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| Trey Parker | Primary Artist |
| Matt Stone | Primary Artist |
| Robert Lopez | Primary Artist |
| Stephen Oremus | Primary Artist, Conductor |
| Darlesia Cearcy | Vocals |
| Rema Webb | Vocals |
| Lewis Cleale | Vocals |
| Brian Henry | Vocals |
| Scott Barnhardt | Vocals |
| Justin Bohon | Vocals |
| Michael James Scott | Vocals |
| Josh Gad | Vocals |
| Asmeret Ghebremichael | Vocals |
| Maia Nkenge Wilson | Vocals |
| Brian Sears | Vocals |
| Rory O'Malley | Vocals |
| John Eric Parker | Vocals |
| Tommar Wilson | Vocals |
| Michael Potts | Vocals |
| Nikki M. James | Vocals |
| Laurence Stallings | Vocals |
| Benjamin Schrader | Vocals |
| Andrew Rannells | Vocals |
| Jason Michael Snow | Vocals |
| The Book of Mormon Pit Orchestra | Performing Ensemble |
| Kevin Duda | Vocals |
| Clark Johnsen | Vocals |
| Frank Filipetti | Engineer |
| Trey Parker | Composer, Lyricist, Producer, Book, Stage Direction |
| Scott Hull | Mastering |
| Scott Rudin | Producer |
| Larry Hochman | Orchestration |
| Matt Stone | Composer, Lyricist, Producer, Book |
| Glen Kelly | Dance Arrangement |
| Sean McDaniel | Percussion Programming |
| Kurt Deutsch | Executive Producer |
| Stephen Oremus | Producer, Orchestration, Vocal Arrangements, Music Direction |
| Robert Lopez | Composer, Lyricist, Producer, Book |
| Anne Garefino | Producer |
| Frank Rich | Liner Notes |
| Derik Lee | Engineer, Pro-Tools |
| Nora Skinner | Synopsis |
| Casey Nikolaw | Stage Direction |
Show-Tunes-R-Us
Posted June 13, 2011
The tenor and texture of the music reminds me of "The Producers" but this is work of greater substance with more gravitas and more sophistication. Those with "calibrated ear drums" may hear musical phrases from the likes of "Rogers & Hammerstein," Steven Schwartz and Schönberg/Boublil (Miss Saigon" "Les Miz"), but the sunniness of the tunes and the spirited performances will win you, nonetheless. The lyrics are witty and biting and sometimes laugh-out-loud funny. It easily the most pleasant and tuneful way to get weaned-off organized religion I can think of.
1 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.awesome from begining to the very end its worth your money!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
0 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Colleeeen
Posted June 15, 2011
I must see this show! This cast recording is awesome. So clever, so well written, so well versed in the classic Musical Theater genre. Loved it. Not for the younger set, parents beware. There's a reason it is selling out. Best soundtrack in years.
0 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted June 21, 2011
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Posted September 23, 2011
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Editorial Reviews
All Music Guide - David Jeffries
When it was announced that South Park creators Matt Stone and Trey Parker, plus the Tony Award winning co-writer of Avenue Q Robert Lopez, were working on a Broadway musical together, it seemed the Great White Way would be forever changed. When the show's topic, the Mormon religion, was announced, it seemed the GWW would be forever scarred, but the big opening surprise that delighted critics was that The Book of Mormon is packed with as much respect as it is with disrespect. The problem for some will be that all the disrespect is directed at organized religion while all the respect is given to the Musical Comedy genre. These bright, lively, and even zippy melodies are ...