The Bridge: The Life and Rise of Barack Obama
No story has been more central to America's history this century than the rise of Barack Obama, and until now, no journalist or historian has written a book that fully investigates the circumstances and experiences of Obama's life or explores the ambition behind his rise. Those familiar with Obama's own best-selling memoir or his campaign speeches know the touchstones and details that he chooses to emphasize, but now-from a writer whose gift for illuminating the historical significance of unfolding events is without peer-we have a portrait, at once masterly and fresh, nuanced and unexpected, of a young man in search of himself, and of a rising politician determined to become the first African-American president.

The Bridge offers the most complete account yet of Obama's tragic father, a brilliant economist who abandoned his family and ended his life as a beaten man; of his mother, Stanley Ann Dunham, who had a child as a teenager and then built her career as an anthropologist living and studying in Indonesia; and of the succession of elite institutions that first exposed Obama to the social tensions and intellectual currents that would force him to imagine and fashion an identity for himself. Through extensive on-the-record interviews with friends and teachers, mentors and disparagers, family members and Obama himself, David Remnick allows us to see how a rootless, unaccomplished, and confused young man created himself first as a community organizer in Chicago, an experience that would not only shape his urge to work in politics but give him a home and a community, and that would propel him to Harvard Law School, where his sense of a greater mission emerged.

Deftly setting Obama's political career against the galvanizing intersection of race and politics in Chicago's history, Remnick shows us how that city's complex racial legacy would make Obama's forays into politics a source of controversy and bare-knuckle tactics: his clashes with older black politicians in the Illinois State Senate, his disastrous decision to challenge the former Black Panther Bobby Rush for Congress in 2000, the sex scandals that would decimate his more experienced opponents in the 2004 Senate race, and the story-from both sides-of his confrontation with his former pastor, Jeremiah Wright. By looking at Obama's political rise through the prism of our racial history, Remnick gives us the conflicting agendas of black politicians: the dilemmas of men like Jesse Jackson, John Lewis, and Joseph Lowery, heroes of the civil rights movement, who are forced to reassess old loyalties and understand the priorities of a new generation of African-American leaders.

The Bridge revisits the American drama of race, from slavery to civil rights, and makes clear how Obama's quest is not just his own but is emblematic of a nation where destiny is defined by individuals keen to imagine a future that is different from the reality of their current lives.
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The Bridge: The Life and Rise of Barack Obama
No story has been more central to America's history this century than the rise of Barack Obama, and until now, no journalist or historian has written a book that fully investigates the circumstances and experiences of Obama's life or explores the ambition behind his rise. Those familiar with Obama's own best-selling memoir or his campaign speeches know the touchstones and details that he chooses to emphasize, but now-from a writer whose gift for illuminating the historical significance of unfolding events is without peer-we have a portrait, at once masterly and fresh, nuanced and unexpected, of a young man in search of himself, and of a rising politician determined to become the first African-American president.

The Bridge offers the most complete account yet of Obama's tragic father, a brilliant economist who abandoned his family and ended his life as a beaten man; of his mother, Stanley Ann Dunham, who had a child as a teenager and then built her career as an anthropologist living and studying in Indonesia; and of the succession of elite institutions that first exposed Obama to the social tensions and intellectual currents that would force him to imagine and fashion an identity for himself. Through extensive on-the-record interviews with friends and teachers, mentors and disparagers, family members and Obama himself, David Remnick allows us to see how a rootless, unaccomplished, and confused young man created himself first as a community organizer in Chicago, an experience that would not only shape his urge to work in politics but give him a home and a community, and that would propel him to Harvard Law School, where his sense of a greater mission emerged.

