The Best American Short Stories 1996by John Edgar Wideman
Each fall The Best American Short Stories provides a fresh showcase for this rich and unpredictable form. Selected from an unusually wide variety of publications, John Edgar Wideman's choices for 1996 place stories from esteemed national magazines alongside those from some of the smallest and most innovative literary journals. Dazzling new work from favorite authors… See more details below
Each fall The Best American Short Stories provides a fresh showcase for this rich and unpredictable form. Selected from an unusually wide variety of publications, John Edgar Wideman's choices for 1996 place stories from esteemed national magazines alongside those from some of the smallest and most innovative literary journals. Dazzling new work from favorite authors includes Mary Gordon's" Intertextuality," in which a sentence by Proust propels the narrator into an intricate portrait of her Irish American grandmother. From Robert Olen Butler comes the wry and warm tale " Jealous Husband Returns in Form of Parrot," in which a man learns the consequences of marital distrust. Alice Adams employs her customary finesse to contrast the stinging vulnerability of early adolescence with the burdens and pleasures of midlife. Including contributions from Joyce Carol Oates, Lynn Sharon Schwartz, Rick Bass, and an array of stunning new talent, The Best American Short Stories 1996 is a rewarding, en
All of which leads to a remarkably catholic collection, one that seldom sounds a repetitive note, or suggests one typical style for the times. Multicultural themes prevail, with differing consequences: Lan Chang's "The Eve of the Spirit Festival" chronicles the uneasy assimilation of an Asian widower and his two daughters in New York; first-timer Akhil Sharma's "If You Sing Like That for Me" splendidly evokes a young woman's fears as a wife in Delhi, India; Mary Gordon's "Intertextuality," despite its pretentious title, expertly recalls her Irish immigrant grandmother; and Peter Ho Davies's "The Silver Screen" is a Keystone Kops version of communist revolutionaries in postwar Malaysia, a comedy undermined by the radicals' brutal violence. Dan Chaon's troubling "Fitting Ends" focuses on the narrator's haunted recollections of his juvenile delinquent brother. William Henry Lewis's powerful "Shades" announces a welcome new voice in African-American fiction. The ubiquitous Melanie Rae Thon contributes another of her gritty tales, this of a teenaged prostitute and her best friend, a transvestite prostitute. And Joyce Carol Oates assumes the voice of a girl growing up in strange, seedy circumstances. Anna Keesey ("Bright Water") convincingly takes on the epistolary style of a 19th-century businessman writing to his son, who leads a millenarian Christian cult. Stylistically, the volume stretches from Stephen Dixon's stream-of-consciousness narrative in "Sleep" to William Lychak's delightfully fabulistic tale about an odd woman from the sea. Stories by Robert Olen Butler and Susan Perabe have already appeared in Best Stories from the South, and Junot Díaz's "Ysrael" is in his much-noted debut collection, Drown (p. 916).
A perfect place to sample the wide range of current fiction.
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