The Brittle Decade: Visualizing Japan in the 1930s

The Brittle Decade: Visualizing Japan in the 1930s

by John Dower
     
 
Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated

Overview

Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation: bustling streets of department stores, cafés and teahouses, movie theaters and ballroom dance halls. Modern architecture, industrial design and fashion overshadowed traditional arts as Japan strove to take its place in a cosmopolitan world. The Brittle Years examines the different ways in which designers and artists visualized what it meant to be modern in Japan in the years leading up to World War II. Its 160 full-color illustrations of paintings, textiles and graphic arts are astonishing not only for their great visual impact but also for the insight they provide into a rapidly transforming nation. Among the more surprising images are kimonos bearing patterns of tanks or futuristic cityscapes, paintings of fashionable Japanese women with bobbed hair in western dress and handbills of factory and agricultural workers joined in solidarity. Essays by leading experts on Japanese art and history, including the Pulitzer Prize-winning author John W. Dower, elucidate the many tensions within Japanese society and show how and why such images of power, progress, and beauty helped the nation celebrate and divert modernity to new purposes during these brittle years.

Editorial Reviews

Bookforum
In the twenty-two years between the day the 1923 Kanto earthquake razed Tokyo and the months in which American bombers demolished it anew, modernity arrived in Japan. Ushered in by the creeping popularity of Western fashions, the rise of mass communication and transit, and the Europeanizing of urban public life, the "brittle years" of the early 1930s marked an uneasy encounter between Japanese traditionalism and Western cosmopolitanism, and nowhere did the attendant anxieties play out more than in the 'modan garu' -- Japan's "modern girl." The equivalent of the '20s-era-flapper, 'modan garus' dressed like New Yorkers and smoked like Parisians; they held jobs, slept around (precipitating a decline in geisha services), and rebuffed the "good wife, wise mother" role that Japanese women had long been expected to play.
— Jessica Loudis
Bookforum - Jessica Loudis
In the twenty-two years between the day the 1923 Kanto earthquake razed Tokyo and the months in which American bombers demolished it anew, modernity arrived in Japan. Ushered in by the creeping popularity of Western fashions, the rise of mass communication and transit, and the Europeanizing of urban public life, the "brittle years" of the early 1930s marked an uneasy encounter between Japanese traditionalism and Western cosmopolitanism, and nowhere did the attendant anxieties play out more than in the 'modan garu' -- Japan's "modern girl." The equivalent of the '20s-era-flapper, 'modan garus' dressed like New Yorkers and smoked like Parisians; they held jobs, slept around (precipitating a decline in geisha services), and rebuffed the "good wife, wise mother" role that Japanese women had long been expected to play.

Product Details

ISBN-13:
9780878467693
Publisher:
Museum of Fine Arts, Boston
Publication date:
07/31/2012
Pages:
208
Sales rank:
1,342,953
Product dimensions:
9.30(w) x 9.70(h) x 1.00(d)

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