Deftly setting Obama's political career against the galvanizing intersection of race and politics in Chicago's history, Remnick shows us how that city's complex racial legacy would make Obama's forays into politics a source of controversy and bare-knuckle tactics: his clashes with older black politicians in the Illinois State Senate, his disastrous decision to challenge the former Black Panther Bobby Rush for Congress in 2000, the sex scandals that would decimate his more experienced opponents in the 2004 Senate race, and the story-from both sides-of his confrontation with his former pastor, Jeremiah Wright. By looking at Obama's political rise through the prism of our racial history, Remnick gives us the conflicting agendas of black politicians: the dilemmas of men like Jesse Jackson, John Lewis, and Joseph Lowery, heroes of the civil rights movement, who are forced to reassess old loyalties and understand the priorities of a new generation of African-American leaders.

The Bridge revisits the American drama of race, from slavery to civil rights, and makes clear how Obama's quest is not just his own but is emblematic of a nation where destiny is defined by individuals keen to imagine a future that is different from the reality of their current lives.
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The Bridge: The Life and Rise of Barack Obama

The Bridge: The Life and Rise of Barack Obama

by David Remnick

Narrated by Mark Deakins

Unabridged — 24 hours, 57 minutes

The Bridge: The Life and Rise of Barack Obama

The Bridge: The Life and Rise of Barack Obama

by David Remnick

Narrated by Mark Deakins

Unabridged — 24 hours, 57 minutes

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Overview

No story has been more central to America's history this century than the rise of Barack Obama, and until now, no journalist or historian has written a book that fully investigates the circumstances and experiences of Obama's life or explores the ambition behind his rise. Those familiar with Obama's own best-selling memoir or his campaign speeches know the touchstones and details that he chooses to emphasize, but now-from a writer whose gift for illuminating the historical significance of unfolding events is without peer-we have a portrait, at once masterly and fresh, nuanced and unexpected, of a young man in search of himself, and of a rising politician determined to become the first African-American president.

The Bridge offers the most complete account yet of Obama's tragic father, a brilliant economist who abandoned his family and ended his life as a beaten man; of his mother, Stanley Ann Dunham, who had a child as a teenager and then built her career as an anthropologist living and studying in Indonesia; and of the succession of elite institutions that first exposed Obama to the social tensions and intellectual currents that would force him to imagine and fashion an identity for himself. Through extensive on-the-record interviews with friends and teachers, mentors and disparagers, family members and Obama himself, David Remnick allows us to see how a rootless, unaccomplished, and confused young man created himself first as a community organizer in Chicago, an experience that would not only shape his urge to work in politics but give him a home and a community, and that would propel him to Harvard Law School, where his sense of a greater mission emerged.

Deftly setting Obama's political career against the galvanizing intersection of race and politics in Chicago's history, Remnick shows us how that city's complex racial legacy would make Obama's forays into politics a source of controversy and bare-knuckle tactics: his clashes with older black politicians in the Illinois State Senate, his disastrous decision to challenge the former Black Panther Bobby Rush for Congress in 2000, the sex scandals that would decimate his more experienced opponents in the 2004 Senate race, and the story-from both sides-of his confrontation with his former pastor, Jeremiah Wright. By looking at Obama's political rise through the prism of our racial history, Remnick gives us the conflicting agendas of black politicians: the dilemmas of men like Jesse Jackson, John Lewis, and Joseph Lowery, heroes of the civil rights movement, who are forced to reassess old loyalties and understand the priorities of a new generation of African-American leaders.

The Bridge revisits the American drama of race, from slavery to civil rights, and makes clear how Obama's quest is not just his own but is emblematic of a nation where destiny is defined by individuals keen to imagine a future that is different from the reality of their current lives.

