The Blithedale Romanceby Nathaniel Hawthorne
One of Hawthorne's great romances, The Blithedale Romance draws upon the author's experiences at Brook Farm, the short-lived utopian community where Hawthorne spent much of 1841. Blithedale ("Happy Valley"), another would-be modern Arcadia, is the stage for Hawthorne's grimly comic tragedy (Henry James famously called the novel "the lightest, the brightest, the
One of Hawthorne's great romances, The Blithedale Romance draws upon the author's experiences at Brook Farm, the short-lived utopian community where Hawthorne spent much of 1841. Blithedale ("Happy Valley"), another would-be modern Arcadia, is the stage for Hawthorne's grimly comic tragedy (Henry James famously called the novel "the lightest, the brightest, the liveliest" of Hawthorne's "unhumorous fictions"). In his introduction, Robert S. Levine considers biographical and historical contexts and offers a fresh appreciation of the novel's ironic first-person narrator. The John Harvard Library edition reproduces the authoritative text to The Blithedale Romance in The Centenary Edition of the Works of Nathaniel Hawthorne.
Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.
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The evening before my departure for Blithedale, I was returning to my bachelor-apartments, after attending the wonderful exhibition of the Veiled Lady, when an elderly-man of rather shabby appearance met me in an obscure part of the street.
“Mr. Coverdale,” said he, softly, “can I speak with you a moment?”
As I have casually alluded to the Veiled Lady, it may not be amiss to mention, for the benefit of such of my readers as are unacquainted with her now forgotten celebrity, that she was a phenomenon in the mesmeric line; one of the earliest that had indicated the birth of a new science, or the revival of an old humbug. Since those times, her sisterhood have grown too numerous to attract much individual notice; nor, in fact, has any one of them ever come before the public under such skilfully contrived circumstances of stage-effect, as those which at once mystified and illuminated the remarkable performances of the lady in question. Now-a-days, in the management of his “subject,” “clairvoyant,” or “medium,” the exhibitor affects the simplicity and openness of scientific experiment; and even if he profess to tread a step or two across the boundaries of the spiritual world, yet carries with him the laws of our actual life, and extends them over his preternatural conquests. Twelve or fifteen years ago, on the contrary, all the arts of mysterious arrangement, of picturesque disposition, and artistically contrasted light and shade, were made available in order to set the apparent miracle in the strongest attitude of opposition to ordinary facts. In the case of the Veiled Lady, moreover, the interest of the spectator was further wrought up by the enigma of her identity, and an absurd rumor (probably set afloat by the exhibitor, and at one time very prevalent) that a beautiful young lady, of family and fortune, was enshrouded within the misty drapery of the veil. It was white, with somewhat of a subdued silver sheen, like the sunny side of a cloud; and falling over the wearer, from head to foot, was supposed to insulate her from the material world, from time and space, and to endow her with many of the privileges of a disembodied spirit.
Her pretensions, however, whether miraculous or otherwise, have little to do with the present narrative; except, indeed, that I had propounded, for the Veiled Lady’s prophetic solution, a query as to the success of our Blithedale enterprise. The response, by-the-by, was of the true Sibylline stamp, nonsensical in its first aspect, yet, on closer study, unfolding a variety of interpretations, one of which has certainly accorded with the event. I was turning over this riddle in my mind, and trying to catch its slippery purport by the tail, when the old man, above-mentioned, interrupted me.
“Mr. Coverdale!—Mr. Coverdale!” said he, repeating my name twice, in order to make up for the hesitating and ineffectual way in which he uttered it—“I ask your pardon, sir—but I hear you are going to Blithedale tomorrow?”
I knew the pale, elderly face, with the red-tipt nose, and the patch over one eye, and likewise saw something characteristic in the old fellow’s way of standing under the arch of a gate, only revealing enough of himself to make me recognize him as an acquaintance. He was a very shy personage, this Mr. Moodie; and the trait was the more singular, as his mode of getting his bread necessarily brought him into the stir and hubbub of the world, more than the generality of men.
“Yes, Mr. Moodie,” I answered, wondering what interest he could take in the fact, “it is my intention to go to Blithedale tomorrow. Can I be of any service to you, before my departure?”
“If you pleased, Mr. Coverdale,” said he, “you might do me a very great favor.”
