The Art of Scientific Innovation: Cases of Classic Creativity / Edition 1

Paperback (Print)
Used and New from Other Sellers
Used and New from Other Sellers
from $5.47
Usually ships in 1-2 business days
(Save 84%)
Other sellers (Paperback)
  • All (10) from $5.47   
  • New (2) from $68.55   
  • Used (8) from $5.47   
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any coupons and promotions
Seller since 2008

Feedback rating:



New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.


Ships from: Chicago, IL

Usually ships in 1-2 business days

  • Standard, 48 States
  • Standard (AK, HI)
Seller since 2015

Feedback rating:


Condition: New
Brand new.

Ships from: acton, MA

Usually ships in 1-2 business days

  • Standard, 48 States
  • Standard (AK, HI)
Page 1 of 1
Showing All
Sort by


A thorough reference for researchers who want to overcome the barriers of knowledge and technology, this book serves as a guide and strategy in evolving innovation. The major inventions discussed are based on patents in electrical engineering, computers, and communication. Integrates creativity and innovation in the corporate environment. Defines the thinking format and classifies the creative process.
Read More Show Less

Product Details

  • ISBN-13: 9780131473423
  • Publisher: Prentice Hall
  • Publication date: 6/16/2004
  • Edition number: 1
  • Pages: 274
  • Product dimensions: 6.98 (w) x 9.18 (h) x 0.52 (d)

Table of Contents

Ch. 1 Concepts and perspectives 1
Ch. 2 Academic setting 8
Ch. 3 Classic breakthroughs 38
Ch. 4 Major conclusions derived from the socially significant patents 208
Ch. 5 Epilog 227
Read More Show Less


Creativity can be a controversial topic. It has drawn considerable attention during the latter half of the 20th century. Stemming from imagination, creativity extends into the realm of finding new principles, concepts, relationships, and ways to solve problems. There is no precise scientific definition of the underlying concepts dealing with creativity, nor is there a standard operating procedure for the practice of creativity. As a result, we have used utmost discretion in keeping subjective opinions out of the material presented here. However, we were constrained by our own perceptions and judgments in selecting the breakthrough patents included in his book.

There is good reason for stressing the breakthrough nature of the earlier patents and the nature of innovations commonly documented in the later patents. Whereas we live an information-rich society influenced by the existence of high-speed networks, the Internet, and instant access to information, earlier scientists lived in an information-poor, but imagination-rich, society. This leads to basic differences in the nature and thought embedded in the creative process. This shift in paradigm is a major focal point of the book. It is possible to find more diversity in the thought process than what meets the eye on an initial reading of the patents presented the book. The comparison of fundamental concepts on which these patents are based provides substantial insight into the inventor's thought processes and intentions.

It is our objective to make this material available to those students and those individuals starting new careers in research and development who intend to make a genuine contribution to knowledge.Such contributions naturally vary from area to area, specialty to specialty, and discipline to discipline. However, the creative process as a broad concept unifies all scientific activity. We attempt to capture one such portrait of creative activity in the area of technology and present it as a possible guide and strategy in the evolving knowledge society. In addition, in the context of mentoring others who are working towards their advanced degrees, we feel we can substantiate the statements in the patents presented in this book and discuss the circumstances that led to these inventions.

We feel certain that many other authors writing on the art of innovation would present the material in a different manner. Nevertheless, it is our hope that the book will serve to help students and those dedicated to enhancing the contour and structure of relational knowledge by exploring the creative frontiers of great scientific minds. This is a highly variable and personalized activity and there is no intellectual highway. Many times, it takes many decades of effort and sometimes it requires a quantum leap. The mental process in this area is too complex to be described with mathematical precision or to be documented in complete detail. However, a certain amount of logical and inductive reasoning applies, and sometimes extrapolation and predictive reasoning become the only way out. Imagination, the use of creative graphics, portrayals of scenarios, and the consolidation of mental objects encountered in analyzing and solving mathematical equations, expressions, and identities all can help. It is the structure and the interaction that-become the solution to the riddle of scientific invention.

Even so, scientific invention is more than a riddle. Numerous factors combine to provide the circumstances and the environment that surround the time and location of an invention. The personalities and genetic predispositions of the scientists, their sensitivities, their acquired training and traits, and their opportunities and interactions all play a decisive role in the chain of events that culminates in an invention. The most sophisticated software provides no match for the mental activity that leads to invention. Otherwise, inventions would become programmable.

However, today the sophistication of software and of the processing power of computers does allow investigating patterns and recycling ideas. The underlying similarities in syntactic pattern recognition are within striking distance of the door to creativity. In a sense, the definition of creativity defies programmability. However, the element of chance that used to be buried in the subconscious of scientists now becomes an exhaustive search in a very close region of investigation. Then again, the close man-machine interplay may just be the initial barrier, and the machine may end up exploring the most promising venues. Two such examples that have substantially influenced the research community are Atal's algorithms for the predictive coding of human speech and Karmakar's algorithm for the efficient solution of large linear programs. In both instances, the convergence of human ingenuity and the (almost) boundless computational power of the computer are evident. The outcome of both of the contributions is remarkable.

