The Aviator's Wife: A Novel

by Melanie Benjamin

Overview

In the spirit of Loving Frank and The Paris Wife, acclaimed novelist Melanie Benjamin pulls back the curtain on the marriage of one of America’s most extraordinary couples: Charles Lindbergh and Anne Morrow Lindbergh.
 
“The history [is] exhilarating. . . . The Aviator’s Wife soars.”—USA Today
 
NEW YORK TIMES BESTSELLER

When Anne Morrow, a shy college senior with hidden literary aspirations, travels to Mexico City to spend Christmas with her family, she meets Colonel Charles Lindbergh, fresh off his celebrated 1927 solo flight across the Atlantic. Enthralled by Charles’s assurance and fame, Anne is certain the aviator has scarcely noticed her. But she is wrong. Charles sees in Anne a kindred spirit, a fellow adventurer, and her world will be changed forever. The two marry in a headline-making wedding. In the years that follow, Anne becomes the first licensed female glider pilot in the United States. But despite this and other major achievements, she is viewed merely as the aviator’s wife. The fairy-tale life she once longed for will bring heartbreak and hardships, ultimately pushing her to reconcile her need for love and her desire for independence, and to embrace, at last, life’s infinite possibilities for change and happiness.
 
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Praise for The Aviator’s Wife
 
“Remarkable . . . The Aviator’s Wife succeeds [in] putting the reader inside Anne Lindbergh’s life with her famous husband.”—The Denver Post

“Anne Morrow Lindbergh narrates the story of the Lindberghs’ troubled marriage in all its triumph and tragedy.”—USA Today
 
“[This novel] will fascinate history buffs and surprise those who know of her only as ‘the aviator’s wife.’ ”—People
 
“It’s hard to quit reading this intimate historical fiction.”—The Dallas Morning News
 
“Fictional biography at its finest.”—Booklist (starred review)

“Utterly unforgettable.”—Publishers Weekly (starred review)
 
“An intimate examination of the life and emotional mettle of Anne Morrow.”—The Washington Post

“A story of both triumph and pain that will take your breath away.”—Kate Alcott, author of The Dressmaker

Product Details

ISBN-13:	9780345528681
Publisher:	Random House Publishing Group
Publication date:	11/26/2013
Pages:	448
Product dimensions:	5.34(w) x 7.96(h) x 1.00(d)

About the Author

Melanie Benjamin is the New York Times bestselling author of The Children’s Blizzard, Mistress of the Ritz, The Girls in the Picture, The Swans of Fifth Avenue, The Aviator's Wife, The Autobiography of Mrs. Tom Thumb, and Alice I Have Been. Benjamin lives in Chicago, Illinois, where she is at work on her next historical novel.

Read an Excerpt

Chapter 1

December 1927

Down to earth.

I repeated the phrase to myself, whispering it in wonder. Down to earth. What a plodding expression, really, when you considered it—I couldn’t help but think of muddy fields and wheel ruts and worms—yet people always meant it as a compliment.

“ ‘Down to earth’—did you hear that, Elisabeth? Can you believe Daddy would say that about an aviator, of all people?”

“I doubt he even realized what he was saying,” my sister murmured as she scribbled furiously on her lap desk, despite the rocking motion of the train. “Now, Anne, dear, if you’d just let me finish this letter . . .”

“Of course he didn’t,” I persisted, refusing to be ignored. This was the third letter she’d written today! “Daddy never does know what he’s saying, which is why I love him. But honestly, that’s what his letter said—‘I do hope you can meet Colonel Lindbergh. He’s so down to earth!’ ”

“Well, Daddy is quite taken with the colonel. . . .”

“Oh, I know—and I didn’t mean to criticize him! I was just thinking out loud. I wouldn’t say anything like that in person.” Suddenly my mood shifted, as it always seemed to do whenever I was with my family. Away from them, I could be confident, almost careless, with my words and ideas. Once, someone even called me vivacious (although to be honest, he was a college freshman intoxicated by bathtub gin and his first whiff of expensive perfume).

Whenever my immediate family gathered, however, it took me a while to relax, to reacquaint myself with the rhythm of speech and good-­natured joshing that they seemed to fall into so readily. I imagined that they carried it with them, even when we were all scattered; I fancied each one of them humming the tune of this family symphony in their heads as they went about their busy lives.

Like so many other family traits—the famous Morrow sense of humor, for instance—the musical gene appeared to have skipped me. So it always took me longer to remember my part in this domestic song and dance. I’d been traveling with my sister and brother on this Mexican-­bound train for a week, and still I felt tongue-­tied and shy. Particularly around Dwight, now a senior at Groton; my brother had grown paler, prone to strange laughing fits, almost reverting to childhood at times, even as physically he was fast maturing into a carbon copy of our father.

