The Annotated Emma

The Annotated Emma

4.5 2
by Jane Austen, David M. Shapard

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From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Emma that makes her beloved tale of an endearingly inept matchmaker an even more satisfying read. Here is the complete text of the novel with more than 2,200 annotations on facing pages, including:
-Explanations of historical

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From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Emma that makes her beloved tale of an endearingly inept matchmaker an even more satisfying read. Here is the complete text of the novel with more than 2,200 annotations on facing pages, including:
-Explanations of historical context
-Citations from Austen’s life, letters, and other writings
-Definitions and clarifications
-Literary comments and analysis
-Maps of places in the novel
-An introduction, bibliography, and detailed chronology of events
-Nearly 200 informative illustrations
Filled with fascinating information about everything from the social status of spinsters and illegitimate children to the shopping habits of fashionable ladies to English attitudes toward gypsies, David M. Shapard’s Annotated Emma brings Austen’s world into richer focus.

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Knopf Doubleday Publishing Group
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Random House
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The Annotated Emma 4.5 out of 5 based on 0 ratings. 2 reviews.
Vic-Richmond More than 1 year ago
Emma, Jane Austen's longest novel, is the only one of her books named after her heroine. Yet, as Jane Austen herself put it, "I am going to take a heroine whom no one but myself will much like." The Annotated Emma by Jane Austen, edited and annotated by David M. Shapard might well change my mind about this privileged young woman. In the preface to The Annotated Emma, David M. Shapard addresses Emma's unique place in the pantheon of Austen heroines - she's independent, in charge of her household, and flawed. It is her bossy and ultimately clueless nature that drives the plot, which has very little action to speak of. The first half of the book is influenced by Emma's behavior and choices as she moves towards growth and self-awareness, but the second half of the plot is taken over by secondary characters and a mystery. There are no true villains in this rather gentle, bucolic tale. While Frank Churchill is unscrupulous, he is not vile, and Mrs. Elton merely represents an irritating exaggeration (and vulgar mirror) of Emma's worst traits. Life in Highbury is placid. It revolves around its characters, and Jane Austen is at her comic best introducing their follies with humor. The book, with its inevitable happy ending, is not sappy, for it leaves the reader with the sense that Emma will never quite become as perfect on the inside as she is on the outside. One also gets the sense that, as her husband, Mr. Knightley will swiftly act as a brake on Emma's machinations as the "grande dame" of the neighborhood should any of her impulses lead the object of her interest astray. Dr. Shaphard's annotated edition explains almost every detail and minutia in Emma that one can think of. Filled with black and white images (as a visual person, I loved these!), notations, citations, definitions, and explanations, this book is a must-have for Jane Austen fans. Readers who have never quite warmed up to Emma will rediscover her and all the denizens of Highbury in its pages. Throughout this edition, Dr. Shaphard offers his observations of these clues, preceding them with an unmistakable warning, {CAUTION: PLOT SPOILER} to ward off the newbie reader. The maps are quite as informative as the clarifications and illustrations. I recommend this annotated edition to anyone who loves Jane Austen. I even recommend it to the student who publicly announced that she "went into a coma" because she found Emma so BORING. - Vic, Jane Austen's World blog
Patito_de_Hule More than 1 year ago
Synopsis: Emma is young, rich, beautiful, and the most important gentleman's daughter in her neighborhood. When her governess marries and moves away, Emma must find another friend to entertain herself. She chooses Harriet Smith, the love-child of nobody-knows-whom, and boarder at a local country school for girls. Emma, well-meaning but naively self-important, makes a mess by foisting potential suitors upon poor Harriet, while Emma's old friend Mr. Knightly tries in vain to check Emma's eager naivete.  My thoughts: I'm a huge fan of Jane Austen. This is the third time I've read this novel, and I've seen all the movie renditions multiple times. I love watching Emma grow in wisdom throughout the story. And her romance is, in my opinion, the sweetest of those written by Austen. But I recognize that this is a difficult book for many people to get into because of Emma's painful flaws and poor choices. Another reason that Emma is less appealing to some readers is because the narrator's perspective is so unique. The POV focuses almost entirely on Emma's perception of the world, to the point where it is easy to be mislead about what is really occurring since we are only seeing what Emma sees. Emma, especially at the beginning of the novel, tends to be very self-centered and aloof, and so is the narration of the novel. However, even though this POV makes the story harder to get into than the other Austen novels, this is Austen's most appealing work for character study.   The annotations of this book are lengthy and detailed. Many interesting images and comments are included so that we can visualize antique customs, fashions, and furniture that Austen's readers would take for granted. That aspect of the annotations was fantastic. The annotations also included a lot of character analysis commentary, such as "Emma thinks such-and-such is happening, which shows you how much she lacks self-awareness at this stage." These annotations included a lot of spoilers (the reader is warned which annotations include spoilers, but sometimes these warnings were dropped out of the ebook version - so caution should  be practiced if you're reading the book for the first time and you have ebook format). These character analysis annotations were sometimes interesting, but mostly they told me things I'd already knew - either because I was familiar with the story or because I am sensitive to Austen's nuances. Therefore, I think this annotated version is for you if 1)You are interested in having some historical perspective, 2)You are reading the book for the first time and don't mind spoilers, 3)You're re-reading the book, but don't remember the details and nuances, and/or 4)You just love reading annotations. In other words, I am glad that I read this one book from The Annotated Austen series, because I enjoyed the historical perspective notes, but I probably will not pick up any of the others because I think I got the main idea now.