In the first case, the predictive coding techniques for speech retrieve the symbolic characteristics of the vocal tract that produced the initial segment of speech. The temporary storage of these characteristic parameters and their subsequent use in digitally encoding the speech greatly reduce the bit rate requirements for encoding the rest of the speech. Predictive coding is successfully deployed to carry telephone conversations over wireless media, where the bandwidth is somewhat limited.

In the second example, the search for optimized solutions is based on Karmarkar's algorithm. The process uses the interior-point method to solve very large linear-programming problems. This algorithm provides solutions much more quickly than earlier ellipsoid methods. Very large optimization problems are quickly solved. In a sense, part of the solution lies in the correct formulation of the problem and in the correct choice of variables for which the optimization problem in polynomial time is going to be solved. When the initial knowledge bases/databases are empty, the ingenuity of the human is the last and only recourse for innovation or invention. Sometimes the genius or the circumstance lies here. In a very realistic sense, Atal's predictive technique and Karmarkar's computational approach would assume a highly different flavor of human thought from Louis Pasteur's observation of the interdependence between cowpox and smallpox.

Computer-aided creativity, though not an impossibility, is a contradiction in terms. On one hand, creativity is the highest state of intellectual activity. On the other hand, modern machine intelligence is presently competing with the intricacy of the human thought process. Random coincidences, correlation, and events are more systematically and expeditiously analyzed by machines than by humans. The machine searches are far more extensive and global than a chance phenomenon in the human mind. Knowledge banks derived from machine searches and pattern recognition are much more systematic and programmable than the scrap papers on which human beings write. There is good reason to believe that the nature of research will undergo an evolution of the type that computer-aided design (CAD)/computer-assisted manufacturing (CAM) has brought to industry.

In academia, the scenario is as follows: Whereas the research student will still perform the intellectual activity, the machines will provide the tools and process knowledge and information based on documented and available literature. The reward is the increased number of inventions and level of innovation, at the expense of not challenging the documentation and literature itself or the manner in which inventions are developed and deployed. A short spurt of pseudo-innovations may become eminent. The surest dead end of long-term creativity is an overreliance on computer-aided creativity and machine-assisted pattern recognition without an awareness of the genesis of the patterns being investigated and matched. Computer-generated music, for example, can drown the senses rather than incite the genius that lies dormant within the mind.

The adaptive processing of knowledge, tempered by the judicious use of wisdom, is likely to be a human activity for a long time. Whereas computer-based innovation is likely to become boring and mundane, the human mind can "invent" new dimensions in creativity that intensify the process. We dare these students pursuing an advanced degree to overcome the boredom of computer-aided creativity. We believe that reinventing the innovative process can be at least twice as challenging and can lead to a unique mode of thinking that still needs investigation. The patterns of thought from one inventor can become manifest as the program in an integrated circuit (IC) chip in another inventor's device. In some instances, social and technological changes force past inventions (e.g., the abacus) to return as reincarnated superinventions (e.g., handheld computers).

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted November 21, 2004

    An Excellent Author for a long Time

    Dr. Ahamed's books go back to 1980s. While I was in Australia in late 1980's, I was reading his textbooks, 'Digital Transmission and Systems,' Vols.I and II, with interest for the clarity, coverage and in depth technical content. Those books were as valuable to me as his 2004 book, 'The Art of Scientific Innovation,' he has coauthored with Dr. Lawrence. Being in the R&D environment, his latest book opens many doors that lie dormant in the minds of scientists. His books and his papers speak for his passion for research and for teaching. His newest book, 'the Art of Scientific Innovation' is an excellent reference book to keep for a long time, especially since the book covers the inventions that have radically changed our society during the last century.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 18, 2004

    A wonderful mix of art of inventing with discipline of research

    Dr. Ahamed and Dr. Lawrence have brought together the many personal drives that make people invent with the skills of mastering the scientific process underlying the inventions. To this extent, this book discussing the Art of Scientific Innovation is a rare and priceless book. I find the basic notions presented in this book applicable to many disciplines where consistent and prolonged effort is necessary. It should prove equally useful in situations where a flash of genius is all that is necessary for a breakthrough. Having gone through obtaining a Ph.D. degree myself, I can recommend the book to the doctoral students before, during and after their final degree in sciences.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 10, 2004


    I came across ¿The Art of Scientific Innovation¿ and reviewed it out of sheer curiosity since the title contained what has always been considered opposite dualities; art and science. On opening the book, the dedication page is inscribed ¿Dedicated to the International Community of Doctoral Students¿, so I decided I had to have it because I immediately felt drawn to the book, as though it was written for me. Covers patents and the inspired minds behind them - gracefully crafted book.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing all of 3 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)