Editorial Reviews

Garry Wills

…Remnick examines in detail every aspect of Obama's life before his election as president…There is only a brief (five and a half pages) epilogue on the presidency…Yet the book's insights into Obama's character will be very useful for understanding the man's performance as president.
—The New York Times Book Review

Michiko Kakutani

…if the outlines of the story told in The Bridge are highly familiar, Mr. Remnick…has filled in those broad outlines with insight and nuance. He's used interviews with many of the formative figures in the president's life to add details to the narrative of his political and sentimental education…Writing with emotional precision and a sure knowledge of politics, Mr. Remnick situates Mr. Obama's career firmly within a historical context. He puts Mr. Obama's life and political philosophy in perspective with the civil rights movement that shaped his imagination, as well as the power politics of Chicago, and the politics of race as it has been played out, often nastily, on the state and national stages.
—The New York Times

Gwen Ifill

Remnick deserves credit for telling Obama's story more completely than others, for lending a reporter's zeal to the task, for not ducking the discussion of race and for peeling back several layers of the onion that is Barack Obama.
—The Washington Post

Kirkus Reviews

From New Yorker editor Remnick (Reporting: Writings from The New Yorker, 2006, etc.), a world-ranging, eye-opening, comprehensive life to date of the 44th President of the United StatesWorld-ranging because, writes the author, "Barack Obama's family, broadly defined, is vast. It's multi-confessional, multiracial, multi-lingual, and multi-continental." One of his half brothers, born in Africa, lives in China; a cousin is a rabbi; other cousins are blond children of the prairie. Then there is his father, a promising economist with a drinking problem, and his mother, an anthropologist who left the young man with her parents in order to pursue her career. Obama, as Remnick's allusive title suggests, has served as a bridge among cultures and races, though his steadfast wish to be seen as a person of accomplishments who happens to be black does not neatly fit the pigeonholing that so many of his critics wish to entertain-notwithstanding Obama's evident delight at resisting categories. He makes another bridge, too, as Remnick cogently writes-a bridge to the past and to the bridges Dr. King crossed at Selma, Montgomery and Washington; a bridge, as a memoirist, to the rich history of African-American narrative. The author also delves into Obama's travels in Pakistan with a Muslim friend and his relationship with the firebrand preacher Jeremiah Wright, all of which fed into "the story of race in the [2008] campaign." Yet for all the potential political derailments his past and friendships might have caused, the author depicts Obama as a survivor, an adept practical politician and, most importantly, a leader who demands to be taken seriously. Remnick's fluent writing makes this expansive,significant book move along swiftly. Readers will look forward to the sequel, eight years from now. First printing of 200,000. Author tour to New York, Washington, D.C., Chicago, San Francisco, Los Angeles. Agent: Kathy Robbins/The Robbins Office

Publishers Weekly - Library Journal

Remnick (Lenin's Tomb), editor of the New Yorker, offers a detailed but lusterless account of Barack Obama's historic ascent. As a piece of "biographical journalism," the book succeeds ably enough and offers familiar commentary on Obama's cosmopolitan childhood with strains of isolation and abandonment straight out of David Copperfield-rootless, fatherless, with a loving but naïve and absent mother, he suffered racial taunts and humiliations at the hands of his schoolmates. We read how Obama's famous composure was hard-won, how he constructed his personality in opposition to his father's grandiose self-regard, his transformation from "Barry" to "Barack," the drug use, the burgeoning racial and political consciousness-rehashing events that the subject himself has covered in his frank memoirs. But for the scope (and size) of the book, Remnick's interest is ultimately limited to a study of Obama's relationship with blackness, and Obama as the student and fulfillment of the civil rights movement-it's a rich vein but impersonal, and in the author's handling, slightly repetitive. Remnick is in deeply respectful court scribe mode, but he does shine in his treatment of more peripheral characters such as Jesse Jackson and Hillary Clinton, both of whom emerge as figures of Shakespearian psychological complexity. A well-researched biography that pulls many trends of Obama-ology under its umbrella but stints on fresh interpretations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From the Publisher

Brilliantly constructed, flawlessly written….A near-definitive study of Obama.” –The Los Angeles Times

“If you care about American politics, you have to read The Bridge.” –Salon

"Superb. . . . Remnick is a master blender of history, reporting and narrative.” —The Seattle Times

