The Avenger Takes His Place: Andrew Johnson and the 45 Days That Changed the Nation by Howard Means, Hardcover | Barnes & Noble
The Avenger Takes His Place: Andrew Johnson and the 45 Days That Changed the Nation
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The Avenger Takes His Place: Andrew Johnson and the 45 Days That Changed the Nation

by Howard Means
     
 

From the moment of Lincoln’s death on April 15, 1865, until Andrew Johnson, his replacement, formally announced postwar plans on May 29, the fate of the country hung in the balance. War had left the Republic strained almost beyond endurance. Johnson’s ascendancy to the presi­dency seemed the killing stroke even to the victorious North. A former

Overview


From the moment of Lincoln’s death on April 15, 1865, until Andrew Johnson, his replacement, formally announced postwar plans on May 29, the fate of the country hung in the balance. War had left the Republic strained almost beyond endurance. Johnson’s ascendancy to the presi­dency seemed the killing stroke even to the victorious North. A former slave owner from the border state of Tennessee, Johnson had been drunk at his inauguration as vice presi­dent; he was hated equally by the South and the North. Some Northerners were even convinced he had been part of the conspiracy behind Lincoln’s assassination. Later, he escaped impeachment by a single vote.

As Howard Means reveals in this revisionist, powerfully persuasive, and absorbingly dramatic account of Johnson’s first six weeks in office, the new president faced almost insurmountable odds. Yet, as Means shows, Johnson not only met but overcame them, preserving the Union for which so many had sacrificed their lives.

Editorial Reviews

From the Publisher

PRAISE FOR C.S.A.: CONFEDERATE STATES OF AMERICA

"A terrific and imaginative work."--Jay Winik, author of April 1865

"A compelling, original, finely crafted and very satisfying story that will keep you turning pages."--John C. Waugh, author of Reelecting Lincoln, in The Washington Post

Publishers Weekly
Former Washingtonian magazine editor (and Louis Freeh's coauthor) Means recreates the first weeks of the presidency of a man who had never expected to find himself in that role. Initially, Andrew Johnson had nothing but harsh words for Southern planters and other erstwhile Confederates. But on May 29, 1865, he offered amnesty to any Confederate supporters who would take an oath of loyalty to the Constitution. Though Radical Republicans in Congress were furious that Johnson had unilaterally made this decision, the New York Times praised the president. Means suggests that Johnson took this bold step because he thought it was faithful to "Lincolnian doctrine." But Means is not out to make a hero of Johnson-quite the opposite. He believes Reconstruction was a failure. Intended "to forge a new postwar South," it "instead perpetuated the old one." Johnson's amnesty, for instance, paved the way for the establishment of discriminatory Black Codes in the South. Though Means doesn't add much to our understanding of Johnson, he has done history buffs a service by offering an impassioned, easy-to-read introduction to the 17th president. (Those who want to go deeper should read Eric L. Mc-Kitrick's majestic Andrew Johnson and Reconstruction). (Nov.) Copyright 2006 Reed Business Information.
Library Journal
Means, a former senior editor of Washingtonian magazine who helped former FBI director Louis Freeh write his recent My FBI, here offers what he calls a revisionist view of Andrew Johnson in the days immediately following the death of Abraham Lincoln. Means's work is well crafted and engaging, giving history buffs a glimpse of the days directly before and after Lincoln's assassination from the far less typical perspective of the former Tennessee tailor who had become Lincoln's second vice president. Means does a good job of portraying Johnson's personality, upbringing, and hatred of the Southern planter class though he was himself a slave owner. One drawback: serious students of history will be frustrated by end notes that are not referenced via specific numbering in the text. With a combined personal and political focus and covering a much narrower time period than Eric L. McKitrick's Andrew Johnson and Reconstruction, this work is a welcome addition to the resources on one of America's forgotten Presidents. Recommended for all libraries. Lisa A. Ennis, Univ. of Alabama at Birmingham Lib., Lister Hill Copyright 2006 Reed Business Information.
Kirkus Reviews
A portrait of Abraham Lincoln's vice president and successor over six crucial weeks that preserved a nation but brought an administration to ruin. Means, a senior editor at Washingtonian magazine, zeroes in on the aftermath of Lincoln's assassination in April 1865 to track Andrew Johnson as he completed a seemingly fated transition from promising patriot to bull in his own china shop. So ultimately eclipsed was his promise, in fact, that most readers may have little awareness of the once-acclaimed virtues that propelled the former congressman, senator and governor into his leadership role. The author questions whether any person other than Lincoln himself could have sealed the victory and healed the wounds of our Civil War, then amply shows how Johnson, determined as he was to faithfully implement Lincoln's legacy as he saw it, was far less than the man for the job. Not that the deck wasn't stacked against him: A Tennessee Democrat, he was never accepted by key Republicans in the administration-some, including Lincoln's widow, Mary, actually suspected the 17th president to be a conspirator in the assassination plot-and he was vehemently hated by the Southern plantocracy. To make matters worse, Johnson had delivered an embarrassingly rambling vice-presidential inaugural address stone drunk-an ironic misstep for someone with a reputation as a mesmerizing "stump" speaker built over countless campaigns. His persistent stubbornness and inability to find common ground with Congress on an effective Reconstruction policy left the South in an economic shambles with four million refugees (a hundred times the number created by Katrina, Means points out). And with full enfranchisement of freed slavesultimately left to the states that had originally enslaved them, a civil-rights gap emerged and dragged tragically on for a century. Vividly recounts the price of inflexibility and political failure in times of crisis. Agent: Raphael Sagalyn/Sagalyn Literary Agency

