For four and a half decades, Etta and Claribel Cone roamed artists' studios and art galleries in Europe, building one of the largest, most important art collections in the world. At one time, these two independently wealthy Jewish women from Baltimore received offers from virtually every prominent art museum in the world, all anxious to house their hitherto private assemblage of modern art. In 1949, they awarded all their holdings to the Baltimore Museum of Art. In 2002, that collection was valued at nearly $1 ...
For four and a half decades, Etta and Claribel Cone roamed artists' studios and art galleries in Europe, building one of the largest, most important art collections in the world. At one time, these two independently wealthy Jewish women from Baltimore received offers from virtually every prominent art museum in the world, all anxious to house their hitherto private assemblage of modern art. In 1949, they awarded all their holdings to the Baltimore Museum of Art. In 2002, that collection was valued at nearly $1 billion, making them two of the most philanthropic art collectors of our age. Yet, for complex reasons, the story of the Cone sisters has never been fully or accurately told. Gertrude Stein suggested in her writings that the mousy Etta and the regal Claribel had little artistic sense of their own, buying only what she and Leo Stein advised them to buy. For most of those 45 years, though, the savvy Cone sisters knew exactly what they were doing, and why. But they thought it undignified in life or death to call much attention to themselves, always emphasizing that the art, not its collecting, mattered most. Mary Gabriel, an art-minded journalist and women's historian, has, at long last, brought the little-known sisters to life, and shone the spotlight on their remarkable achievements. That these two upright, Victorian women led the way in purchasing the scandalous, erotic art of Matisse, Picasso, and others, is itself one of the most fascinating yet incongruous aspects of their story. Etta and Claribel Cone supported the 20th century's revolutionary artists from their impoverished beginnings-- when Henri Matisse, for example, was reviled by critics as a "wild beast," and Pablo Picasso scratched out a living in a hovel. By contributing to the livelihood of avant-garde artists in whom they deeply believed, the sisters helped coax out, then preserved some of the greatest art of the modern era. Though it intimately portrays two powerful, influential, ahead-of-their-time women, The Art of Acquiring is more than a tale of two sisters, more than an important addition to art history, and more than a major contribution to the study of women's history. Because it reproduces some of the more famous and important art of Matisse, Picasso, Cézanne, Dégas, and others, The Art of Acquiring enables readers to practically step through the canvas and live in the shocking paintings these two unsung sisters purchased, then gave to the world-at-large.
Elizabeth Millard, Foreward Magazine, the Magazine of Independent Publishing
"With sparkling prose, Gabriel traces the lives of the Victorian pair, from their privileged upbringing to the rise of their passion in collecting Picasso, Cezanne, Renoir, Degas, and Gaughin. Most striking is Etta's contribution to the life of Matisse, whose work she collected before anyone else even took him seriously. For anyone with an interest in art history, or just good storytelling, Gabriel's biography proves an excellent acquisition."
"Mary Gabriel's tale of two sisters is a true romance. It is stranger than fiction, smoothly constructed, racily written, and especially touching in its portrait of the shy and retiring younger sister. Both sisters, I hope, will now take their rightful place among the great visionary collectors of the twentieth century." (HILARY SPURLING IS THE AUTHOR OF THE ACCLAIMED TWO-PART BIOGRAPHY "THE UNKNOWN MATISSE" AND "THE MASTER MATISSE"
“A captivating biography that covers Gertrude Stein’s influence on the obscure sisters Etta and Claribel Cone, [their] tireless European travels to artists’ studios and galleries, and, most notably, the interdependence of collectors and artists. Reuters reporter Gabriel (Notorious Victoria, LJ 11/15/97) has given life to the Cone sisters . . . Highly recommended.”
“A highly readable combination of insights on collecting, and fresh, well-rounded portraits of two remarkable collectors, whom she brings unforgettably to life . . . A tremendous help to us in preparing the Cone Sisters film.” (MICHAEL PALIN IS THE HOST/PRODUCER OF THE BBC DOCUMENTARY "MICHAEL PALIN & THE LADIES WHO LOVED MATISSE)
"By inviting us to view early 20th-century painting through the Cones' eyes and by adeptly weaving the threads of their life stories into the larger fabric of the social and artistic history of their time, Gabriel complicates our understanding of the inner lives of these outwardly conventional women and of the relationship between art and its audience."
Mary Gabriel, currently based in London, works as a reporter and editor for the world desk of Reuters News Service. Previously, she served as executive editor of the award-winning Museum & Arts Washington magazine, and prior to that edited and reported for United Press International and the Baltimore News-American newspaper. Her first book, Notorious Victoria: The Life of Victoria Woodhull, Uncensored, was a New York Times Notable Book in 1998. Her second, The Art of Acquiring: A Portrait of Etta & Claribel Cone, is the definitive source on its subject. A native of Minneapolis, and a longtime resident of Baltimore, she holds a Diplome from the University of Paris at the Sorbonne, a Bachelor's of Fine Arts from the Maryland Institute College of Art, and a Master's Degree in Journalism from American University.