The Best American Short Stories 2013 [NOOK Book]

Overview

“As our vision becomes more global, our storytelling is stretching in many ways. Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who ...
See more details below
The Best American Short Stories 2013

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$10.99
BN.com price
(Save 26%)$14.95 List Price

Overview

“As our vision becomes more global, our storytelling is stretching in many ways. Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.

In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.
“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”


Read More Show Less

Editorial Reviews

Kirkus Reviews
2013-09-01
Plenty of great stories, but lighter on discovery and revelation than some previous annuals. For the reader whose consumption of short stories doesn't extend much beyond this yearly collection, the latest delivers the goods. With novelist Strout (The Burgess Boys, 2013, etc.) serving as guest editor and making the final selection, the collection includes a number of writers widely regarded as masters of the form: Alice Munro, Lorrie Moore, George Saunders and Junot Díaz among them. Almost half of these stories originally appeared in either the New Yorker or Granta. Strout explains that voice was the dominant criterion in her selection: "Arguably, authorial voice is more important in a short story than in a longer piece of fiction. The ride is quicker, the response heightened, and less space is available in which to absorb patches of soggy writing or gratuitous detail." One of the quickest rides that generates the strongest response is "The Chair" by David Means, a first-person narration (as many of these stories are) by a father who can't be trusted to know himself, let alone do best by his son, as he finds himself "having to reestablish my command, or better yet, my guidance--a towering figure in his little mind...." Quite a few of these stories concern the essence of storytelling: "Stories are about things that don't happen. They could happen, but they don't. But they could" (Steven Millhauser, "A Voice in the Night"); "I'm Paul Harvey, and now you know the rest of the story" (Callan Wink, "Breatharians"). As always, the Contributors' Notes on the stories are fascinating, and writers will be encouraged to learn that one of the best stories here--"Horned Men" by Karl Taro Greenfeld--was rejected by some 50 publications before making it to print.
Read More Show Less

Product Details

  • ISBN-13: 9780547898360
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 10/8/2013
  • Series: Best American Short Stories Series
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 256
  • Sales rank: 28,917
  • File size: 712 KB

Meet the Author

Elizabeth  Strout
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt. She is the author of the novels The Birthdays and the forthcoming The Daylight Marriage.

Biography

With the kind of reception that Elizabeth Strout's debut novel Amy and Isabelle received, one might have expected her to rush right back to her writing desk to author a follow-up while the proverbial iron was still hot. However, that is not the way that Strout works. "I wish tremendously that I was faster about all this," she recently told Bookpage.com. "But, you know, it didn't turn out to be that way." It ultimately took her about seven years to write Abide with Me, her sophomore effort, and the amount of time she put into crafting the novel is apparent on every page.

The multitudinous hours that went into writing Abide with Me are not anything new to Elizabeth Strout. She took any equally measured number of years to writer her debut, which she developed out of a short story. "It took me around three years to ‘clear my throat' for this book," she told Bookreporter.com at the time of the release of Amy and Isabelle. "During much of that time Amy and Isabelle remained a story. Once I got down to actually writing it as a novel it took another six or seven years." However, the pay off for the time she spent writing this humorous, expertly rendered tale of the troubled relationship between a mother and her daughter was substantial. Amy and Isabelle received nearly unanimous praise, lauded by Mademoiselle, The New Yorker, Newsweek, Time Magazine, People Magazine, and Publishers Weekly, to name just a few. The novel also nabbed nominations for the PEN/Faulkner Award for Fiction and the Orange Prize for Fiction, and was the subject of a 2001 made-for-television movie starring Elizabeth Shue.

So, what kept Strout from completing her second novel sooner? Perhaps it was her unorthodox writing methods. "I try to get in three or four hours (of writing per day)," she explains, "and I put off having lunch for as long as I can because having lunch seems to change the energy flow. If I'm lucky, I'll get through till one o'clock. And then I throw everything out. And that's a morning's work."

