The Battle of Valle Giulia: Oral History and the Art of Dialogue / Edition 1

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Overview

     History, we are often taught, is driven by vast social, political, and economic forces. But each political event, each war, each clash in the streets or at the picket lines, is experienced by individuals. It is this profound bond between public history and personal struggle, Alessandro Portelli contends, that gives oral history its significance and its power.
     In The Battle of Valle Giulia—the title comes from an Italian student protest of the 1960s—Portelli reflects on how to connect personal memories with history, how to fittingly collect and represent the complexity of memory. Crossing cultures, classes, and generations, he records the private and singular experiences of Italian steelworkers and Kentucky coal miners, veterans and refugees of World War II, soldiers who fought in Vietnam, Italian resistance fighters and Nazis, and members of student movements from Berkeley to Rome. By listening to those whom others presume are "without historical memory"—such as youthful protesters, or the rural Tuscan women who saw every father, son, and brother killed by Nazi soldiers—Portelli clarifies the process by which narratives come into being as oral history, and he illustrates the differences and distances between story-telling and history-telling.
     Portelli's articulate discussion of dialogue, representation, narrative and genre link historical analysis with literary and linguistic theory and with the concerns of contemporary anthropology.

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Product Details

  • ISBN-13: 9780299153748
  • Publisher: University of Wisconsin Press
  • Publication date: 5/28/1997
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 354
  • Sales rank: 1,142,613
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.00 (d)

Meet the Author

Alessandro Portelli, professor of American literature at the University of Rome–La Sapienza, is the author of many books, including most recently The Death of Luigi Trastulli and Other Stories and The Text and the Voice: Speaking, Writing, and Democracy in American Literature.

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Table of Contents

Introduction
Pt. I On the Practice of Oral History
1 Oral History as Genre 3
2 There's Gonna Always Be a Line: History-Telling as a Multivocal Art 24
3 Memory and Resistance: For a History (and Celebration) of the Circolo Gianni Bosio 40
4 Tryin' to Gather a Little Knowledge: Some Thoughts on the Ethics of Oral History 55
5 Deep Exchange: Roles and Gazed in Multivocal and Multilateral Interviewing 72
6 Philosophy and the Facts: Subjectivity and Narrative Form in Autobiography and Oral History 79
Pt. II Wars
7 Form and Meaning of Historical Representation: The Battle of Evarts and the Battle of Crummies (Kentucky: 1931, 1941) 91
8 Absolutely Nothing: Wartime Refugees 114
9 The Battle of Poggio Bustone: Violence, Memory, and Imagination in the Partisan War 126
10 The Massacre at Civitella Val di Chiana (Tuscany, June 29, 1944): Myth and Politics, Mourning and Common Sense 140
11 As Though It Were a Story: Versions of Vietnam 161
12 I'm Going to Say It Now: Interviewing the Movement 183
13 It Was Supposed to Be Happening in Berkeley: The 1960s Meet Eastern Kentucky 199
14 Luigi's Socks and Rita's Makeup: Youth Culture, the Politics of Private Life, and the Culture of the Working Classes 232
15 Conversations with the Panther: The Italian Student Movement of 1990 249
16 The Apple and the Olive Tree: Exiles, Sojourners, and Tourists in the University 273
Notes 293
Index 339
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