The Ark Before Noah: Decoding the Story of the Flood [NOOK Book]

Overview

In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought...
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The Ark Before Noah: Decoding the Story of the Flood

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Overview

In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought in by a member of the public and this particular tablet proved to be of quite extraordinary importance. Not only does it date from about 1850 BC, but it is a copy of the Babylonian Story of the Flood, a myth from ancient Mesopotamia revealing among other things, instructions for building a large boat to survive a flood. But Dr Finkel's pioneering work didn't stop there. Through another series of enthralling discoveries he has been able to decode the story of the Flood in ways which offer unanticipated revelations to readers of THE ARK BEFORE NOAH.
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Editorial Reviews

From the Publisher
"[Finkel's] conclusions will send ripples into the world of creationism and among ark hunters." —-Guardian
Kirkus Reviews
2014-03-18
The ubiquitous tale of the Great Flood was not new to the writers of Genesis. Finkel, the assistant keeper of ancient Mesopotamian script, languages and culture at the British Museum, offers some fresh particulars about the source of the biblical story. It all goes back to Mesopotamia, the land between the Tigris and Euphrates rivers in present-day Iraq, and the local Sumerian and Akkadian languages recorded in the wedge-shaped cuneiform inscriptions in which the learned author is an expert. Surviving in clay tablets, the story of the calamitous inundation was recounted in epics—e.g., Gilgamesh—eons before Noah. It is likely, Finkel asserts, to have been known to Jewish writers during the Babylonian exile and used in the compilation of the Hebrew Bible. Only recently, the author deciphered a previously unread tablet that turned out to be instructions for building a vessel that would ride out the worldwide flood. His line-by-line exegesis, recounted in professional glee, reveals a huge circular craft—a "coracle," or basketlike boat, that was still seen during that time in Mesopotamia. The ark, made up of reeds and sticks and waterproofed inside and out with pitch, would have covered about an acre. Finkel's fresh findings offer much architectural detail about how such a lifesaving craft would be constructed. Self-described "wedge reader" Finkel is a scholarly and often witty guide to the antediluvian civilization and our shared lineage. Some readers may find the great detail so dear to the author's heart a bit dry, but Finkel's happy primer on historic Mesopotamia is, on the whole, wonderfully rewarding. Under the tutelage of a clever scholar, a cuneiform tablet brings to life an ancient world and the genesis of a great biblical story.
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Product Details

  • ISBN-13: 9780385537124
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 3/25/2014
  • Sold by: Random House
  • Format: eBook
  • Pages: 304
  • Sales rank: 100,336
  • File size: 20 MB
  • Note: This product may take a few minutes to download.

Meet the Author

Dr. Irving Finkel is Assistant Keeper of ancient Mesopotamian script, languages, and cultures at the British Museum. He is the curator in charge of cuneiform inscriptions on tablets of clay from ancient Mesopotamia, of which the Middle East Department has the largest collection of any modern museum.

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