Product Details

ISBN-13:
9780151012121
Publisher:
Houghton Mifflin Harcourt
Publication date:
11/01/2006
Edition description:
First Edition
Pages:
304
Product dimensions:
6.00(w) x 9.00(h) x (d)

Read an Excerpt


chapter 1
Kirkwood House
T
The bill at Ford’s Theatre on April 14 featured light comedy and high celebrity. The newspapers had served notice that the president and Mrs. Lincoln and General and Mrs. Grant would be attending that evening’s performance of Laura Keene in My American Cousin. The Grants didn’t make it. They’d left for Burlington, New Jersey, that afternoon to visit their children. Their place in the presidential box was taken by a young military couple, Army Major Henry Rathbone and his fiancée, Clara Harris. Flags were draped on either side of the balcony. The partition that normally divided it into two boxes was gone and more comfortable furniture had been hauled in for the Lincoln party, including a rocking chair for the long-legged, theater-loving president. Richmond had been captured, the end was at hand. A festive spirit prevailed.
All that ended at ten fifteen with the muffled crack of Booth’s derringer, although at first no one knew for certain what had happened. Booth, after all, was a well-known actor around the capital. Only four weeks earlier, he’d performed at Ford’s Theatre. The dramatic leap to the stage, his raised dagger (the one he had just used to slash Henry Rathbone after shooting the president), the shouted oath “Sic Semper Tyrannis” (Thus Always to Tyrants, the state motto of Virginia) were so theatrical they might have been part of the show, a skit added to amuse or startle Lincoln. Even the paid actors that night were initially uncertain about what John Wilkes Booth was doing among them.
That seems to explain why no one bothered to stop him. Ford’s Theatre on the evening of April 14 bristled with men carrying sidearms, men who had used them recently in battle and were certainly ready to use them again. It is a mark of the sheer audacity of Booth’s act—its unthinkability—that he wasn’t cut down before he could clear the stage and get to the horse he had waiting in the alley behind the theater. Booth came, he fired, and left, with an ease breathtaking in comparison to our own time, when presidents are hermetically sealed away during public appearances.
It wasn’t long before the shock wore off and reality set in. Henry Rathbone shouted, “Stop that man!” Mrs. Lincoln cried out miserably, “They have shot the president!” There was no mistaking the message this time. Booth had used a wooden bar to block anyone from entering behind him into the presidential box. Bleeding freely from a deep gash that ran nearly from shoulder to elbow, Major Rathbone finally knocked the bar loose, and with that, the balcony swelled with doctors, officers, government officials, well-wishers, the morbidly curious, gawkers. Even Laura Keene, the star of the show, came up for a look. The place was as unprotected after Booth struck as it had been before he had arrived, and everyone wanted to lend a hand. In the days afterward, hundreds of those attending the performance—and some who had never come near the theater that evening—would claim to have helped lift Lincoln from the rocker he had been sitting in, or to have carried him down the stairs and out into the street, or to have aided in settling him in the Peterson house across the way, at 453 Tenth Street, where nine hours later he would finally die.
Those who couldn’t get a hand on the president rushed to police headquarters farther down Tenth Street, to add their recollections of the moment to what quickly became a tidal wave of often conflicting testimony. A deeply human man, Lincoln was on his way to immortality from the moment Booth pulled the trigger. It was only natural to want to put your oar in at the moment of transformation.
Almost alone among the crowd at Fords Theatre that evening, Leonard James Farwell seems to have worried less about the dying president than the man who would be replacing him. Farwell and Andrew Johnson had suites down the hall from each other at Kirkwood House on the northeast corner of Pennsylvania Avenue and Twelfth Street, four blocks from the White House and a short walk from Ford’s Theatre. They were both ex-governors, Farwell of Wisconsin and Johnson of Tennessee. Although the vice president had been living at the hotel for only a month, the two men had come to know each other, and as Lincoln was being carried down the stairs and across the street, Farwell rushed back to the hotel to be by Johnson’s side. The Dictionary of Wisconsin History concludes its brief entry on Farwell with the observation that he “saved Vice President Andrew Johnson’s life on the night Lincoln was assassinated by warning him of an attack.” That’s not the case. The vice president’s would-be assailant lost his nerve—or drank it away—before Farwell ever arrived. The exaggeration is understandable, though. It was a night of excess all the way around.
