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| Woody Herman | Primary Artist, Clarinet, Alto Saxophone, Vocals |
| Ray Linn | Trumpet |
| Horace Diaz | Piano |
| Harold Arlen | Vocals |
| Nick Caiazza | Tenor Saxophone |
| Frank Carlson | Drums |
| Joseph Estren | Alto Saxophone |
| Mickey Folus | Tenor Saxophone |
| Herbie Haymer | Tenor Saxophone |
| Cappy Lewis | Trumpet |
| Jerry Neary | Trumpet |
| John Owens | Trumpet |
| Jerry Rosa | Trombone |
| Sam Rubinwich | Alto Saxophone |
| Tobee Tyler | Trombone |
| Hy White | Guitar |
| Clarence Willard | Trumpet |
| Walter Yoder | Bass |
| Jimmy Horvath | Alto Saxophone |
| Woody Herman & His Orchestra | Track Performer |
| Joe Bishop | Flugelhorn |
| Murray Williams | Alto Saxophone |
| Don Watt | Alto Saxophone |
| Malcolm Crain | Trumpet |
| Pete Johns | Tenor Saxophone |
| Tommy Linehan | Piano |
| Steady Nelson | Trumpet, Vocals |
| Bud Smith | Trombone |
| Bob Price | Trumpet |
| Ray Hopfner | Alto Saxophone |
| Saxie Mansfield | Tenor Saxophone |
| Neal Reid | Trombone |
| Jack Ferrier | Alto Saxophone |
| Nick Hupfer | Violin |
| Eddie Scalzi | Alto Saxophone |
| Herb Tompkins | Alto Saxophone |
| Vic Hamann | Trombone |
| Chick Reeves | Guitar |
| Kermit Simmons | Trumpet |
| Bruce Wilkins | Tenor Saxophone |
| Joe Denton | Alto Saxophone |
| Sunny Skylar | Vocals |
| Oliver Matthewson | Guitar |
| Sammy Armato | Tenor Saxophone |
| Benny Goodman | Composer |
| Lionel Hampton | Composer |
| Gordon Jenkins | Composer |
| Ray Noble | Composer |
| Andy Razaf | Composer |
| Joe Davis | Composer |
| Georgia White | Composer |
| Joe Bishop | Composer |
| David Lennick | Producer |
| Peter Dempsey | Liner Notes |
| Margaret Bonds | Composer |
| Lloyd Garrett | Composer |
| Hart A. Wand | Composer |
| Jimmy Noble | Composer |
Editorial Reviews
All Music Guide - Richard S. Ginell
True to its word, this bargain-priced survey of Woody Herman's first band is right on message; all but three of the 18 tracks have "blues" or "blue" in the title. As such, it succeeds in surveying that aspect of the Herman band from early sessions in 1937 to September 1941 on the eve of the AF of M recording ban. Among the rarer treats here is the unusual "Calliope Blues," with its radical for the time use of a flute choir. On the last session covered here, the band made a famous cover version of Harold Arlen's standard-to-be "Blues in the Night," and you can hear the composer chime in as he answers Herman's lead vocal. Typically, Naxos scrambles the chronological ...