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| Barbra Streisand | Primary Artist, Primary Artist, Vocals |
| Peter Matz | Conductor |
| Fats Waller | Composer |
| Harold Arlen | Composer |
| Peter Matz | Arranger |
| Andy Razaf | Composer |
| Milton Ager | Composer |
| Michael Berniker | Producer |
| Bernie Grundman | Remastering |
| Frank Laico | Engineer |
| Fred Plaut | Engineer |
| Herman Ruby | Composer |
| Jack Yellen | Composer |
| Joseph Meyer | Composer |
| Harvey Schmidt | Composer |
| Truman Capote | Composer |
| John Berg | Art Direction |
How old was Streisand when she recorded her first three albums? Who is that girl on the cover of the supermarket magazine people are always talking about? Why are they always talking about that troubled child when we have timeless classics like these. <BR/><BR/>Actually, the first FIVE Streisand albums are great, along with the soundtracks from her first three TV specials. The Peter Matz arrangements are as simple and crisp today as they were in 19XX - FORTY SIX YEARS AGO? Don't even take up with me regarding that Brittany Girl.
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Editorial Reviews
All Music Guide - William Ruhlmann
Of course, the first thing that strikes you listening to the first Barbra Streisand album, recorded and released before the singer's 21st birthday, is that great voice. And it isn't just the sheer quality of the voice, its purity and its strength throughout its register, it's also the mastery of vocal effects that produce dramatic readings of the lyrics -- each song is like a one-act musical. Streisand opens with Julie London's signature torch song, "Cry Me a River," and she doesn't only surpass London, she sets off a thermonuclear explosion. From there, versatility and novelty are emphasized -- a breakneck version of "Who's Afraid of the Big Bad Wolf?," a slow, ...