The Blessed

( 5 )

Overview

From the author of the New York Times bestselling ghostgirl series, the start to a captivating and haunting teen trilogy about three girls who become entangled with an enigmatic boy—a boy who believes he is a saint.

What if martyrs and saints lived among us? And what if you were told you were one of them?
Meet Agnes, Cecilia, and Lucy. Three lost girls, each searching for something. But what they find is ...

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Overview

From the author of the New York Times bestselling ghostgirl series, the start to a captivating and haunting teen trilogy about three girls who become entangled with an enigmatic boy—a boy who believes he is a saint.

What if martyrs and saints lived among us? And what if you were told you were one of them?
Meet Agnes, Cecilia, and Lucy. Three lost girls, each searching for something. But what they find is Beyond Belief.

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Editorial Reviews

Publishers Weekly
Hurley, creator of the ghostgirl series, launches a trilogy with a slow and muddled story based on the legends of martyred young saints. On Halloween, three very different girls end up in the same emergency room in Brooklyn: 16-year-old Agnes, who tried to kill herself after yet another failed romance; Cecelia, a rock musician who is struggling to hold her life together; and 17-year-old tabloid favorite Lucy, who overdosed in a club. Each is given a bracelet with a decorative charm that draws her to a decommissioned church and a boy named Sebastian who believes it is their destiny to join in a battle between good and evil. Hurley spends a significant amount of time on character development before letting the story get underway more than halfway through, yet her characters remain flat and unsympathetic. Despite an intriguing premise, fiery dialogue, and digs about celebrity-obsessed culture that moves at the speed of Twitter, the plot lacks clear direction, the pacing lags, and the verbose writing, while stylish, saps the story's energy. Ages 14–up. Agent: Andy McNichol, William Morris Endeavor. (Sept.)
Kara Hayward
"I loved the unexpected twists in the plot and suspense. I felt really invested in the characters and I felt like it’s one of those books you could read over and over and never tire of. Once I started reading it, I couldn’t put it down!"
From the Publisher
"A good story that uses faith as a powerful narrative device. Combine that with first-rate characters, scheming powers that be, and a harrowing plot you have a book that has bestseller written all over it, in big gothic letters."

“Brooklyn is the perfect setting for this dark, gritty thriller...Readers can rest assured that while these young women may be saints, they are definitely not angels."

“Our new favorite dark, sexy rock-n-roll thriller.”

“Intriguing premise, fiery dialogue, and digs about celebrity-obsessed culture that moves at the speed of Twitter…”

"Hurley has given me the story I’ve wanted for years—one with strong females accepting their lot and living to their full potential.

I will be sitting on the edge of my seat waiting for the second installment. For readers looking for a new story and for new characters to love and cheer for, then Agnes, CeCe, and Lucy are your next favorites."

"...Hurley brings her deadpan wit and blackest humor to the first tale in this trilogy about spirituality, sacrifice and supernatural romance."

"...A masterpiece. I wholeheartedly recommend The Blessed to you if you are interested in good writing, expert story telling, quirk and circumstance, or rock and roll.

"The Blessed is raw and gritty. It's keep you on the edge of your seat, trying to remember that you actually need to breathe."

"The Blessed is creepy-cool."

"I loved the unexpected twists in the plot and suspense. I felt really invested in the characters and I felt like it’s one of those books you could read over and over and never tire of. Once I started reading it, I couldn’t put it down!"

The Book Passage
"A good story that uses faith as a powerful narrative device. Combine that with first-rate characters, scheming powers that be, and a harrowing plot you have a book that has bestseller written all over it, in big gothic letters."
SugarScape.com
“Our new favorite dark, sexy rock-n-roll thriller.”
A Midsummer Night's Read
"Hurley has given me the story I’ve wanted for years—one with strong females accepting their lot and living to their full potential.

I will be sitting on the edge of my seat waiting for the second installment. For readers looking for a new story and for new characters to love and cheer for, then Agnes, CeCe, and Lucy are your next favorites."

MTV Hollywood Crush
"...Hurley brings her deadpan wit and blackest humor to the first tale in this trilogy about spirituality, sacrifice and supernatural romance."
Bookalcious Pam
"...A masterpiece. I wholeheartedly recommend The Blessed to you if you are interested in good writing, expert story telling, quirk and circumstance, or rock and roll.
Beyond Books
"The Blessed is raw and gritty. It's keep you on the edge of your seat, trying to remember that you actually need to breathe."
Bust Magazine
"The Blessed is creepy-cool."
SugarScape.com
“Our new favorite dark, sexy rock-n-roll thriller.”
A Midsummer Night's Read
"Hurley has given me the story I’ve wanted for years—one with strong females accepting their lot and living to their full potential.

