The Arsonist: A novel [NOOK Book]


From the best-selling author of While I Was Gone and The Senator’s Wife, a superb new novel about a family and a community tested when an arsonist begins setting fire to the homes of the summer people in a small New England town.

Troubled by the feeling that she belongs nowhere after working in East Africa for fifteen years, Frankie Rowley has come home—home to the small New Hampshire village of Pomeroy and the farmhouse where her family has ...
See more details below
The Arsonist: A novel

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$11.99 price


From the best-selling author of While I Was Gone and The Senator’s Wife, a superb new novel about a family and a community tested when an arsonist begins setting fire to the homes of the summer people in a small New England town.

Troubled by the feeling that she belongs nowhere after working in East Africa for fifteen years, Frankie Rowley has come home—home to the small New Hampshire village of Pomeroy and the farmhouse where her family has always summered. On her first night back, a house up the road burns to the ground. Then another house burns, and another, always the houses of the summer people. In a town where people have never bothered to lock their doors, social fault lines are opened, and neighbors begin to regard one another with suspicion. Against this backdrop of menace and fear, Frankie begins a passionate, unexpected affair with the editor of the local paper, a romance that progresses with exquisite tenderness and heat toward its own remarkable risks and revelations.

Suspenseful, sophisticated, rich in psychological nuance and emotional insight, The Arsonist is vintage Sue Miller—a finely wrought novel about belonging and community, about how and where one ought to live, about what it means to lead a fulfilling life. One of our most elegant and engrossing novelists at her inimitable best.

This ebook edition includes a Reading Group Guide.
Read More Show Less

Editorial Reviews

From Barnes & Noble

For Frankie Rowley and her family, it's a time of transition. After working fifteen years in East Africa, she has returned to her parent's New Hampshire home, where all are feeling the effects of her dad's progressive dementia. On her very first night back, though, a more immediate threat flares when a nearby house burns down to cinders. Soon other fires erupt around the town and it becomes apparent that an arsonist is working in their midst, targeting "summer people," a revelation that deepens the rift between year-round residents and vacationers. As the intensity of these events mount, Frankie becomes passionately involved with Bud Jacobs, the town's newspaper owner and editor. Like previous Sue Miller novels (The Senator's Wife; While I Was Gone), The Arsonist probes serious questions even as it gathers suspense.

Library Journal
Retiring with her increasingly erratic professor husband to the New Hampshire town where she has summered for decades doesn't turn out as planned for Sylvia Rowley. Social tensions surface, starting with the renovation work Sylvia's son is doing on the property, and then local homes start falling to an arsonist. From the multi-million-copy best-selling Miller.
Read More Show Less

Product Details

  • ISBN-13: 9780385351706
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 6/24/2014
  • Series: Vintage Contemporaries
  • Sold by: Random House
  • Format: eBook
  • Pages: 320
  • Sales rank: 36,764
  • File size: 3 MB

Meet the Author

Sue Miller
Sue Miller is the best-selling author of the novels The Lake Shore Limited, The Senator’s Wife, Lost in the Forest, The World Below, While I Was Gone, The Distinguished Guest, For Love, Family Pictures, and The Good Mother; the story collection Inventing the Abbotts; and the memoir The Story of My Father. She lives in Boston.

From the Hardcover edition.
Read More Show Less
    1. Hometown:
      Boston, Massachusetts
    1. Date of Birth:
      November 29, 1943
    2. Place of Birth:
      Chicago, Illinois
    1. Education:
      B.A., Radcliffe College, 1964; M.A.T., Wesleyan U., 1965; Ed.M., Harvard U., 1975; M.A. Boston U., 1980

Read an Excerpt


Later, Frankie would remember the car speeding past in the dark as she stood at the edge of the old dirt road. She would remember that she had been aware of the smell of smoke for a while. Someone having a fire, she had assumed then, and that would turn out to be ­correct—­though not in the way she was imagining it. She had the quick thought, briefly entertained amid the other, rushing thoughts that were moving through her tired brain, that it was odd for someone to be doing this, having a fire this ­late—­or this ­early—­on an already warm summer night.

