The Archive and the Repertoire: Performing Cultural Memory in the Americas / Edition 1

The Archive and the Repertoire: Performing Cultural Memory in the Americas / Edition 1

by Diana Taylor, Taylor
     
 


In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire ofSee more details below

Overview


In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice.

Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.

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Product Details

ISBN-13:
9780822331230
Publisher:
Duke University Press Books
Publication date:
09/28/2003
Series:
A John Hope Franklin Center Book Series
Edition description:
New Edition
Pages:
352
Sales rank:
627,564
Product dimensions:
6.10(w) x 8.80(h) x 0.80(d)

Meet the Author

Diana Taylor is Professor of Performance Studies and Spanish and Director of the Hemispheric Institute on Performance and Politics at New York University. Among her books are Holy Terrors: Latin American Women Perform (coedited with Roselyn Costantino), Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War,” and Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America (with Juan Villegas), all also published by Duke University Press.

Table of Contents

List of Illustrations
Who, When, What, Why
1Acts of Transfer1
2Scenarios of Discovery: Reflections on Performance and Ethnography53
3Memory as Cultural Practice: Mestizaje, Hybridity, Transculturation79
4La Raza Cosmetica: Walter Mercado Performs Latino Psychic Space110
5False Identifications: Minority Populations Mourn Diana133
6"You Are Here": H.I.J.O.S. and the DNA of Performance161
7Staging Traumatic Memory: Yuyachkani190
8Denise Stoklos: The Politics of Decipherability212
9Lost in the Field of Vision: Witnessing September 11237
10Hemispheric Performances266
Notes279
Bibliography303
Index321

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