“A very great one!” repeated I, in a tone that must have expressed but little alacrity of beneficence, although I was ready to do the old man any amount of kindness involving no special trouble to myself. “A very great favor, do you say? My time is brief, Mr. Moodie, and I have a good many preparations to make. But be good enough to tell me what you wish.”
“Ah, sir,” replied old Moodie, “I don’t quite like to do that; and, on further thoughts, Mr. Coverdale, perhaps I had better apply to some older gentleman, or to some lady, if you would have the kindness to make me known to one, who may happen to be going to Blithedale. You are a young man, sir!”
“Does that fact lessen my availability for your purpose?” asked I. “However, if an older man will suit you better, there is Mr. Hollingsworth,3 who has three or four years the advantage of me in age, and is a much more solid character, and a philanthropist to boot. I am only a poet, and, so the critics tell me, no great affair at that! But what can this business be, Mr. Moodie? It begins to interest me; especially since your hint that a lady’s influence might be found desirable. Come; I am really anxious to be of service to you.”
But the old fellow, in his civil and demure manner, was both freakish and obstinate; and he had now taken some notion or other into his head that made him hesitate in his former design.
“I wonder, sir,” said he, “whether you know a lady whom they call Zenobia?”
“Not personally,” I answered, “although I expect that pleasure tomorrow, as she has got the start of the rest of us, and is already a resident at Blithedale. But have you a literary turn, Mr. Moodie?—or have you taken up the advocacy of women’s rights?—or what else can have interested you in this lady? Zenobia, by-the-by, as I suppose you know, is merely her public name; a sort of mask in which she comes before the world, retaining all the privileges of privacy—a contrivance, in short, like the white drapery of the Veiled Lady, only a little more transparent. But it is late! Will you tell me what I can do for you?”
“Please to excuse me to-night, Mr. Coverdale,” said Moodie. “You are very kind; but I am afraid I have troubled you, when, after all, there may be no need. Perhaps, with your good leave, I will come to your lodgings tomorrow-morning, before you set out for Blithedale. I wish you a good-night, sir, and beg pardon for stopping you.”
And so he slipt away; and, as he did not show himself, the next morning, it was only through subsequent events that I ever arrived at a plausible conjecture as to what his business could have been. Arriving at my room, I threw a lump of cannel coal upon the grate, lighted a cigar, and spent an hour in musings of every hue, from the brightest to the most sombre; being, in truth, not so very confident as at some former periods, that this final step, which would mix me up irrevocably with the Blithedale affair, was the wisest that could possibly be taken. It was nothing short of midnight when I went to bed, after drinking a glass of particularly fine Sherry, on which I used to pride myself, in those days. It was the very last bottle; and I finished it, with a friend, the next forenoon, before setting out for Blithedale.
Meet the Author
Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachusetts, the son and grandson of proud New England seafarers. He lived in genteel poverty with his widowed mother and two young sisters in a house filled with Puritan ideals and family pride in a prosperous past. His boyhood was, in most respects, pleasant and normal. In 1825 he was graduated from Bowdoin College, Brunswick, Maine, and he returned to Salem determined to become a writer of short stories. For the next twelve years he was plagued with unhappiness and self-doubts as he struggled to master his craft. He finally secured some small measure of success with the publication of his Twice-Told Tales (1837). His marriage to Sophia Peabody in 1842 was a happy one. The Scarlet Letter (1850), which brought him immediate recognition, was followed by The House of the Seven Gables (1851). After serving four years as the American Consul in Liverpool, England, he traveled in Italy; he returned home to Massachusetts in 1860. Depressed, weary of writing, and failing in health, he died on May 19, 1864, at Plymouth, New Hampshire.
- Date of Birth:
- July 4, 1804
- Date of Death:
- May 19, 1864
- Place of Birth:
- Salem, Massachusetts
- Place of Death:
- Plymouth, New Hampshire
- Bowdoin College, Brunswick, Maine, 1824
Most Helpful Customer Reviews
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Hawthorne likes to write about society versus the individual In this book, a group of people decide to isolate themselves from society and establish their own eutopia. It leads to interesting results. Out of three Hawthorne books I've read (the other's being THe Scarlet Letter and The House of Seven Gables), this is my favorite. It is covered with subtle humor. I really like Nathaniel Hawthorne and found myself really drawn into this story.