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The Beautiful and Damned
     

The Beautiful and Damned

4.0 2
by F. Scott Fitzgerald
 

Fitzgerald's ironic epigraph to The Beautiful and the Damned exemplifies his attitude toward the young rootless post-World War I generation. Fitzgerald here once again displays a wariness of the upper classes—"an abiding distrust, and animosity toward the leisure class—not the conviction of a revolutionist but the smoldering hatred of a peasant."

Overview

Fitzgerald's ironic epigraph to The Beautiful and the Damned exemplifies his attitude toward the young rootless post-World War I generation. Fitzgerald here once again displays a wariness of the upper classes—"an abiding distrust, and animosity toward the leisure class—not the conviction of a revolutionist but the smoldering hatred of a peasant."
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Product Details

ISBN-13:
9780199539109
Publisher:
Oxford University Press, USA
Publication date:
08/31/2009
Series:
Oxford World's Classics Series
Edition description:
Reissue
Pages:
400
Sales rank:
760,430
Product dimensions:
5.00(w) x 7.60(h) x 0.60(d)

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The Beautiful and Damned 4 out of 5 based on 0 ratings. 2 reviews.
Toros More than 1 year ago
It had been years since I had last read a work of F. Scott Fitzgerald. In fact, The Great Gatsby was the first and last thing I had attempted from this great American writer, and that only because it had been required of me to read it back in college. I don't think I was overall particularly impressed while reading The Great Gatsby, largely because I lacked the maturity and experience to understand what Fitzgerald was saying. Yet, at our instructor's urging, I came away from it with enduring images of a beacon flashing in the distance symbolizing . something. And the conviction that the author had highlighted how wasteful and irresponsible some people can be. I know-a rather shallow reading. When scanning my shelves recently, looking for something to read, I noticed The Beautiful and Damned, and I thought, maybe now, years later, I am ready to try Fitzgerald again. Some impressions? Well, throughout the novel I kept mumbling to myself, "My God, how did this man come up with such brilliant descriptions?" I have come to envy Fitzgerald for his keen and vibrant use of language. The Beautiful and Damned is indeed beautifully written. From my perspective. If anything disappointed me in this novel, it was that I found no one-not a single character-whom I could like. That may seem superficial, but many readers do tend to enjoy literary journeys more when accompanied by a fictitious character they can believe in, cheer for, cry for. I found all the characters in The Beautiful and Damned to be at best annoying and at worst despicable. I read a review once of this novel that referred to the "fall" of the lead couple, Anthony Patch and Gloria, and I thought, "What fall? They were awful to begin with and awful at the end!" Having admitted that rather personal response to the novel, I should acknowledge that this is indeed a story about decline-both moral and physical decline, encouraged by the financial decline of Anthony and Gloria. Anthony was to be heir to the fortune of a relentless, cold tycoon. And while Gloria strikes one initially as a woman who could care only for that eventual wealth of the man she chooses to wed, her commitment to Anthony seems founded on a greater affection or love than would have thought possible, considering the repeated descriptions of her as little more than a player, a woman seeking nothing but her own pleasure in life. Beyond the failings and failure of these two people, the novel paints a portrait of American society with harsh class divisions and a constraining expectation that a man defines himself professionally more than anything else. At various points in the story, we read of political opinions, religious beliefs, personal aspirations, but Anthony's woes, brought on by his own faulty character, are often expressed in his inability to define himself professionally. The only resilient definition that Anthony and Gloria adhere to is that life must be fun, a notion they cling to even when the money runs out and they are no longer welcome to the loudest of parties yet, the Roaring Twenties.
Anonymous More than 1 year ago