“Insight[ful] and nuance[d]. . . .Writing with emotional precision and a sure knowledge of politics, Mr. Remnick situates Mr. Obama’s career firmly within a historical context.” –Michiko Kakutani, The New York Times
 
“There are a few people of such skill that envy gives way to admiration, and one is left feeling not hostility but respect. Remnick is one of those exceptional practitioners.”–Newsweek
 
“His work will serve as a building block for all future works on Obama. . . .Lovely and assured.” –Entertainment Weekly
 
“Engaging. . . .Sparkling.” –San Francisco Chronicle
 
“An expansive work. . . .Recounting a pivotal March 2007 speech in Selma, Remnick writes that Obama’s words were ‘at once personal, tribal, national and universal.’ The same can be said of The Bridge.” –Time
 
“An insightful, nuanced look at the making of the 44th president, placing his career in the context of history.” –The Chicago Tribune
 
“Absorbing and seminal. . . .Remnick is the most gifted and versatile journalist in America. . . .The Bridge is the first truly great biography of the man in all his promise and complexities.” –San Antonio Express-News
 
“Remnick deserves credit for telling Obama’s story more completely than others, for lending a reporter’s zeal to the task, for not ducking the discussion of race and for peeling back several layers of the onion that is Barack Obama.” –Gwen Ifill, The Washington Post
 
“What Remnick brings to a complex story are the tools of an exceptional reporter: persistence, curiosity, insight. . . .Rich in reflections and refractions.” –Bloomberg.com
 
“Compelling. . . .A living metaphor for an increasingly diverse America. . . .Remnick is one of the finest journalists in America, and has delivered a thorough, well-crafted early entry in what is sure to be a long list of Obama biographies.” –St. Petersburg Times
 
“[Remnick] manages to mine this young president’s familiar story—the absent Kenyan father, the itinerant and idealistic young white mother, a childhood of wandering from Hawaii to Indonesia and back again—and find new insights.” –The Christian Science Monitor
 
“Insightful, [a] valuable book. . . .Remnick places Obama’s story squarely in the framework of America’s civil rights struggle.” –The New Statesman
 
“Masterful, absorbing. . . .A splendid synthesis, an argument for [Remnick’s] reporting gifts. . . .For those interested in race as a social construct, The Bridge is essential reading.” –The Cleveland Plain Dealer
 
“The book’s strengths should appeal to readers of all political stripes: a real depth of reporting and the elegant grace of Remnick’s literary style. . . .The reader is left with a nuanced account of our president’s self-crafted development.” –St. Louis Post-Dispatch
 
“A lively and enjoyable biography that is likely to remain definitive. . . .Remnick should already be planning a sequel.” –The Washington Monthly

Library Journal

Finally, a book with answers about President Obama's childhood, his upbringing in Indonesia and Kansas, his elitist education, his work as an author and community organizer, his relationships with Hillary Clinton, Jeremiah Wright, and others—all that and more is covered here. Pulitzer Prize-winning author/The New Yorker editor Remnick was given extraordinary access to the First Family and all those involved in working both for and against Obama's extraordinary rise to the presidency. Narrator Mark Deakins (The Hunted) delivers an excellent performance, especially in his re-creation of key speeches. From his timing to his timbre, he sounds just like the President. Listeners wishing to follow up on Remnick's citations might prefer the print edition for the immediate access to the bibliography it affords; all others will find this audio edition superior owing to Deakins's superb narration. Highly recommended; essential for political junkies. [The New York Times best-selling Knopf hc also received a starred review, LJ Xpress Reviews, 4/2/10.—Ed.]—Cliff Glaviano, formerly with Bowling Green State Univ. Libs., OH