Elisabeth was the same as ever, and I was the same as ever around her; no longer a confident college senior, I was diminished in her golden presence. In the stale air of the train car, I felt as limp and wrinkled as the sad linen dress I was wearing. While she looked as pressed and poised as a mannequin, not a wrinkle or smudge on her smart silk suit, despite the red dust blowing in through the inadequate windows.

“Now, don’t go brooding already, Anne, for heaven’s sake! Of course you wouldn’t criticize Daddy to his face—you, of all people! There!” Elisabeth signed her letter with a flourish, folded it carefully, and tucked it in her pocket. “I’ll wait until later before I address it. Just think how grand it will look on the embassy stationery!”

“Who are you writing this time? Connie?”

Elisabeth nodded brusquely; she wrote to Connie Chilton, her former roommate from Smith, so frequently the question hardly seemed worth acknowledging. Then I almost asked if she needed a stamp, before I remembered. We were dignitaries now. Daddy was ambassador to Mexico. We Morrows had no need for such common objects as stamps. All our letters would go in the special government mail pouch, along with Daddy’s memos and reports.

It was rumored that Colonel Lindbergh himself would be taking a mail pouch back to Washington with him, when he flew away. At least, that’s what Daddy had insinuated in his last letter, the one I had received just before boarding the train in New York with Elisabeth and Dwight. We were in Mexico now; we’d crossed the border during the night. I couldn’t stop marveling at the strange landscape as we’d chugged our way south; the flat, strangely light-­filled plains of the Midwest; the dreary desert in Texas, the lonely adobe houses or the occasional tin-­roofed shack underneath a bleached-­out, endless sky. Mexico, by contrast, was greener than I had imagined, especially as we climbed toward Mexico City.

“Did you tell Connie that we saw Gloria Swanson with Mr. Kennedy?” We’d caught a glimpse of the two, the movie star and the banker (whom we knew socially), when they boarded the train in Texas. Both of them had their heads down and coat collars turned up. Joseph Kennedy was married, with a brood of Catholic children and a lovely wife named Rose. Miss Swanson was married to a French marquis, according to the Photoplay I sometimes borrowed from my roommate.

“I didn’t. Daddy wouldn’t approve. We do have to be more careful now that he’s ambassador.”

“That’s true. But didn’t she look so tiny in person! Much smaller than in the movies. Hardly taller than me!”

“I’ve heard that about movie stars.” Elisabeth nodded thoughtfully. “They say Douglas Fairbanks isn’t much taller than Mary Pickford.”

A colored porter knocked on the door to our compartment; he stuck his head inside. “We’ll be at the station momentarily, miss,” he said to Elisabeth, who smiled graciously and nodded, her blond curls tickling her forehead. Then he retreated.

“I can’t wait to see Con,” I said, my stomach dancing in anticipation. “And Mother, of course. But mainly Con!” I missed my little sister; missed and envied her, both. At fourteen, she was able to make the move to Mexico City with our parents and live the gay diplomatic life that I could glimpse only on holidays like this; my first since Daddy had been appointed.

I picked up my travel case and followed Elisabeth out of our private car and into the aisle, where we were joined by Dwight, who was tugging at his tie.

“Is this tied right, Anne?” He frowned, looking so like Daddy that I almost laughed; Daddy never could master the art of tying a necktie, either. Daddy couldn’t master the art of wearing clothes, period. His pants were always too long and wrinkled, like elephants’ knees.

“Yes, of course.” But I gave it a good tug anyway.

Then suddenly the train had stopped; we were on a platform swirling with excited passengers greeting their loved ones, in a soft, blanketing warmth that gently thawed my bones, still chilled from the Northampton winter I carried with me, literally, on my arm. I’d forgotten to pack my winter coat in my trunk.

“Anne! Elisabeth! Dwight!” A chirping, a laugh, and then Con was there, her round little face brown from sun, her dark hair pulled back from her face with a gay red ribbon. She was wearing a Mexican dress, all bright embroidery and full skirt; she even had huaraches on her tiny feet.

“Oh, look at you!” I hugged her, laughing. “What a picture! A true señorita!”

“Darlings!”

Turning blindly, I found myself in my mother’s embrace, and then too quickly released as she moved on to Elisabeth. Mother looked as ever, a sensible New England clubwoman plunked down in the middle of the tropics. Daddy, his pants swimming as usual, his tie askew, was shaking Dwight’s hand and kissing Elisabeth on the cheek at the same time.

Finally he turned to me; rocking back on his heels, he looked me up and down and then nodded solemnly, although his eyes twinkled. “And there’s Anne. Reliable Anne. You never change, my daughter.”

