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| Jimmy McGriff | Primary Artist, Organ, Piano, Hammond Organ, kurzweil |
| Bill Easley | Saxophone, Alto Saxophone, Soprano Saxophone, Tenor Saxophone |
| Rodney Jones | Bass, Guitar, Roland Synthesizer |
| Eric Leeds | Saxophone |
| Dr. Fink | Synthesizer, Bass, Drums |
| Rob Arthur | Bass, Drums |
| Stanton Davis Jr. | Trumpet |
| Pancho Morales | Percussion |
| Bernard "Pretty" Purdie | Drums |
| Dennis Wilson | Trombone |
| James Behringer | Guitar |
| Fuku Tianaka | Drums |
| David P. Jackson | Bass |
| Ray Charles | Composer |
| Count Basie | Composer |
| Bill Easley | Composer, Producer |
| Jimmy McGriff | Composer, Producer |
| Steve Wilson | Liner Notes |
| Harold Arlen | Composer |
| Bonnie Hayes | Composer |
| Dr. Fink | Producer |
| Jerome Kern | Composer |
| Duke Ellington | Composer |
| Dorothy Fields | Composer |
| E.Y. "Yip" Harburg | Composer |
| Johnny Yard Dog Jones | Composer |
| Lou Baxter | Composer |
| Johnny Moore | Composer |
Editorial Reviews
All Music Guide - Steve Leggett
The title of this release is a little deceptive, since Jimmy McGriff only did one record with Headfirst Records, 1990's You Ought to Think About Me, and this is it, with "Merry Christmas Baby" added as a bonus track. Featuring McGriff's patented soul-jazz Hammond B-3 playing, the album culminates in a version of Ray Charles' "Hallelujah, I Love Her So" that gathers strands of soul, blues, gospel, jazz, and funk into one musical basket.