I will be sitting on the edge of my seat waiting for the second installment. For readers looking for a new story and for new characters to love and cheer for, then Agnes, CeCe, and Lucy areyour next favorites."

Kara Hayward
"I loved the unexpected twists in the plot and suspense. I felt really invested in the characters and I felt like it’s one of those books you could read over and over and never tire of. Once I started reading it, I couldn’t put it down!"
VOYA - Debbie Kirchhoff
Looking for the next big trend in supernatural fiction? There are no mermaids in this story. Instead, in a unique vision, this first book in a trilogy introduces a new supernatural being: martyred Christian saints. Saint Agnes, patron saint of young girls; Saint Cecilia, patron of musicians; and Saint Lucy, patron of the blind are mystically linked with three contemporary namesakes in New York City. A mysterious young man named Sebastian becomes protector and defender of these three girls. The story begins as he seeks them out when each of the girls is taken to a hospital emergency room on the same fateful night. The separate events that have brought them there give them cause to examine and question the choices they have made so far in their young lives. Agnes has survived a suicide attempt over a lost love. Cecilia is a struggling musician with a cult following, and Lucy is an attention-seeking socialite. Sebastian seeks them each out in order to give them exquisite antique bracelets and leaves them with a promise that they will meet again. It is a fascinating, complicated idea that just gets started in this book. The violence escalates, and the language becomes more profane toward the end. Although there is much confusion and ambiguity, this will likely leave teen readers wanting more of the story of the girls' connection to these martyred virgin saints. Reviewer: Debbie Kirchhoff
Kirkus Reviews
Brooklyn is the perfect setting for this dark, gritty thriller with heavy religious overtones and breathtaking violence. The story of three teenagers--a suicidal Catholic schoolgirl, a narcissistic socialite and a beautiful, street-smart musician--who find themselves thrown together by fate and forced into an epic battle against evil, it is just as likely to thrill some as it is to offend others. After a clever opening in which readers are introduced to Agnes, Cecilia and Lucy, who are in varying states of distress in the hospital emergency room, Hurley initially spends too much time focusing on the girls independently and too little time exploring their implied connection. While each of the characters is compelling in her own right (particularly the beautifully crafted Cecelia), it's when their lives and destinies finally intersect that the story really takes off. Their struggles become far more compelling when Agnes, Cecilia and Lucy discover that they are the living avatars of three saints, each martyred when she was exceptionally young and after horrific suffering. Indeed, this creates a unique and powerful bond that emboldens them as they are thrust into a battle for their souls. Readers can rest assured that while these young women may be saints, they are definitely not angels. This first in a planned trilogy isn't for the faint of heart, but readers with strong stomachs will find themselves swept up. (Paranormal thriller. 14 & up)
School Library Journal
Gr 9 Up—This first installment in a planned trilogy features modern characters inspired by the lives of three martyred Catholic saints. It has a promising premise but is dragged down by a slow-moving plot and self-consciously hip language. Agnes, Cecilia, and Lucy all find themselves in Brooklyn's Perpetual Help emergency room Halloween night. Agnes, a Catholic schoolgirl, tried to commit suicide; Cecilia, a gifted indie musician, almost drowned in a puddle; and Lucy, a media-obsessed socialite, overdosed at a club. The three teens don't know one another, but they have in common a sense of unhappiness with their lives. Sebastian, a breathtakingly beautiful young man who was also at the hospital that fateful night, bestows upon each girl a gift of a jeweled chaplet bracelet. On the eve of a cataclysmic three-day storm, the girls end up seeking refuge at the decimated Church of the Precious Blood where they find Sebastian. Over the course of the storm and its aftermath, they learn that they are the namesakes of virgin saints from the third and fourth centuries. As it turns out, Sebastian has escaped from a mental institution and is being pursued by the authorities, in particular by an evil psychiatrist who intends to destroy him and the girls. The violence that erupts in the final chapters is over-the-top and surprising. By the end of the book, readers are still in the dark about the girls' calling and the motivations behind their evil pursuers. Hopefully Hurley will redeem Blessed in the second book and the promising story of the saints will be realized.—Ragan O'Malley, Saint Ann's School, Brooklyn, NY
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Product Details