I blushed, not sure if this was a compliment, choosing to think it might be. Then I ran to his open arms, and kissed his stubbly cheek.

“Merry Christmas, Mr. Ambassador!”

“Yes, yes—a merry Christmas it will be! Now, hurry up, hurry up, and you may be able to catch Colonel Lindbergh before he goes out.”

“He’s still here?” I asked, as Mother marshaled us expertly into two waiting cars, both black and gleaming, ostentatiously so. I was acutely aware of our luggage piling up on the platform, matching and initialed and gleaming with comfortable wealth. I couldn’t help but notice how many people were lugging straw cases as they piled into donkey carts.

“Yes, Colonel Lindbergh is still here— ­oh, my dear, you should have seen the crowds at the airfield when he arrived! Two hours late, but nobody minded a bit. That plane, what’s it called, the Ghost of St. Louis, isn’t it—”

Con began to giggle helplessly, and I suppressed a smile.

Reading Group Guide

1. The  epigraph for this novel is from Antoine de Saint-Exupéry who, like Anne Morrow Lindbergh, was both a celebrated author and a noted aviator. Do you agree with his statement, “One must look with the heart”? What do you think that means? And do you think it means something different to an artist (author) as opposed to a scientist (aviator)?

2. One of the recurring themes is how Anne will choose to remember Charles. How do you think she concludes she’ll remember him by the end? How does it change?

3. Anne ’s father says, “And there’s Anne. Reliable Anne. You never change, my daughter.” (page 11)  How does Anne change over the course of this novel? Or does she?

4. How does Anne ’s nomadic lifestyle as the daughter of an ambassador later influence  her concept of “home” with Charles? What do you think defines home?

5. Anne seems to think of herself as an outsider—someone too shy and insular to make a big impression. Do you agree, or do you think Anne misevaluates herself? Do you think this insularity made Anne appealing to Charles, or do you think he was drawn to her because he saw past it? Is Charles an insular character himself, whether by nature or because he was forced into a “celebrity bubble”?

6. “Had there ever been a hero like him, in all of history?” (page 16) Anne starts her description of Charles with hero worship, comparing him to Columbus and Marco Polo. How does her opinion evolve as she comes to know him better? How did your opinion of Charles Lindbergh evolve throughout Anne’s story?

7. The title of this book is, of course, The Aviator’s Wife. Do you think that’s how Anne views herself upon marrying Charles? Do you think she sees that as a role she ’s playing, or as a defining characteristic of who she is? Does it change over the course of the book?

8. Have you ever been up in a biplane? Do you think you would ever go, even with an expert aviator at the controls?

9. Compare the relationships Anne has with the men in her life: her brother, Dwight; her father; and Charles.

10. What right to privacy do you think a public figure should have? Can a public figure decide what parts of his or her life stay private?

11. Have you ever met someone famous? Did he/she live up to your expectations?

12. Do you think Charles and Anne were in love? Why or why not? Did that change over time?

13. Do you think you could keep the secrets that Anne keeps from her children? Why or why not?

14. What do you think flying represents to Anne? How does it compare with writing? Which do you think is more important to Anne?

15.  Do you think Charles Lindbergh was a good husband in any ways? What do you think makes for a good partner?

16. Is Anne a hero? Why or why not?

17. If you could ask Anne one question, what would it be?

18. How does Anne ’s relationship  with her family change after she marries Charles?

19. How would you react to the scrutiny by the press that Anne and Charles endured? Would you want to be famous if it meant being constantly under the microscope? Would you answer differently if there weren’t social media outlets but the same type of newspapers and newsreels from Anne and Charles’s lifetime?

Editorial Reviews

The history is exhilarating. . . . The Aviator’s Wife soars. . . . Anne Morrow Lindbergh narrates the story of the Lindberghs’ troubled marriage in all its triumph and tragedy.”—USA Today

“Remarkable . . . The Aviator’s Wife succeeds [in] putting the reader inside Anne Lindbergh’s life with her famous husband.”—The Denver Post

“[This novel] will fascinate history buffs and surprise those who know of her only as ‘the aviator’s wife.’ ”—People
 
“It’s hard to quit reading this intimate historical fiction.”—The Dallas Morning News
 
“Fictional biography at its finest.”—Booklist (starred review)

“Utterly unforgettable.”—Publishers Weekly (starred review)
 
“An intimate examination of the life and emotional mettle of Anne Morrow.”—The Washington Post

“A story of both triumph and pain that will take your breath away.”—Kate Alcott, author of The Dressmaker
 
“Melanie Benjamin inhabits Anne Morrow Lindbergh completely, freeing her from the shadows of her husband’s stratospheric fame.”—Isabel Wolff, author of A Vintage Affair

From the Publisher