JUNE 2010 - AudioFile

David Remnick thoroughly details the life of the 44th president of the United States, including his upbringing in Hawaii to his formative years in Indonesia and college years in California. Remnick carried out his research through a multitude of interviews, and he covers blemishes as well as achievements. Mark Deakins sounds adept, consistent, and interested in the material. He chooses not to imitate the many people quoted—from Obama’s college classmates to his close advisers. That smart choice frees the listener to focus on how Obama matured in his late teens, going on to Columbia University, Harvard Law School, community organizing in Chicago, and political runs for office. Deakins provides a steady and unbiased delivery of this definitive biography. M.B. © AudioFile 2010, Portland, Maine

Product Details

BN ID: 2940169350128
Publisher: Penguin Random House
Publication date: 04/06/2010
Edition description: Unabridged

Read an Excerpt

The Bridge

The Life and Rise of Barack Obama
By David Remnick

Knopf

Copyright © 2010 David Remnick
All right reserved.

ISBN: 978-1-4000-4360-6


Prologue

The Joshua Generation

Brown Chapel Selma, Alabama

This is how it began, the telling of a story that changed America.

At midday on March 4, 2007, Barack Obama, the junior senator from Illinois, was scheduled to speak at Brown Chapel, in Selma, Alabama. His campaign for President was barely a month old, and he had come South prepared to confront, for the first time, the Democratic frontrunner, Hillary Clinton. He planned to discuss in public what so many believed would ultimately be his undoing-his race, his youth, his "exotic" background. "Who is Barack Obama?" Barack Hussein Obama? From now until Election Day, his opponents, Democratic and Republican, would ask the question on public platforms, in television and radio commercials, often insinuating a disqualifying otherness about the man: his childhood in Hawaii and Indonesia; his Kenyan father; his Kansas- born, yet cosmopolitan, mother.

Obama's answer to that question helped form the language and distinctiveness of his campaign. Two years out of the Illinois State Senate and barely free of his college loans, Obama entered the Presidential race with a serious, yet unexceptional, set of center- left policy positions. They were not radically different from Clinton's, save on the crucial question of the Iraq war. Nor did he possess an impressive résumé of executive experience or legislative accomplishment. But who Obama was, where he came from, how he came to understand himself, and, ultimately, how he managed to project his own temperament and personality as a reflection of American ambitions and hopes would be at the center of his rhetoric and appeal. In addition to his political views, what Obama proposed as the core of his candidacy was a self-a complex, cautious, intelligent, shrewd, young African-American man. He was not a great man yet by any means, but he was the promise of greatness. There, in large measure, was the wellspring of his candidacy, its historical dimension and conceit, and there was no escaping its gall. Obama himself used words like "presumptuous" and "audacious."

In Selma, Obama prepared to nominate himself as the inheritor of the most painful of all American struggles, the struggle of race: not race as invoked by his predecessors in electoral politics or in the civil- rights movement, not race as an insistence on ethnicity or redress; rather, Obama would make his biracial ancestry a metaphor for his ambition to create a broad coalition of support, to rally Americans behind a narrative of moral and political progress. He was not necessarily the hero of that narrative, but he just might be its culmination. In the months to come, Obama borrowed brazenly from the language and imagery of an epochal American movement and applied it to a campaign for the Presidency.

The city of Selma clusters around the murky waters of the Alabama River. Selma had been a prosperous manufacturing center and an arsenal for the Confederate Army. Now it is a forlorn place of twenty thousand souls. Broad Street ordinarily lacks all but the most listless human traffic. African Americans live mostly in modest houses, shotgun shacks, and projects on the east side of town; whites tend to live, more prosperously, on the west side.

Selma's economy experiences a burst of vitality during the annual flowerings of historical memory. The surviving antebellum plantation houses are, for the most part, kept up for the few tourists who still come. In mid- April, Civil War buffs arrive in town to commemorate the Confederate dead in a re- enactment of the Battle of Selma, where, in 1865, a Confederate general, a particularly sadistic racist named Nathan Bedford Forrest, suffered defeat. The blacks in town do not share in the mood of Confederate nostalgia. An almost entirely black housing project just outside of town was, for decades, named for General Forrest, who had traded slaves and became Grand Wizard of the Ku Klux Klan.