But in the moment she ­didn’t go beyond her quick assumption, her fleeting thought. She smelled the smoke, she saw the car approaching, and she got quickly out of the road, stepping first into the ditch that ran alongside it, and then, because it was night and she worried that the driver might not see her in the dark, onto the scrubby bank, pulling herself up between two trees that stood there. By the time she turned around to face the road again, the car had passed her. She stood for a moment watching as the wink of the red taillights disappeared behind a rise in the road, appeared again, dropped from sight, and appeared once more; and then was gone, the car’s sound fading into nothing, into the rustle and odd croak of the night. She’d been walking for more than an hour by then, awash in memories and images of the life she’d just left behind.

She’d waked, as she’d known she would, at about ­one-­thirty, and in her jet lag and confusion, she ­didn’t know where she was, or even, for just a second or two, who she was. She’d felt this way only a few times before in her ­life—­in childhood ­mostly—­a disorientation so profound that it momentarily wiped her consciousness clean. It left her breathless now, too, her heart knocking hard in her chest as she lay there slowly feeling the room and her ­life—­her sense of being precisely herself, ­Frankie—­return and settle around her. It took her a few seconds longer than that, though, to understand why she might be here, in this room that meant summer, family.

She lay still for a while, feeling her body grow calm again, taking in the familiar shapes in the dark around her. The clock next to her on the bedside table glowed ­greenly—­now 1:40, now 1:45. She turned on her back and stretched. She heard an animal screech somewhere far off and the tick of something shifting somewhere in the old house.

Two o’clock.

Okay, sleep ­wasn’t going to come again for a while. She got up. She dressed in the dark, pulling on the same clothes she’d shed onto the floor five hours earlier when she’d come, exhausted, upstairs to bed. Carrying her shoes in her hand, she went into the black hall, found the stairs, then the smooth wooden handrail, and descended slowly, each step loudly protesting her weight, even though she tried to stay at their edges on the way down.

The bright moonlight fell into the living room, clearly delineating the furniture. She could see the deep old slipcovered chairs hunkered companionably by the fireplace. This was where her parents sat on chilly nights, usually reading. The couch was turned ­toward the view of the mountains. Behind it, the globe of the earth with its obsolete borders and nations was bulbous in its wooden stand. The chest of drawers that held dress-ups and puzzles and ­games—­Monopoly and Clue, Parcheesi, ­Scrabble—­was a large dark block in the far corner of the room. She could hear her parents’ twinned snoring from their bedroom in the new wing down the hall from the kitchen, the wing they’d built this past year because they were ­retiring—­retiring to this farmhouse they had used as a summer home for as long as Frankie could remember. She stood still and listened for a long moment. She thought she could distinguish one from another, her father’s snores low and regular, the proverbial sawing of logs; her mother’s more intermittent, more fluttery.

She thought of their faces as they’d looked at the dining room table earlier tonight, both turned to her inquisitively, both seeming to ask to understand something of who she was now, both seeming to want something from her, something she could feel herself pulling against giving, as usual.

She had a sense, suddenly, of how useless it was, that reflex. Probably they were just being polite. Probably the questions they were asking had been designed to keep the sense of a conversation going. Her resistance seemed to her now the residue of some childish impulse that had stayed with her into adulthood, the impulse to keep her life from them, not to let them own it.

She sat down in one of the chairs by the fireplace. As she bent to pull on her shoes, the smell of old ashes rose ­toward her, and she felt flooded with a sense of ­nostalgia—­but a kind of aimless nostalgia. She ­couldn’t locate its source. Nostalgia for this place? For something in her past here? Or, perhaps, lost to her, in her past elsewhere? She sat there for a long moment, swept by this formless, hungry feeling.

Then she stood up, walked through the dining room, the kitchen, and came outside, setting the screen door of the little porch carefully, soundlessly, back into its wooden frame.

The moon was bright here, bright on the mown grass around the house and the field beyond it, bright on the gravel driveway that led to the blackness of the trees at the driveway’s end. The air was cool and smelled fresh after the ­closed-­in warmth of the house. The noise of the gravel under her shoes seemed explosively loud.

When she got to the road, she turned left, away from town, and emerged from the dark well under the trees. The moon made a glowing white band of the road in front of her, made the woods on each side of the road read as more deeply black. As she walked, she was going over the steps that had brought her here the day before, a day that had gone on and on, that had lasted more than thirty-two hours as she traveled north and then west, across continents and oceans and time zones.

