The Best American Comics 2010
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The Best American Comics 2010

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by Neil Gaiman
     
 

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The Best American Comics showcases the work of both established and up-and-coming contributors. Editor Neil Gaiman—one of the top writers in modern comics and the award-winning author of novels and children’s bookshas culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and

Overview

The Best American Comics showcases the work of both established and up-and-coming contributors. Editor Neil Gaiman—one of the top writers in modern comics and the award-winning author of novels and children’s bookshas culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Internet to create this cutting-edge collection. With entries from luminaries such as Tim Hensley, Michael Kupperman, and Dash Shaw, “it’s hard to flip through this book without finding a lot worth reading (and rereading)” (The Onion, A.V. Club).

Editorial Reviews

Publishers Weekly
This yearly anthology is always something to look forward to, with its impressive editors, juicy forewords, and superabundance of comics genius between its two covers. Series editors Jessica Abel and Matt Madden start off with a brief history of the burst in comics' popularity and readership over the past decade; luckily for us, they include an extensive list of "Notable Comics" that didn't make the final cut. Gaiman, in turn, agonizes entertainingly over the accuracy of the title Best American Comics and finally suggests that the volume instead be called A Sampler: Some Really Good Comics, Including Extracts from Longer Stories We Thought Could Stand on Their Own. It's a wealth of fine storytelling: extracts from Lagoon, the gorgeously strange fairy tale by Lili Carré; Carol Tyler's great You'll Never Know; Bryan Lee O'Malley's Scott Pilgrim vs. the Universe; and Fred Chao's Johnny Hiro. Some stand-alone gems include Todd Brower and Steve MacIsaac's "Ex Communication," in which two bearish men meet for a drink and chat uncomfortably about what they've been up to since their split; Peter Kuper's two-page takedown of the Bush legacy in "Ceci n'est pas un comic"; and Gabrielle Bell's "Mixed Up Files." A thrilling and varied journey from start to finish. (Oct.)
Kirkus Reviews

Another star-studded anthology grapples with the challenge of whether comics can survive respectability.

Perhaps inevitably, with each annual edition, the balance shifts more from fresh (even raw) discoveries to luminaries already enshrined in the cultural canon. As series editors Jessica Abel and Matt Madden write in their foreword, "Everyone seems to be pushing to outdo themselves and to live up to comics' new status as a Medium That Matters." Thus, this year's guest editor Gaiman (renowned for his Sandman series)couldn't think of omitting at least a taste of Robert Crumb's illustrated Genesis(which Gaiman calls "the most fascinating comic of 2009"). Or a couple of excerpts from David Mazzucchelli's rapturously reviewed graphic novel debut,Asterios Polyp(2009).Or narratives from literary interlopers Jonathan Lethem and Jonathan Ames. Or the obligatory offerings from Chris Ware, whose entry "Fiction versus Nonfiction" serves as a sort of afterword (and opens with a quotation from John Cheever). Yet the range of possibility under the comic umbrella continues to astonish, with "The Bank" by Derf underscoring the connection between graphic narrative and punk rock, selections from Peter Kuper and Peter Bagge employing the comic strip as a political broadside, Josh Neufeld using the form for journalism (in the wake of Katrina) and Michael Cho for history (of the development of the atomic bomb). There are love stories as well as robots and superheroes, dream journals and family memoirs as well as fantasies. If there's a problem with the pieces, it is, as Gaiman addresses, "Any extract from a longer work, no matter how well-chosen, is simply that: an extract from a longer work, and the real art is the longer work, with a beginning and a middle and an end, often in that order." Yet readers who don't follow the field as closely as the series editors do will discover new favorites and will probably be inspired to buy a few books.

Every year seems to raise the bar.

Product Details

ISBN-13:
9780547241777
Publisher:
Houghton Mifflin Harcourt
Publication date:
10/05/2010
Series:
Best American Comics Series
Pages:
329
Product dimensions:
7.00(w) x 9.10(h) x 1.10(d)

Related Subjects

Meet the Author

NEIL GAIMAN is the critically acclaimed and best-selling author of the novels American Gods, Anansi Boys , and Neverwhere. Gaiman was the creator/writer of cult DC Comics horror-weird series The Sandman, which won twenty-four Will Eisner Comic Industry Awards, including the award for best writer four times, and three Harvey Awards. He is also the author of several children’s books, including The Graveyard Book, winner of the 2009 Newbery Medal, and Coraline, an international bestseller that was turned into an animated film and released in 2009. Among his many awards are the Hugo, the Nebula, and the Bram Stoker Award.

JESSICA ABEL is the author of the graphic novel La Perdida. MATT MADDEN is a cartoonist best known for his book 99 Ways to Tell a Story: Exercises in Style. Together, Abel and Madden are the authors of Mastering Comics and Drawing Words and Writing Pictures.

MATT MADDEN is a cartoonist and the author of 99 Ways to Tell a Story: Exercises in Style. Together, they are the authors of Drawing Words & Writing Pictures.

Brief Biography

Hometown:
Minneapolis, Minnesota
Date of Birth:
November 10, 1960
Place of Birth:
Portchester, England
Education:
Attended Ardingly College Junior School, 1970-74, and Whitgift School, 1974-77
Website:
http://www.neilgaiman.com

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The Best American Comics 2010 5 out of 5 based on 0 ratings. 1 reviews.
arcade_veteran70 More than 1 year ago
I've been a fan of the "Best American" writing series, and I stumbled upon this particular category by mistake. I was a huge fan of comic books in my early teens. I followed a lot of comic artists, mostly from Mad Magazine and Marvel Comics. Comics have a special quality of telling stories that books alone can't achieve. With books, you make the pictures in your mind. With comics, however, I could see what was inside the mind of the artists. I was also very intrigued by how each artist has his/her own unique style. There was no mistaking Don Martin or Al Jaffee in Mad Magazine or Barry Windsor-Smith in Marvel Comics. The five-star rating I gave this book is really meant for the entire series, but this particular volume stands on its own just as well.