After the Civil War, black students came to Selma University, a small Bible college, and the town-a town of churches-became renowned as a center of African-American preaching. Selma, Ralph Abernathy wrote in his memoirs, "was to many of us the 'Capital of the Black Belt,' a place where intelligent young people and learned elders gathered." At the same time, because of the grip of Jim Crow, Selma was, as late as the nineteensixties, a place of literacy tests and poll taxes; almost no blacks were able to register to vote. Surrounded by disdainful white registrars, they were made to answer questions like "How many bubbles are there in a bar of soap?"

The local sheriff, Jim Clark, was in the grotesque folkloric mold of Birmingham's Bull Connor; he wore a button reading "Never" on his uniform and could be relied upon to take the most brutal measures against any sign of anti- segregationist protest-which is why, as the civil-rights movement developed, the grassroots leaders of the Southern Christian Leadership Conference (S.C.L.C.) made Selma a test case in the struggle for voting rights.

On January 2, 1965, Martin Luther King, Jr., came to Brown Chapel, a brick citadel of the African Methodist Episcopal Church, and told the congregation that Selma had become a "symbol of bitter-end resistance to the civil-rights movement in the Deep South." Just as Montgomery had been the focus of the first bus boycotts and the struggle for civil rights and equal access to public facilities, Selma, King and his comrades decided, would be the battleground for voting rights.

Barack Obama had been invited to Selma more than a month before the anniversary event by his friend John Lewis, a veteran congressman from Atlanta. In his late sixties, portly and bald, Lewis was known around Capitol Hill and in the African-American community less as a legislator than as a popularly elected griot, a moral exemplar and a wizened truthteller of the civil-rights movement. During the long "conservative darkness," from the first Reagan inaugural onward, Lewis said, it was especially "hard and essential" to keep progressive politics alive. "And the only way to do that was to keep telling the story," he said. While King was organizing for the S.C.L.C. in Alabama, Lewis had been the chairman of the Student Nonviolent Coordinating Committee (sncc). Lewis was present at nearly every important march. He was at King's side at the front of countless demonstrations and in meetings with John Kennedy and Lyndon Johnson in the Oval Office. He was the youngest-and most militant-of the many speakers at the March on Washington in 1963; now he was the only one among them still alive. People called John Lewis a hero every day of his life, but now he was feeling quite unheroic, unsure whom to support: the Clintons, who had "never disappointed" him over the years, or a young and talented man who had introduced himself to the country with a thrilling speech at the 2004 Democratic Convention in Boston. At first, Lewis signaled to Obama that he would be with him, but the Clintons and their circle were appealing to his sense of friendship and loyalty-and they were almost as hard to resist as the lure of history. Feeling acute pressure, Lewis promised both the Clintons and Obama that he would soon have "an executive session with myself" and decide.

For Lewis, growing up in Pike County, Alabama, Jim Crow was like a familiar but ominous neighbor. As a boy, he wanted to leave so badly that he dreamed of making a wooden bus out of the pine trees that surrounded his family's house and riding it all the way to California. His parents were sharecroppers and he was one of ten children. He wanted to be a preacher, and, to practice, he declaimed sermons to the chickens in the coop in the backyard. He preached to them weekdays and Sundays alike, marrying the roosters and hens, presiding over funerals for the dead. ("There was something magical, almost mystical, about that moment when those dozens and dozens of chickens, all wide awake, were looking straight at me, and I was looking back at them, all of us in total, utter silence. It felt very spiritual, almost religious.")