  • ISBN-13: 9781442429512
  • Publisher: Simon & Schuster Books For Young Readers
  • Publication date: 9/25/2012
  • Series: Blessed Series
  • Pages: 405
  • Sales rank: 703,596
  • Age range: 14 - 17 Years
  • Lexile: 790L (what's this?)
  • Product dimensions: 6.00 (w) x 8.34 (h) x 1.31 (d)

Meet the Author

Tonya Hurley

Tonya Hurley is the author of the New York Times bestselling series ghostgirl and the Blessed trilogy. She has worked in nearly every aspect of teen entertainment: creating, writing, and producing two hit TV series; writing and directing several acclaimed independent films; and developing a groundbreaking collection of video games. Tonya lives with her husband and daughter in Brooklyn, New York.

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Read an Excerpt

Precious Blood

3 “Agnes!” Martha wailed, clutching the pale arm of her only daughter. “Is he really worth it? Worth this?”

Agnes’s blank eyes were fixed on her mother as she went in and out of consciousness. Her body was unloaded from the back of the ambulance like a raw meat delivery to the local butcher. She was unable to muster the energy to raise her head or her voice in response. Blood soaked through to the pleather pad beneath her, collecting and then streaming toward her dark teal ballet flats before finally trickling down the stainless steel leg of the gurney.

“Agnes, answer me!” Martha demanded, anger more than empathy coloring her tone as an EMT applied pressure to her daughter’s wounds.

Her shrill cry cut through the grating static of police radios and EMT dispatch scanners. The emergency doors flew open. The hard rubber gurney wheels clacked metronomically as they rolled over the aged linoleum floor of Perpetual Help Hospital in Brooklyn, keeping time with the blips coming from the heart monitor attached to the patient on board. The distraught woman was running, but still could not catch up to her daughter. She could only watch while the plasma—or liquid stubbornness and idealism, as she saw it—drained from her only child.

“Sixteen-year-old female. B.P. one hundred over fifty-eight and dropping. Ten fifty-six A.”

The police code for a suicide attempt was all too familiar to the ER team.

“She’s hypovolemic,” the nurse observed, grasping the young patient’s cold and clammy forearm. “Bleeding out.”

The nurse reached for a pair of shears and carefully but quickly cut through the side seam of Agnes’s T-shirt and removed it, revealing a bloodstained tank beneath.

“Look what he did to you! Look at you!” Martha scolded as she stroked Agnes’s long, wavy auburn hair. She studied the girl’s glamorous, old-Hollywood looks in wonder, her perfect skin and the brassy hair that fell in finger waves around her face, even more perplexed that she could do something so drastic over a guy. That guy.

“And where is he now? Not here! I told you over and over again. And, now, this, THIS, is what it got you!”

“We’re going to need you to calm down, ma’am,” the EMT advised, holding Agnes’s mother back at arm’s length as the stretcher made a sharp turn toward the curtained triage area. “Now is not the time.”

“Is she going to be okay?” Martha pleaded. “If something happens to her, I don’t know what I’ll do.”

“Something has already happened to her,” the nurse said.

“I’m just so . . . disappointed,” Martha confided, drying her eyes. “I didn’t raise her to behave so thoughtlessly.”

The nurse just raised her eyebrows at the unexpected lack of compassion.

Agnes heard clearly enough but said nothing, unsurprised that her mother needed comforting, validation that she was indeed a good parent, even under these circumstances.

“You’re not allowed back in the trauma rooms,” the nurse said to Martha, thinking it might be a good idea for her to cool off. “There’s nothing you can do right now, so why don’t you go home and get some fresh clothes for her?”

Martha, a rail-thin woman with short black hair, nodded, eyes glazed over, as she watched her daughter disappear down the harshly bright hallway. The nurse stayed behind and handed Martha Agnes’s drenched teal T-shirt. Some of it was still wet with bright red ooze, and part was already dried black and cracking as Martha folded it and crunched it in her arms.

There were no tears shed.

“She’s not going to die, is she?” Martha asked.

“Not today,” the nurse responded.