She saw herself in Lamu, climbing down onto the old wooden ferry that plied the water between the island and the airport, holding the hand of the ­weather-­beaten, skinny ferryman as she stepped from the pier to the ­boat’s edge, then to the ­built-­in bench that curved inside along its hull, a bench covered in fresh straw matting. There were assorted other travelers waiting to be helped on, too, including a few tourists and a fat woman wearing a buibui. She looked ancient, her heavy, sallow face deeply lined, but Frankie knew from experience in Africa that she might have been only a few years older than she herself was. The woman was carrying two live chickens, white and plump, held upside down. This seemed calming to them. They were quiet anyway, they jerked their heads back and forth, looking around with a mild disinterest at everything within their purview.

The last to arrive were two younger women in head scarves. Once the boat had pushed off from the dock, once the ancient motor had caught and they were out on the choppy gray water, the girls pulled their scarves off, and the breeze lifted their thick dark hair. One of them closed her eyes and shook her head slowly in pleasure.

During the short trip across the channel, Frankie watched the dhows heading out to sea or returning, the one belling lateen sail turned this way or that to catch the wind. She looked back at the stone town rising behind the dusty waterside quay. She’d stayed for just four days this time, alone in one of the tall town houses. She’d slept out on the rooftop under a lattice covered with jasmine and bougainvillea and waked before dawn each morning to the electronically amplified call to prayer, to the rich erotic smell of the jasmine. She’d walked the streets slowly, avoiding the open-water channel, the meandering donkeys. She looked into the open shops, she bought food and trinkets from the street vendors. She’d wanted to mark what she thought might be the end of her life in Africa, and this was a place she had particularly loved.

On the other side of the wide channel, everyone disembarked in nearly perfect reverse order and walked up the sandy path to what constituted the ­airport—­a few ­thatched-­roof pavilions and huts where others were waiting, a short runway with a small plane parked on it. Everyone, including the chickens, got into this plane, each person having to lower her head when she passed through the narrow, low door hatch.

As they flew, Frankie leaned against the window and watched the plane’s winged shadow move across the steady ­brown and green of the savanna below. Occasionally they passed over a village with thatched roofs, or tin roofs winking in the sunlight, and Frankie could see the rising smoke from cooking fires and people standing in the cleared spaces of red dirt, looking up, shading their eyes.

In Nairobi, she took a taxi home. She ­repacked her small bag quickly. Then she carried it, wheeling her larger bag, too, out to where the taxi driver waited at the gate by the guardhouse, talking in Kikuyu to Robert, the day guard. As the cab took her back to the airport, the sun set quickly, undramatically, equatorially: day, then night.

The driver helped her into the chaos of the ­brightly lighted airport with her large bag, and she checked it through to Boston. Then there was the long wait in uncomfortable orange plastic chairs for the plane to Amsterdam, delayed for some reason or other, as planes in and out of Nairobi often were. It was almost midnight when she finally boarded and settled into her seat. A tall blond flight attendant with thick, almost clownish makeup came by with a warmed hand towel, then with a packet containing socks, a miniature toothbrush with a tube of toothpaste, and a sleep mask. Frankie had the sense of the beginning of different rules for life, different expectations. The note of improvisation was falling away, the developed world was beginning to encircle her.

The sky outside the plane was dark, and she slept, a broken, uncomfortable sleep, alternately too hot and too cold and full of vivid, disturbing dreams she couldn’t remember when she woke. The plane was squalid as they disembarked, blankets and pillows thrown on the floor along with trash, newspapers. She saw little empty nip bottles wedged into seat-back pockets here and there.

In Amsterdam, where it was morning, the airport smelled of espresso, there were expensive ­first-­world goods for sale in the shops, there were people at computer stations and on cell phones, there was real ­luggage—­not boxes taped and tied, not old suitcases held together with ropes. Frankie had a ­two-­hour wait. She wandered in and out of the ­duty-­free shops for a while, though she ­didn’t buy anything. She startled herself with her reflection in a mirror in front of a perfume shop. She stopped and stepped ­toward it. She ­didn’t look particularly ­American—­a tall woman wearing a white blouse and khaki pants, her long wavy red hair pulled back, her pale face washed out without makeup. A missionary from Scotland, she thought. A dour anthropologist from the Netherlands. A very tired missionary or anthropologist. She went into a women’s bathroom and washed her face with the ­odd-­smelling soap. She brushed her hair. She put on fresh eye makeup. She ­didn’t look very different, but she felt better.