While Strout may be indulging in a little good-natured, comical leg-pulling, she did not write Abide with Me to elicit giggles from her readers. This somber piece introduces Tyler Caskey, a minister in a small New England community whose mounting personal doubts following a tragedy cause the community that he serves to develop their own doubts about his ability to guide them spiritually.

While Abide with Me stands in contrast to the comparatively humorous Amy and Isabelle, it was not Strout's intention to render a serious exploration of theology or religion. She views the book as more of a character study. "It is the story of a minister," she explains. "I was interested in writing about a religious man who is genuine in his religiosity and who gets confronted with such sadness so abruptly that he loses himself. Not his faith, but his faith in himself."

With the admiration already pouring in for Abide with Me, Strout may very well have another bestseller on her hands. Publishers Weekly has called this striking novel "a harrowing meditation of exile on Main Street," while Booklist suggested that "Readers who enjoyed...Amy and Isabelle... will find much to move them in this tale of a man trying to get past his grief amid a town full of colorful people with their own secrets and heartaches."

Such praise may be of little interest to Strout, who once told Bookreporter.com, "When I finish a piece, I put it behind me and look to my future work." But considering her leisurely work methods, it may be several years before her readers get their hands on her any of her future work -- not that Strout needs to worry about whether or not her fans will forget her. As long as she continues producing work as rich and compelling as Amy and Isabelle and Abide with Me, she can take all the time she needs.

Update:
In 2009 Strout was honored with a Pulitzer Prize for Fiction for Olive Kitteridge, a collection of connected short stories about a woman and her immediate family and friends on the coast of Maine.

Good To Know

Some fun and fascinating outtakes from our interview with Strout:

"My first job was when I was about 12, cleaning houses in the afternoons for different elderly women in town. I hated it. I would be so bored scrubbing at some kitchen tile, that my mind would finally float all over the place, to the beach, to a friend's house...all this happened in my mind as I scrubbed those tiles, so it was certainly good for my imagination. But I did hate it."

"Without a doubt my mother was an inspiration for my writing. This is true in many ways, but mostly because she is a wonderful storyteller, without even knowing it. I would listen, as a child, when some friend of hers came to visit, and they would gossip about the different people they knew. My mother had the most fascinating stories about people's families, murderers, mental illnesses, babies abandoned, and she delivered it all in a matter-of-fact way that was terribly compelling. It made me believe that there was nothing more interesting than the lives of people, their real hidden lives, and this of course can lead one down the path of becoming a fiction writer."

"Later, in college, one of my favorite things was to go into town and sit at the counter at Woolworth's (so tragic to have them gone!) and listen to people talking; the waitresses and the customers -- I loved it. I still love to eavesdrop, but mostly I like the idea of being around people who are right in the middle of their lives, revealing certain details to each other -- leaving the rest for me to make up."

"I love theater. I love sitting in an audience and having the actors right there, playing out what it means to be a human being. There is something about the actual relationship that is going on between the audience and the actors that I just love. I love seeing the sets and costumes, the decisions that have been made about the staging...it's a place for the eye and the ear to be fully involved. I have always loved theater."

"I also like cell phones. What I mean by that is I hear many people complain about cell phones; they can't go anywhere without hearing someone on a cell phone, etc. But I love that chance to hear half a conversation, even if the person is just saying, ‘Hi honey, I'll be home in ten minutes, do you want me to bring some milk?' And I'm also grateful to have a cell phone, just to know it's there if I need it when I'm out and about. So I'm a cell phone fan."

"I don't especially like to travel, not the way many people do. I know many people that love to go to far-off and different places, and I've never been like that. I seem to get homesick as quickly as a child. I may like being in some new place for a few days, but then I want to go home and return to my routine and my familiar corner stores. I am a real creature of habit, without a doubt."

Read More Show Less
    1. Hometown:
      Brooklyn, New York
    1. Date of Birth:
      January 6, 1956
    2. Place of Birth:
      Portland, Maine
    1. Education:
      B.A., Bates College, 1977; J.D., Syracuse College of Law, 1982
    2. Website:

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)