Agnes couldn’t speak. She was dazed, still more in shock than in pain. White cotton bandages were fastened around her wrists, tight enough to both staunch the bleeding and absorb it. Staring up at the rectangular fluorescent ceiling lights that passed one after another, Agnes felt as if she were speeding down a runway, about to take off—for where exactly was anybody’s guess.

Once she arrived in the trauma area, the scene grew even more frantic, as the ER doctors and nurses fussed over her, lifting her onto a bed, attaching the various monitors, inserting an IV, checking her vitals. She had the sensation of walking into a surprise birthday party—everything seemed to be going on for her, but without her.

Dr. Moss grabbed her right wrist, unwrapped the bandages, and turned it firmly into the light above his head to peer at the bloody crevice. He did the same with her left wrist and recited his observations to the nurse at his side for the record. Agnes, now slightly more responsive, managed to look away.

“Two-inch vertical wounds on each wrist,” he dictated. “Laceration of skin, vein, subcutaneous vessels, and ligament tissue. More than a cry for help going on here,” he said, noting the severity and location of the gashes and looking her directly in the eyes. “Opening your veins in the bathtub—old-school.”

A transfusion was started and she began to come to, slowly. She watched wearily, transfixed, as some stranger’s blood dripped into her body, and she wondered if she’d be changed by it. This certainly wasn’t a heart transplant, but the blood inside her heart would not be entirely her own.

Agnes started to moan and then became somewhat combative.

“Not a cry for help,” she said, indicating she knew full well what she was doing. “Let me go.”

“You’re lucky your mom was around,” he advised.

Agnes mustered a slight eye-roll.

After a short while, she heard the snap of the doctor removing his latex glove.

“Stitch her up,” he ordered. “And send her up to Psych for an eval after she’s fully transfused and . . . stable.”

“To Dr. Frey?” the nurse asked.

“He’s still up there? At this hour?”

“It’s Halloween, isn’t it?” she groused. “Just him and a skeleton crew.”

“That’s dedication,” Moss observed.

“Maybe, but I think he likes it up there.”

“He’s got some of the worst of the worst in that ward. I’m not sure he has a choice.”

Agnes overheard and couldn’t get the image out of her head of a Mad Monster Party going on up there. And if they were waiting for her to “stabilize,” they would be waiting a hell of a lot longer than even the poor uninsured souls in the waiting room seeking treatment.

“Another body outlasting the mind,” Dr. Moss said under his breath as he stepped behind the next curtain to assist with a CPR case, already well underway. Agnes was feeling more herself and she selfishly welcomed the tumult, if only to distract her from her own problems for a minute. She offered her wrist to the physician’s assistant and tuned into the commotion next to her, like the unwelcome music blaring from a car stereo outside her apartment window on a hot summer night.

13 “Seventeen-year-old female,” the EMT shouted, as she continued compressions. “Suspected drowning.”

The bony, blue-lipped girl in front of the intern was lifeless and turning whiter shades of pale with each passing second. He tried to examine her nails, but they were already painted blue.

“In the river?” the intern asked.

“On the street,” the EMT offered, drawing raised eyebrows from everyone in the room. “Facedown in a pothole.”

“She’s in full arrest. Defib.”

After several rounds of computer-assisted shocks were applied to her chest and rib cage, the tattooed teen bounced, spasmed, and came to.

“Bag her!” a nurse ordered.

Before they could get the intubation tube down her throat, she started coughing and spewing dirty water on the surgical gowns of her caretakers until some spittle ran down her chin. She might even have vomited if she had eaten anything that day. Tinted by her smeared red lipstick, the gravelly discharge left her looking bloody and muddy. Some murky runoff dripped down her underfed abdomen and collected in her belly button, flooding the innie and causing her steel ball barbell piercing to look more like a diving board, one end bobbing slightly up and down.

An IV was started; labs were drawn and sent off for testing.

“What’s your name?” the nurse asked, checking her faculties.

“CeCe,” the girl said wearily. “Cecilia.”

“Do you know where you are?” the nurse pressed.

CeCe looked around her. She saw nurses and doctors scurrying around and heard relentless moans coming from some homeless people on gurneys parked in the hallway.

“Hell,” she answered.

Cecilia looked up at the crucifix posted above the doorway and rethought her response. “The hospital.” She looked at the mud on her secondhand faded Vivian Westwood bodice, double bird claw ring—gunmetal gold pheasant talons gripping her middle and ring finger—leather leggings, and black ankle boots. “What am I doing here?”

