The Body of War: Media, Ethnicity, and Gender in the Break-up of Yugoslavia [NOOK Book]

Overview

In The Body of War, Dubravka Žarkov analyzes representations of female and male bodies in the Croatian and Serbian press in the late 1980s and in the early 1990s, during the war in which Yugoslavia disintegrated. Žarkov proposes that the Balkan war was not a war between ethnic groups; rather, ethnicity was produced by the war itself. Žarkov explores the process through which ethnicity was generated, showing how lived and symbolic female and male bodies became central to it. She does not posit a direct causal ...

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The Body of War: Media, Ethnicity, and Gender in the Break-up of Yugoslavia

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Overview

In The Body of War, Dubravka Žarkov analyzes representations of female and male bodies in the Croatian and Serbian press in the late 1980s and in the early 1990s, during the war in which Yugoslavia disintegrated. Žarkov proposes that the Balkan war was not a war between ethnic groups; rather, ethnicity was produced by the war itself. Žarkov explores the process through which ethnicity was generated, showing how lived and symbolic female and male bodies became central to it. She does not posit a direct causal relationship between hate speech published in the press during the mid-1980s and the acts of violence in the war. Instead, she argues that both the representational practices of the “media war” and the violent practices of the “ethnic war” depended on specific, shared notions of femininity and masculinity, norms of (hetero)sexuality, and definitions of ethnicity.

Tracing the links between the war and press representations of ethnicity, gender, and sexuality, Žarkov examines the media’s coverage of two major protests by women who explicitly identified themselves as mothers, of sexual violence against women and men during the war, and of women as militants. She draws on contemporary feminist analyses of violence to scrutinize international and local feminist writings on the war in former Yugoslavia. Demonstrating that some of the same essentialist ideas of gender and sexuality used to produce and reinforce the significance of ethnic differences during the war often have been invoked by feminists, she points out the political and theoretical drawbacks to grounding feminist strategies against violence in ideas of female victimhood.

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Product Details

Meet the Author

Dubravka Žarkov is an Associate Professor in Gender, Conflict, and Development Studies at the Institute of Social Studies in The Hague. She is a coeditor of The Postwar Moment: Militaries, Masculinities, and International Peacekeeping and an associate editor of Focaal: European Journal of Anthropology.

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Table of Contents

Acknowledgments ix

Introduction 1

Part I. The Maternal Body

1. The Whore against the Mother of All Serbs 19

2. Pictures of the Wall of Love 43

3. Troubles with Motherhood 69

Part II. The Victimized Body

4. The Body of All Serbs 85

5. All the Bodies of Croatia 102

6. Sexual Geographies of Ethnicity 116

7. On Victims and Villains 143

8. The Body of the Other Man 155

9. Troubles with the Victim 170

Part III. The Armed Body

10. Soldirs of Tradition 191

11. Troubles with Arms 212

Notes 233

Bibliography 257

Index 281
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