Leonard Farwell, Johnson’s would-be savior, was born in Watertown, in upstate New York, in 1819. Around 1840 he showed up in Milwaukee, where he launched a successful career as a hardware merchant and real-estate entrepreneur. In 1847, two years before Wisconsin became a state, he began amassing large tracts of land east of the future capital at Madison. Farwell would be the state’s second governor, serving from 1852 through 1854. A progressive, he helped establish the state’s first institute for the deaf and mute. Wisconsin abolished capital punishment under his watch. Mostly Farwell was a one-man chamber of commerce for Madison itself. He built a mill to lure farmers into the city, drained marshes, graded and widened the streets, planted 6,000 maple and cottonwood trees, and sat on the boards of both the Dane County Bank and the Madison Gas Light & Coke Company. For good measure, he also set about giving the bodies of water that surround Madison more easily pronounced names. The largest of the Yahara chain, which the Winnebago had called Wonk-sheck-ho-mik-la, or “where the Indians live,” became Lake Mendota, Chippewa for “large” or “great.” For himself, Farwell built the grandest house Madison had ever seen in its brief history, a three-story octagonal mansion on what was known as the Third Lake Ridge.Inevitably, since railroads were America’s newest engine of great wealth, Farwell got deeply involved in one: a forty-two mile stretch of track known as the Watertown and Madison Railroad Company. The railroad is what wiped him out. On August 24, 1857, the New York City branch of the Ohio Life Insurance and Trust Company collapsed under the weight of massive embezzlement, and the Panic of 1857 was on. Foreign investors pulled their capital out of American banks, grain prices collapsed, inventory piled up in the factories. Already overbuilt, the smaller railroads went under one by one, and as they did, so vanished the value of all the speculative real estate the railroads were to open up.Somewhere along the way late in that bottomless year of 1857, Leonard Farwell, who only threeyears earlier had been Wisconsin’s celebrated governor and its capital’s most ardent booster, lost his bid for election to the Madison Board of Alderman by nine votes. Bankrupt and in disgrace, he sold his mansion to three men from Milwaukee. The Civil War that began four years later gave Farwell a second chance, and Washington was the place to seize it.
The nation’s capital was still in its raw youth at the outbreak of the war. Thomas Jefferson had been the first president to be inaugurated in Washington, on March 4, 1801, less than a year after the seat of power had been officially moved from New York City. Sixty years later, the capital had a grand plan—Pierre Charles L’Enfant’s masterwork—but little to show for it. Funds were in chronically short supply. So was interest in a nation that still cared more for its state capitals, places like Farwell’s Madison, than its national one. As the late historian Shelby Foote pointed out, it wasn’t until after the Civil War that the United States was generally regarded as grammatically singular. Before the war, sentences would commonly begin: “The United States of America are . . .”
The U.S. Census of 1860 recorded 61,122 people living in the District of Columbia—1,245 fewer residents than Albany, New York; about half the residents of Chicago; 100,000 fewer than Cincinnati; a little better than one-twentieth the population of New York City and Brooklyn (then a separate municipality) combined. Washington city maps of the time show a populated area that stretched from the Potomac River to Boundary Street, now Florida Avenue. North of Rhode Island Avenue, though, travelers were already in the sticks.
The U.S. Capitol had two new wings by the time the 1860s began, but not yet its current dome. A plan to erect a privately financed grand equestrian monument to George Washington had petered out in 1855 for lack of contributions. Thus far, there was only a stub to honor the first president. A block west of it, the National Mall extended like a thumb out into the river. The Mall itself was split lengthwise by a grimy canal. Everything south of what is now Constitution Avenue and west of Seventeenth Street was swamp. The Potomac sat mostly stagnant over the current sites of the Lincoln Memorial, the FDR Memorial, and the memorials to the Vietnam and Korean wars, at an average depth of about one foot—a breeding ground for mosquitoes and the malaria they carried. One building survives today on the Mall from that era—the red brick, castlelike Smithsonian, designed by James Renwick and built with funds bequeathed to the new nation by Scotsman James Smithson.

Copyright © 2006 by Howard Means

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Meet the Author


HOWARD MEANS was a senior editor for Washingtonian maga­zine, where he won three William Allen White Medals. His previous books include the novel C.S.A. He cowrote former FBI director Louis Freeh’s recently published memoir. He lives in Millwood, Virginia.

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