“Technically, you drowned,” the nurse said. “You were found facedown in about an inch of water.”

“Oh, my God,” Cecilia cried, shortly before busting out into hysterics.

The nurse held her hand and tried to calm her before discovering that Cecilia wasn’t crying, but instead, laughing uncontrollably. So much so that she couldn’t catch her precious breath, further depleting her of oxygen.

“There’s nothing funny going on here.” Dr. Moss eyed the dirty residue and acrylic tubes emanating from her. “You almost died.”

Of course he was right, but she wasn’t laughing at the staff, just at the pathetic train wreck she’d become. Inhaling a puddle full of street gravy. How low can you get? Literally. Her friend Jim, who killed himself by jumping off the Brooklyn Bridge and sucking down thick, murky East River “Chop Suey” water, sure would have gotten a kick out of this. The thought sobered her up enough to replay the evening, to visualize the guy she was making out with on the F train back to Brooklyn from the Bowery and whose name she couldn’t remember, and the gig she wasn’t paid for.

“Emergency contact?” the nurse asked.

Cecilia shook her head no. “Where’s my guitar?” She felt around the gurney like an amputee for a lost limb.

She was naturally beautiful, gifted with deep green almond eyes and sharp features from early childhood. Her dark hair was shoulder-length, carefully unkempt in an edgy style. Tall and lean, with long bones and muscles. She would’ve had an easier time becoming a model, she was often told, and not just the kind recruited at shopping mall kiosks by pretty part-time employees with tans and belly shirts—but the real deal. And fashion was important to her. But she just couldn’t stand the idea of becoming a billboard for someone else’s creativity. It was stressful enough hawking her own. If she was going to be a messenger for anyone, it might as well be herself. Besides, music and her look was what got her out of bed in the early afternoon. It was what she lived for.

“The admission desk will have a record of whatever you were brought in with,” Dr. Moss said. “I’ll check on your guitar when things settle down around here.”

“Do they ever?” she asked. The little smile she got out of him fueled her.

“Thanks,” Cecilia said sincerely, as the doctor left her to contemplate her situation. “You’re a goddamn angel.”

“No, I’m a doctor. I can only fix damaged bodies.”

7 “Doctor! Stat!” the charge nurse ordered, interrupting his attempt at a made-for-TV moralism. Without warning, madness burst through the ER entrance, signaling to Cecilia that it might be a while before she got the GPS on her instrument.

“Holy breast-fed Jesus,” CeCe said, trying to decipher what the bright flashes of light against the wall above her cloth divider could be. It was like nothing they’d ever seen, or heard, before. It was almost as if a lightning storm had made its way into triage. The yelling that accompanied the flashes sounded like a pack of famished beasts picking over bones. It was the blaze of camera flashes and the cursing of paparazzi, all jockeying for position. All trying to get a shot. THE shot.

“Lucy, over here!” one yelled.

“Lucy, one shot of you and your IV bag!” another demanded.

“I can’t see,” Lucy mumbled as she put her vintage blond mink jacket over her head to shield her eyes and shroud her face, before promptly passing out.

“Back the hell up,” a security guard at the visitor desk shouted repeatedly.

Neither Agnes nor Cecilia could make out much except what they could see beneath the hanging curtain and hearing the term “OD” thrown around. Articles of clothing began hitting the floor, first one spiked stiletto and then another, black leggings, a strapless push-up bra, Swarovski headband, vintage Chanel purse, and finally a silk dress that seemed to gently float down like a little black parachute.

“Looks like another recessionista’s charge account came due,” Cecilia said under her breath.

“What is this, teen night?” Dr. Moss asked rhetorically as he prepped the oral charcoal.

“No, just Saturday night in Brooklyn,” the nurse responded. “Mondays are heart attacks . . . ”

“Lucy!” another nurse shouted. “Lucy, can you hear me?” The nurse didn’t need to check the clipboard for her name. Anyone who read the blogs or local gossip pages knew who she was and why she was accosted by the screaming paps.

Agnes overheard the chatter between the doctor and the hospital public relations officer who were standing outside her curtain.

“Keep those vultures out of here,” he ordered, looking over at the salivating row of photographers perched restlessly in the waiting room. “No comment and no confirmations from anyone, got it?”