In 1955, Lewis listened on the radio to a young preacher from Atlanta giving a sermon called "Paul's Letter to the American Christians." The preacher, Martin Luther King, Jr., spoke in the voice of the apostle Paul addressing Christians, white Christians, condemning them for a lack of compassion toward their black brothers and sisters. As he listened to the sermon, Lewis wanted to become a minister like Dr. King. Later that year, he joined a movement that started when a department store clerk in Montgomery named Rosa Parks was arrested after she refused to change her seat on the Cleveland Avenue bus. As a seminarian at Troy State, Lewis took workshops in nonviolent resistance and joined the drive to integrate lunch counters and bus- station waiting rooms in Nashville and other Southern towns and cities. He passed out the axioms of Jesus, Gandhi, Thoreau, and King to his fellow demonstrators even as he was being taunted as an agitator, a "nigger," a "coon," as teenaged thugs flicked lighted cigarettes at his neck. As a Freedom Rider, Lewis was nearly killed at the Greyhound station in Rock Hill, South Carolina. Getting beaten, arrested, and jailed became a kind of routine, his regular service, and, after each incident, he would rest a little, as if all he had done was to put in a decent day's labor:

Some of the deepest, most delicious moments of my life were getting out of jail in a place like Americus, or Hattiesburg, or Selma- especially Selma-and finding my way to the nearest Freedom House, taking a good long shower, putting on a pair of jeans and a fresh shirt and going to some little Dew Drop Inn, some little side of-the-road juke joint where I'd order a hamburger or cheese sandwich and a cold soda and walk over to that jukebox and stand there with a quarter in my hand, and look over every song on that box because this choice had to be just right.... and then I would finally drop that quarter in and punch up Marvin Gaye or Curtis Mayfield or Aretha, and I would sit down with my sandwich, and I would let that music wash over me, just wash right through me. I don't know if I've ever felt anything so sweet.

John Lewis knew Selma, knew all its little streets, the churches, the cafés, the Hotel Albert, the paved roads in the white parts of town, the shanties and the George Washington Carver projects where the blacks lived. He knew Jim Clark, the sheriff, of course, and the mayor, Joe Smitherman, who, although less virulent than Clark, slipped and spoke of "Martin Luther Coon." Even after the Civil Rights Act of 1964, there were few places in Selma where black people could meet safely, especially if it was known that they were meeting for political purposes. They got together at a couple of modest restaurants-Clay & Liston's, Walker's Café sometimes-but mostly they gathered at Brown Chapel and at the First Baptist Church, just down the street.

At the rallies and services at Brown Chapel, most of the speakers were from the S.C.L.C. or sncc, the Urban League or the N.A.A.C.P.-the mainstream groups of the civil- rights movement-but Malcolm X, too, had his turn in the pulpit. In early February, 1965, while King sat in a Selma jail cell, Malcolm spoke in Selma, warning, "I think the people in this part of the world would do well to listen to Dr. Martin Luther King and give him what he's asking for and give it to him fast, before some other factions come along and try to do it another way."

King had received the Nobel Prize for Peace in December, and he described the "creative battle" that "twenty- two million Negroes" were waging against "the starless midnight of racism." Now, in early February, he wrote a letter from his Selma jail cell that ran as an advertisement in the New York Times:

Dear Friends,

When the King of Norway participated in awarding the Nobel Peace Prize to me he surely did not think that in less than sixty days I would be in jail ... By jailing hundreds of Negroes, the city of Selma, Alabama, has revealed the persisting ugliness of segregation to the nation and the world. When the Civil Rights Act of 1964 was passed many decent Americans were lulled into complacency because they thought the day of difficult struggle was over. Why are we in jail? Have you ever been required to answer 100 questions on government, some abstruse even to a political science specialist, merely to vote? Have you ever stood in line with over a hundred others and after waiting an entire day seen less than ten given the qualifying test?

THIS IS SELMA, ALABAMA. THERE ARE MORE NEGROES IN JAIL WITH ME THAN THERE ARE ON THE VOTING ROLLS.

But apart from voting rights, merely to be a person in Selma is not easy. When reporters asked Sheriff Clark if a woman defendant was married, he replied, "She's a nigger woman and she hasn't got a Miss or Mrs. in front of her name."

