Towne Plaza.

    He had also been Rory Smilow's brother-in-law.

    (c) 1999 by Sandra Brown"

    Read More Show Less

    Introduction

    September 1999

    The Alibi is the hot new thriller from romance fave Sandra Brown, who just may be approaching the new millennium as one of the top bestselling writers of the new century! And this page-turning legal thriller -- with enough suspense as well as romance to please Grisham fans as well as Brown's own huge readership -- will be one of the biggest hits of the fall.

    Read Chapter 1 of The Alibi below.

    Read More Show Less

    Customer Reviews

    Average Rating 4.5
    ( 77 )
    Rating Distribution

    5 Star

    (43)

    4 Star

    (20)

    3 Star

    (8)

    2 Star

    (5)

    1 Star

    (1)

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    See All Sort by: Showing 1 – 20 of 77 Customer Reviews
    • Posted May 22, 2010

      more from this reviewer

      can't help but not like

      Just when I thought Sandra Brown could do no wrong. I couldn't even finish reading it and with the thanks of one helpful reviewer I felt no need. I really had to force myself to get through as much as I did, and I never not finish reading something. ALL the characters really weren't likable they were all deceiving little liars. A little more than halfway through the book and the story was going nowhere. The girl was most likely using him anyway and they were too wrapped up in each other to do their jobs which was a ridiculous case. Some rich, old jerk murdered. That could be interesting but not enough this time. I love the author but not this book.

      6 out of 8 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted January 2, 2007

      Overdone and far-fetched

      I bought this book after reading all the great reviews. My mistake. We all know the plot. The book begins with Hammond Cross meeting this woman (no name given until later on)at a fair. He is hooked with only one look at her and they spend the night together. She turns out to be the prime suspect of Lute Pettijohn's murder.A powerful man in Charleston.Hammond Cross is the special assistant solicitor for Charleston county, so he is part of the murder investigation along with detective Rory (nothing to do with Gilmore Girls)Smilow and Stefanie Mundell, Hammond's co-worker and ex-lover. Steffi is ambicious and she wants at any cost to become the next district attorney, and so does Hammond (he doesn't sweat it, though). Their background couldn't be more different. Steffi had to fight her way up, Hammond's family had money, old money. She was portrayed as a very annoying, pushy character, very rude to everyone for no reason. Apparently she was so dumb (even though she had been first in her class) to antagonize everyone. She didn't spread love. We got it the first time. Detective Rory Smilow was pictured as a tough guy, but seemed kind of aloof to me. - - - Hammond struggles with his conscience all through the book.Over and over and over and over again.Hammond Cross is pictured as Mr. Dodley - Do - Right, but his actions said something else. Foe example, he slept with another woman while being in a relationship with another one (Put in his same words 'he wasn't exactly committed, but he wasn't exactly uncommitted, either').He kept to himself information and evidence pertinent to the murder case. He slept with the prime suspect, even after Alex Ladd had been interrogated. Lack of ethics? Who cares when true love comes along? -- - It grew tiresome after a while and actually I didn't care much about the Hammond character. Actually, I disliked him. Talk about self-absorbed. - Preston Cross, Hammond's father says it all with these words 'You and your goddamn hypocrite, self-righteous, do-gooding, Boy-Scouting attitude have sickened me for years' - - The Hammond character was oversold, way to much overdone. At the end he made the right decision, but did he do it because it was right? Because of self-respect? That is what the author wanted to make us think, but at the end it was perfectly clear that he did it out of fear, because he didn't want that secret to be exposed someday, and therefore affect him big time. Plh-eeease. Give me a break.

      4 out of 10 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted January 14, 2004

      Great Characters!

      I usually figure out mysteries, but love to read them just to see how it's played out. This one had me guessing 'til the end. Then, as the 'whodunit' part unfolds, several twists of delight are thrown in.

      3 out of 4 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted September 2, 2013

      Zo zo and Captin munch

      Cool book and good book


      2 out of 2 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted April 2, 2010

      Captivating!

      Great, easy, read! You can't help but fall completely in love with the male character Hammond. There are also some twists that will keep you turning the page. The love between Hammond and Alex is so sweet! Loved it!

      2 out of 3 people found this review helpful.

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    • Anonymous

      Posted October 11, 2001

      Sensational!

      I was totally engrossed in this book. The main character, Hammond, is every sane woman's fantasy...a man with integrity. The writing was first rate, the plot explosive. As I read the last page, I realized that no ending(of the hundreds of books I've read}has ever touched me this much. Thank you,Ms.Brown!

      2 out of 2 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted August 3, 2001

      Excellence Again

      Sandra Brown has yet to write a book I do not love. I was absolutely engrossed and could not put down.

      2 out of 2 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Posted October 18, 2013

      Recommend reading

      I found the book interesting and well done.

      1 out of 1 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted October 18, 2013

      Great story!

      Sandra Brown has done it again. If you are a fan, this will not disappoint.

      1 out of 1 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Posted September 20, 2013

      Enjoyed It

      It kept my interest and made me guess. Was surprised at the ending.

      1 out of 1 people found this review helpful.

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    • Posted April 1, 2012

      more from this reviewer

      The Alibi by Sandra Brown Luke is dead at the hotel, shot 2 tim


      The Alibi by Sandra Brown
      Luke is dead at the hotel, shot 2 times. They inform his wife and she's not surprised he's not been murdered from his lovers husband. He has had many affairs in the past and although they are married, live in the same house, she knows nothing of his style or meetings of his life.
      At the hotel there was also several others who had come down with food poisoning that may have seen the murderer. The cops try to get through to the ER doctor that they must talk to the people right then and there to help solve the murder case.
      One investigator had spent the night with a woman he had met at the fair. She left before the next day and now he knows why she was on the phone when he walked into the bedroom and who she is and who she is related to.
      Was never just a simple death, a lot of others are involved: unknown relatives, blackmail, insider trade secrets
      Love that they staged the scene to catch the real murderer at the end.

      1 out of 1 people found this review helpful.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted June 14, 2005

      Something to take your mind off the summer heat

      I usually am able to pick out the 'who done it' somewhere in the middle of the book. However not his one. The secerts between the characters was well written, the whole book was well written. While your outside and heat it is getting to you the heat in this book will far surpass that.

      1 out of 1 people found this review helpful.

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    • Anonymous

      Posted November 13, 2001

      What a great Charleston theme

      I am new to Charleston and the descriptions were fabulous. I felt like it was really happening in my back yard. Sandra Brown can really keep me reading. I even get upset when the book is over, I just want it to keep going. She is a great mystery/suspense writer.

      1 out of 1 people found this review helpful.

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    • Posted June 22, 2014

      Excellent

      Sandra Brown never dissapoints

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted April 7, 2014

      Recommended

      I enjoyed this book and would recommend it.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted April 4, 2014

      Highly Recommended - you must check it out!

      Very good read, could not put the book down and finished reading it quickly.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted February 28, 2014

      I found a new best author

      You just can't put it down. This is my second book by Sandra Brown and I will keep reading her books until I have read them all.

      Was this review helpful? Yes  No   Report this review
    • Anonymous

      Posted February 24, 2014

      Alibi

      One of the best books I've ever read!

      Surprise ending

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    • Anonymous

      Posted October 5, 2013

      B but another of sandra's

      Suprises

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    • Anonymous

      Posted October 4, 2013

      excellent

      Sandra Brown is a favorite author of mine and I have always enjoyed any book of hers. Any review of any of her books that I have put onto my nook would say the same thing.

      Was this review helpful? Yes  No   Report this review
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