Dr. Moss walked in to examine Lucy. The oral-activated charcoal treatment had already been started. She was gagging on the tube, which he took as a good sign. She awoke abruptly, as if the starter rope was being pulled on a lawnmower. Fully aware and completely awake.

“Get me out of here,” Lucy screamed, wrenching the tube from her throat. She was fidgety, crazed, almost manic.

“Relax, honey,” a large-and-in-charge nurse said, pushing gently down on her shoulders. “You’re safe from all those reporters out there.”

“Safe?” Lucy scoffed, fussing blindly with her makeup, her voice raspy. “Are you kidding me? This shot is gonna put someone’s kid through college.”

The nurse was clearly taken aback not only by her comment but also by the fact that the girl lying on the gurney was in full media mode.

“What are you talking about?”

“An emergency room photo? Do you know what kind of placement those get?” Lucy gave the irascible health aide the once-over and realized that she probably didn’t. “Like you’d understand.” Lucy pulled the overhead examination lamp closer and checked out her reflection in the chrome tray positioned over her gurney.

“Well, then, maybe you can get that officer outside to understand a little better what someone your age was doing passed out in the bathroom of a club?”

Lucy refused to acknowledge the seriousness of her condition, medically or legally, and reached down for the pieces of her scattered outfit. A searing pain stopped her short, and she doubled over, clenching her stomach in agony.

The nurse placed sticky-back electrodes on Lucy’s chest and wired her to the cardiac monitor at her bedside. The switch was flipped and instead of the expected beep . . . beep of Lucy’s heart rate, the sound was one long extended tone, indicating a flat line.

Then . . . nothing.

Lucy’s eyebrows perked up nervously as the nurse fiddled with the machinery.

“Everyone says I’m heartless,” Lucy jibed.

“Stop moving around,” the nurse ordered. “You’re messing with the monitor.”

“Ugh, I think I’m getting my period.” Lucy dropped her head down on the tiny pillow beneath her head. “Get me some Vicodin.”

Dr. Moss shook his head and left the curtained cubicle. He noticed the photographers and bloggers uploading and posting from their mobiles, calling sources, vigorously updating editors on the second-rate “it” girl’s breaking news. Suddenly, as if the fire alarm had gone off, the crowd dispersed, off to chase the next ambulance.

The nurse poked her head into Lucy’s bay to let her know things had settled down.

“Shit!” Lucy spat, her chance for a little cheap ink thwarted by someone else’s personal tragedy.

Hours passed, lights dimmed, staff, shifts, and dressings changed, and fifteen-minute-interval checks on Agnes’s restraints took place—also mandatory procedure—but the sounds of the sick, the injured, and the dying persisted long past visiting hours, into the night. It was sobering and depressing. Patients came and went, some discharged, some admitted, others like Agnes, Cecilia, and Lucy left in limbo, waiting for a bed or further observation, forced to endure the suffering of others as well as their own.

Agnes’s cell went off and she knew immediately by the Dynasty TV-theme ringtone that it was her mother. She hit the mute button and tossed the phone, limp-wristed, onto the monitor stand next to her gurney, ignoring the caller just as she had the digital cascade of text messages that now clogged her mailbox. She sighed and drifted off to sleep, like Lucy, whose lost photo op, and a first round of questioning by the NYPD, proved totally exhausting.

It was practically silent. Still.

13 An ER tech ripped open the curtain all at once, as if he were ripping off a Band-Aid, and wheeled in a computer on a mobile stand. “I need to ask you a few questions Cecilia . . . Trent.”

Cecilia didn’t budge.

“Address?”

“Pass.”

“Ah, okay.” He skimmed the screen for an easier question. “Religion?”

“Currently, I’m practicing the ancient art of”—she paused as he typed—“I don’t give a fuck-ism.”

He continued typing until the end and then pressed the delete button. “I can’t type that.”

“Sure you can.”

“No, I can’t.”

“And they say this is a free country,” Cecilia said. “Okay, I’m a practicing nihilist.”

“Why don’t I come back later.” He pushed his computer cart out of the room as he closed the curtain.

“Don’t be like that,” she called after him apologetically. “I’m just bored.”

“Get some rest.”

She should have been able to, with all that sedation flowing through her, but she couldn’t. She kept replaying the evening over and over in her head, the little she could remember of it. After a while, the ER went almost totally quiet except for the sound of hurried footsteps. They sounded heavy, not like the surgeons’ paper booties or the nurses’ rubber soles that had been scurrying through the ward until then. Cecilia, an experienced night owl by nature and profession, felt uneasy for the first time in a very long time.