On the flight to Boston, there was a movie, astonishing to Frankie in its stupidity and crudeness. Was this all right now in the States? Had she lived in Africa too long? She looked around at the others watching it with earphones in, watched as their faces changed in amusement. From time to time, she heard the ripples of light laughter sweep through the plane.

The sun was bright as they came in for the landing in Boston. There were sailboats and motorboats on the ­dark blue water, their wakes making curling white lines behind them. There was the familiar urban skyline off in the distance and the closer village one across from the airport, the ­toylike ­old-­fashioned wooden houses seeming to look out benignly over the water at the boats and the airport activity. Frankie was struck, as she often was on the return to the States, particularly in good weather, at how pretty everything was, how ­fresh-looking, how clean. Tears rose to her eyes.

The bus north to New Hampshire was loading up as she arrived at its bay. There were only twenty or so scattered passengers, so Frankie had a seat to herself. She fell into it with a great sense of relaxation and relief. The driver came on board and started the engine.

The bus passed quickly through the streets around the station, and then they were on the highway. Frankie watched the sprawl around Boston fall away. She settled back for the long ride into a green that seemed vast and unused compared with Africa. She watched it rolling by, emptied, only occasionally a house, a farm, a gas station. She thought suddenly of Sam, one of her colleagues at the NGO she worked for. He had seen a photo of her family’s country house once, with the overgrown, blooming meadows stretching out forever beyond it. “What crops are you raising here?” he had asked, pointing. When Frankie said, “Nothing,” he shook his head in wonderment. “All that land and no farming.” And here she was, she ­thought—­back where she belonged, in the prodigal Western world of no farming. Undeniably an American after all. She felt this in some pointed way, since, for the first time in the fifteen years she’d lived in Africa and come home to visit her family in the States, she ­didn’t have a return ticket. She ­didn’t know when she was going back. Or if she was.

She leaned her head against the cool glass and dozed, then woke, then dozed again. The sun was getting lower in the afternoon sky when the bus pulled off the highway. They were approaching Winslow, and then they were there, at the little ­grocery-­store-­cum-­gas-­station that served as a bus stop. As they rounded the corner to the parking area behind it, Frankie saw several people waiting outside. It took her a few seconds to realize that one of ­them—­the old woman sitting alone on a bench in front of the big glass window under a faded sign that advertised Salada tea—­was her mother.
Read More Show Less

Customer Reviews

Average Rating 2.5
( 11 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 11 Customer Reviews
  • Posted July 22, 2014

    Interesting story

    Enjoyed this book. It was a fun, good read, a good story about people and complicated relationships that go along with it. I highly recommend it to anyone who enjoys "people stories".

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 25, 2014

    Excellent summer read!

    I could not put the story down. It kept my interest to the end.

    2 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 22, 2014


    Read a review in a magazine so was excited to read this book. It starts out slow and the characters are boring. Kept reading since it wasnt cheap, got about half way through and quit, it just didnt go anywhere but from slow to slower to stop

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 26, 2014

    enjoyable reading

    i really like this author.

    1 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 9, 2015


    Never truly picked up. I kept putting the ook down.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 20, 2014


    I read the Senator's Wife and looked forward to reading this book. Found that the book dragged and the characters were not interesting. Very disappointed. Glad it was a library book and that i had not purchased it.

    Was this review helpful? Yes  No   Report this review
  • Posted September 5, 2014

    *** I recommend it for the realistic portrayal of the characters

    Bud is the most likable, patient, long-suffering person he is and I felt badly for him as he lived through Frankie's ambivalence and conflicted ups and downs. The portrait of her father's rowing dementia was most realistic and heart-breaking.
    Sue Miller draws realistic characters but I was let down by the ambivalent ending re the arsonist.
    It's not a page-turner but worth reading.

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted July 18, 2014

    Not her best

    I've read all of Sue Miller's books. This is a good book, but not her best.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 11, 2014

    No text was provided for this review.

  • Anonymous

    Posted March 6, 2015

    No text was provided for this review.

  • Anonymous

    Posted October 12, 2014

    No text was provided for this review.

Sort by: Showing all of 11 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)