This is the U.S.A. in 1965. We are in jail simply because we cannot tolerate these conditions for ourselves or our nation ...

Sincerely, Martin Luther King, Jr.

King was released soon afterward, but Sheriff Clark and his men went on attacking the voting- rights protesters in town, shocking them with cattle prods, throwing them in jail. Since the day King arrived in Selma, Clark's men had jailed four thousand men and women. Lewis gave a handwritten statement to reporters in Selma saying that Clark had proved himself "basically no different from a Gestapo officer during the Fascist slaughter of the Jews." At a confrontation on the steps of the Selma court - house, he punched one of King's allies, the Reverend C. T. Vivian, in the mouth so hard that he broke a finger. Then he arrested Vivian. "Would a fiction writer," King wrote a few weeks later in the New York Times, "have the temerity to invent a character wearing a sheriff's badge at the head of a helmeted posse who punched a clergyman in the mouth and then proudly boasted: 'If I hit him, I don't know it.'"

At a nighttime rally in the nearby town of Marion, a state trooper shot a young Army veteran and pulpwood worker named Jimmie Lee Jackson twice in the stomach. (Jackson had attempted to register to vote five times.) In the same skirmish, Jackson's mother, Viola, was beaten, and his eighty-two- year-old grandfather, Cager Lee, was injured, too, but declared himself ready for the next demonstration. Jackson lingered for several days, then died.

At the funeral, in Brown Chapel, King declared, "Jimmie Lee Jackson is speaking to us from the casket and he is saying to us that we must substitute courage for caution.... We must not be bitter, and we must not harbor ideas of retaliating with violence." James Bevel, one of the youngest leaders of sncc, suggested that the movement lead a march, from Selma to the capital, Montgomery, place Jimmie Lee Jackson's casket on the steps of the capitol, and demand justice from the governor, George C. Wallace. Earlier that month, Bevel had been beaten with a nightstick by Sheriff Clark, thrown into a jail cell, and pummeled with cold water from a hose.

When Governor Wallace heard reports about what King and the others were planning, he told his aides, "I'm not gonna have a bunch of niggers walking along a highway in this state as long as I'm governor." Over the years, Lewis has told the story of the afternoon of March 7, 1965-"Bloody Sunday"-hundreds of times. He tells it best in his memoir, Walking with the Wind: I can't count the number of marches I have participated in in my lifetime, but there was something peculiar about this one. It was more than disciplined. It was somber and subdued, almost like a funeral procession....

There was no singing, no shouting-just the sound of scuffling feet. There was something holy about it, as if we were walking down a sacred path. It reminded me of Gandhi's march to the sea. Dr. King used to say there is nothing more powerful than the rhythm of marching feet, and that was what this was, the marching feet of a determined people. That was the only sound you could hear. Lewis and a young comrade from the S.C.L.C., Hosea Williams, led the march-a huge, double- file line of six hundred people. Lewis was twenty-five at the time, a slight, shy, yet determined figure in a tan raincoat with a knapsack on his back containing a book, a toothbrush, and a couple of pieces of fruit ("in case I got hungry in jail"). Lewis and Williams led the crowd from Brown Chapel, past a housing project, and toward the arching span of the Edmund Pettus Bridge. (Pettus was the last Confederate general to serve in the U.S. Senate.) At the crest of the bridge, Lewis and Williams came to a halt. Six hundred men, women, and children stopped behind them.

There facing us at the bottom of the other side, stood a sea of bluehelmeted, blue-uniformed Alabama state troopers, line after line of them, dozens of battle- ready lawmen stretched from one side of U.S. Highway 80 to the other.... On one side of the road I could see a crowd of about a hundred whites, laughing and hollering, waving Confederate flags.

(Continues...)



Excerpted from The Bridge by David Remnick Copyright © 2010 by David Remnick. Excerpted by permission.
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