Cecilia looked up and noticed the shadow of a male figure on her curtain, passing by her bay. “Coming back for more? They always do.”

She glanced down and saw the coolest pair of black biker boots she’d ever seen. Even in silhouette she could tell, whoever he was, he was hot. Definitely not the douche bag ER tech. She’d gotten really good at determining a guy’s “attributes” in the dark.

He stood still, as if he were intensely plotting, his back to her curtain divider, giving her time to wonder about him. Visiting hours were over, and from the almost chiaroscuro outline of his hair, jeans, and jacket, she wondered if this was the guy she’d hooked up with earlier. She could barely remember what he looked like, but maybe he’d snuck past the desk to see her. See if she was okay. Even if it was out of guilt.

“Are you decent?” he asked. “Can I come in?”

“No and yes. Two things about me—I never get on a plane with a country star and I tend to never say ‘no’ to a guy.”

She felt a tingle in her stomach as he slid aside the curtain. He looked anxious, almost like a chain smoker who had given up cigarettes earlier that day. Tense. He ducked quickly into the space. He was tall and lean, olive-skinned, with thick, styled hair, long, slightly muscled arms, and a barrel chest that was barely enclosed by his jacket and a T-shirt of The Kills.

A vision.

“I didn’t think anyone was awake,” he said in a baritone whisper.

“Here to give me last rites?”

“You have a death wish?”

“After last night, possibly.”

“Do you always invite strangers into your room?”

“I prefer the company of people I don’t know very well.”

“Sounds lonely.”

There was an awkward silence and Cecilia had to look away from him. The understanding and compassion in his voice was overwhelming. Her eyes welled unexpectedly with tears. “I’m not crying. I must still be high or something.”

“I understand.” He stepped forward. Closer to her. Shrinking the space between them. He smelled like incense. Cecilia began to question the wisdom of confiding in this guy. Hot guys cruising clubs was one thing, but hot guys creeping hospitals was quite another. She tensed up. “Do I know you?”

“Wouldn’t you know if you knew me?”

The truth was she hung out with a lot of guys, and it was difficult to keep them straight. So running into one turned into a game of Twenty Questions with her. Something she was good at. “Were you at my gig tonight? Did you bring me here?”

“No . . . ” he said slowly. “Cecilia.”

“You know my name? You better be psychic or I’m screaming,” she said, backing away suddenly.

He pointed to the foot of her bed. “Your name is on your clipboard.”

“What do you want from me?” Cecilia asked, holding her punctured arms up as far as the vinyl tubes would stretch, like a medicated marionette. “I can take care of myself. Despite what it looks like.”

“I can see that.” He nodded and tapped her hand gently.

“Who are you?” she asked, immediately pulling away.

“Sebastian,” he said, reaching for her again.

She relaxed into his touch.

He took notice of the hard-shell guitar case leaning upright against the wall beside her bed. It was stickered, stained, chipped, and battered. It had seen better days, but he had the sense it was protecting something precious. “You’re a musician?”

“That’s what I told my parents when I ran away.”

“Everyone’s either running from something or toward something.”

“Well, then,” she said, feeling some camaraderie. “Which way are you headed?”

“Both, I guess.”

“At least one thing we have in common.”

“At least.”

“Seriously, I just always felt like there was something deep inside of me I needed to say,” CeCe tried to explain. “Something . . . ”

“Trying to get out?” he asked.

She looked up at him in surprise. He understood.

“Yeah.”

“Another thing we have in common,” he said.

He moved in even closer. Into the light. Close enough for her to feel the warmth of his body and his breath. To see him. To smell him.

“So, Sebastian . . . ” Even his name appealed to her. It fit him. She knew his type. Devastatingly good-looking guy, nice moves, but probably cheating on his night nurse girlfriend right under her nose. “What are you doing here?”

“Visiting.”

“A girlfriend?”

“No.”

“Well, you don’t look like a blood farmer, organ broker, or bone thief . . . ,” she said. “Are you one of those dudes who cruises the hospital for sick chicks?”

The loud clang of a tray dropping and some hallway chatter startled them. He’d looked edgy since he’d walked in, but she could sense he was ready to leave. Right then. “You looking for someone or is someone looking for you?”

