The Andre Hodeir Jazz Reader

Overview


First trained as a violinist, then as a composer, André Hodeir began writing about jazz in the 1940s. As editor-in-chief of the French magazine Jazz Hot, he was an early proponent of bebop and its practitioners, Charlie Parker and Dizzy Gillespie.

Downbeat called Hodeir's first compilation of jazz writings, Jazz: Its Evolution and Essence, "the best analytical book on jazz ever written," and Martin Williams named it and Hodeir's second book, Toward Jazz, "two of the most ...

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Overview


First trained as a violinist, then as a composer, André Hodeir began writing about jazz in the 1940s. As editor-in-chief of the French magazine Jazz Hot, he was an early proponent of bebop and its practitioners, Charlie Parker and Dizzy Gillespie.

Downbeat called Hodeir's first compilation of jazz writings, Jazz: Its Evolution and Essence, "the best analytical book on jazz ever written," and Martin Williams named it and Hodeir's second book, Toward Jazz, "two of the most important critical works ever written on the subject." While Hodeir's ideas sparked widespread debate, his study of jazz improvisation and his use of music theory shed new light on the intricacies of jazz composition and arrangement and helped launch a new era of jazz criticism.

This new volume, which collects pieces from Hodeir's three books of jazz writings-and one new essay never before published in English-will introduce Hodeir to a new generation of jazz enthusiasts and scholars alike, and prove his work to be as relevant today as when he wrote it. Jean-Louis Pautrot's introduction to the book, and his preface to each piece, helps put Hodeir's work in its proper context.

André Hodeir, born in Paris in 1921, is a musical composer, critic, and novelist. He is best known for his studies of jazz, which influenced jazz criticism on both sides of the Atlantic and around the world. A native of France, Jean-Louis J. Pautrot teaches contemporary French literature, film, and culture at Saint Louis University, where he also directs the film studies program. He is the author of La Musique Oubliée, a psychoanalytical approach to music in the novels of Sartre, Vian, Proust, and Duras.

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Editorial Reviews

From the Publisher

"Hodeir is one of the most brilliant, provocative, and opinionated writers in the history of jazz."
-Leonard Feather

"[Hodeir has] set the highest criteria of jazz writing ever reached."
-Nat Hentoff

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Product Details

  • ISBN-13: 9780472068838
  • Publisher: University of Michigan Press
  • Publication date: 1/27/2006
  • Series: Jazz Perspectives Series
  • Pages: 328
  • Product dimensions: 6.00 (w) x 8.90 (h) x 1.40 (d)

Table of Contents

A great classical figure among the oldtimers 21
A masterpiece : concerto for Cootie 35
Charlie Parker and the bop movement 53
Miles Davis and the cool tendency 69
Melody in jazz 87
Musical thought 105
The bird is gone : a tribute to Charlie Parker 125
Why do they age so badly? 131
The Count Basie riddle 137
Bags' microgroove : the recorded works of Milt Jackson 149
Monk or the misunderstanding 163
Truthful account of a journey to Jazzinia 181
Crabwise 199
Avatars of a hero 213
Jarvinen's propositions together with a commentary 231
Improvisation simulation : its origins, its function in a work of jazz 251
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