The Band

Editorial Reviews

All Music Guide - William Ruhlmann
The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest Has Surely Come" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old ...
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Editorial Reviews

All Music Guide - William Ruhlmann
The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest Has Surely Come" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old Dixie Down." The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including "Whispering Pines" and "When You Awake" both co-written by Richard Manuel, with rollicking uptempo numbers like "Rag Mama Rag" and "Up on Cripple Creek" both sung by Levon Helm and released as singles, with "Up on Cripple Creek" making the Top 40. As had been true of the first album, it was the Band's sound that stood out the most, from Helm's and occasionally Manuel's propulsive drumming to Robertson's distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life especially Southern life, as references to Tennessee and Virginia made clear, its sometimes less savory aspects treated with warmth and humor.
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Product Details

  • Release Date: 11/5/2013
  • Label: Mobile Fidelity Koch
  • UPC: 821797212960
  • Catalog Number: 2129
  • Sales rank: 39,660

Album Credits

Performance Credits
The Band Primary Artist
Robbie Robertson Guitar
Rick Danko Bass, Trombone, Violin, Vocals
John Simon Tuba, Electric Piano, Peck Horn
Levon Helm Guitar, Mandolin, Drums, Vocals
Garth Hudson Organ, Piano, Accordion, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Slide Trumpet
Richard Manuel Piano, Drums, Baritone Saxophone, Vocals
Technical Credits
Robbie Robertson Composer, Engineer
John Simon Engineer
Levon Helm Composer
Richard Manuel Composer
Tony May Engineer
Joe Zagarino Engineer
Shawn R. Britton Mastering
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