“I found what I was looking for,” he said, reaching down into his jeans pocket.

“Whoa, what the hell are you doing?” Cecilia reached for the nurse call button. He beat her to it, snatching it away. She immediately extended her hand to grab it, then winced in pain, pulling back as the IV lines stretched to their limit and tugged at her veins. “Point blank, I will hurt you.”

He pulled out a gorgeous bracelet made from what looked to be the oldest, most extraordinary rough ivory beads, and dangling from it, an antique gold sword with a slender cello bow fastened from the handle to the tip.

“Holy shit.” Cecilia marveled at it and was both touched and spooked that a total stranger would give her such a stunning, obviously ridiculously expensive, personal, and unique gift. “Were you the one who brought me here?” she asked. “Were you the one who saved me?”

Sebastian placed the bracelet in her hand and clasped his around it, gently but firmly, and backed away toward the curtain. “Later.”

Something in his voice sounded to her like he meant it literally. She believed him. This was the most honest conversation she’d had with a guy maybe ever. And he was a total stranger. But an old soul. Like her.

“Listen. I have a few gigs this week. Cecilia Trent. Google me. Maybe you’ll find me and come down and check me out minus the IVs.”

“Maybe you’ll find me first,” he said.

“Wait,” Cecilia whispered hoarsely after him, holding up her wrist adorned with the bracelet. “What is this?”

“Something to hold on to.”

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Customer Reviews

Average Rating 3.5
( 5 )
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Sort by: Showing all of 5 Customer Reviews
  • Posted November 20, 2012

    I had an opportunity to get a copy of the audiobook for review.

    I had an opportunity to get a copy of the audiobook for review. It was a book that I was semi-interested in because the physical book as a cover that is interchangeable, the blue side that looks very heavenly, but the other side is dark, black and mysterious. This gave me the idea that maybe the book could be darker than I was originally thinking it might be from the summary.

    When I first started listening to the audiobook I noticed right away the narrator, actress Kara Hayward, has a very distinctive voice. Which is not a bad thing, but I noticed right away that I was paying more attention to the way that she was pronouncing the words than what she was saying. It did take a long while before I got used to it. But I do think she did an excellent job showing each characters personalities throughout the story.

    The actual story did get a little dark, but maybe not as much as I was expecting. The resonating and very upfront religious focus in the story was a little off putting to me. But you really cannot deny that you didn't expect that when you look at the summary and the cover. It is very obvious.

    It's a slower paced book, the girls all going through some very painful times in their lives. It's emotional and overall they really do all have very strong, distinct, personalities. Quite easily they could become best friends or mortal enemies.

    What I can say is that now, even weeks after I have finished listening to it. The story has still stuck with me, and not in a bad way. I find myself thinking about the characters and how they eventually come together in those last chapters, it really ended on a high note. It is something that I will be looking forward to the next book in the series, because it's peaked my interest.

    Was this review helpful? Yes  No   Report this review
  • Posted October 26, 2012

    more from this reviewer

    The Blessed centers around three girls, Lucy, Agnes, and Cecelia

    The Blessed centers around three girls, Lucy, Agnes, and Cecelia, who all wind up in the emergency room at the same time for different reasons. While there, they meet a mysterious stranger, Sebastian, who gives them each beautiful bracelets with charms on them. They later find out who Sebastian is, or believes he is. Circumstances throw all of them together as they seek refuge during a storm, where Sebastian tells them more about the Saints, who they also learn were all martyrs, killed for their beliefs.

    The story gets more complicated and darker as it progresses. It is deeply rooted in religious undertones, and is unique in both topic and plot. Much of the story centers on getting to know the three girls, with different twist and turns, emphasis on saints and martyrs, combined with conspiracy and mystery.

    I found this book interesting and different, though somewhat difficult to grasp at times. All the characters are well-developed and well-written, but I didn’t really connect with any of them. This book is thought provoking, with some dark connotations This is one of those books that you have to really focus and pay attention to as you read. Though this wasn’t something that fits my personal taste, it may be something you would like, especially if you are looking for something unique with a different perspective.

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  • Anonymous

    Posted October 9, 2012

    :)

    I think its pretty interesting ....read it!!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 28, 2012

    add me if ur singlen12-15 y/o

    ,,,

    0 out of 10 people found this review helpful.

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  • Anonymous

    Posted October 18, 2012

    No text was provided for this review.

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