The Autobiography of an Ex-Colored Man

by James Weldon Johnson

Overview

James Weldon Johnson's landmark novel is an emotionally gripping and poignant look into race relations. The protagonist, a half-white half-black man of very light complexion, known only as an ex-colored man, makes a choice between his heritage and the art that he loves and the ability to escape the inherent racism that he faces by passing as a white. Because of his knowledge of both cultures he is able to give us startling revelations into both cultures.

Product Details

ISBN-13:	9781633842359
Publisher:	Wilder Publications
Publication date:	06/10/2015
Sold by:	Barnes & Noble
Format:	eBook
Pages:	96
File size:	686 KB

About the Author

James Weldon Johnson (1871-1938) was a prolific writer and legendary civil rights activist who produced several novels, a pioneering work of cultural history, the first major anthology of black poetry, and numerous treatises on race relations. He served as U.S. consul to Venezuela and Nicaragua and as secretary of the NAACP.

Table of Contents

Introduction Suggestions for Further Reading A Note on the Text Preface to the Original Edition of 1912

THE AUTOBIOGRAPHY OF AN EX-COLORED MAN

Explanatory Notes

Editorial Reviews

The fictional account of an ambiguously black man’s expedition into America’s hard heart . . . . The Autobiography of an Ex-Colored Man is a revolutionary text. It takes as its core understanding that racism is first a way of seeing the world . . . . Recognized today as one of the cornerstones of the Harlem Renaissance, [Johnson’s novel] still proves itself to be as forward-thinking and ambitious as any of its successors.” —from the Introduction by Gregory Pardlo

From the Publisher

Written anonymously in 1912, this civil rights classic tells the story of a biracial man who has to choose whether to embrace his black half or live a more comfortable life as a white man. Initially, the book was of little note, but after being rereleased in 1927 by a major publisher and with Johnson’s name on the cover, it became a popular Harlem Renaissance work. Narrator Richard Allen has a formal, deep voice that is reminiscent of radio announcers of the 1920s. He overemphasizes diction, pace, and affect, a style that sounds forced and stilted now but would sound perfectly at home in the early twentieth century. In a sense, he performs the book rather than simply reading it, and for the most part it works as a historical curiosity. R.I.G. © AudioFile 2013, Portland, Maine

FEBRUARY 2013 - AudioFile