The Broadway Years, Vol. 2

Editorial Reviews

All Music Guide - Arwulf Arwulf
The T.O.M. label presents the second of two volumes devoted to Fred Waring's Pennsylvanians. These 24 Victor recordings, made between January 1929 and November 1932, illustrate how this band had traded in most of its earlier collegiate identity for slicker presentation techniques and a repertoire more worthy of the Broadway working environment in which they operated after 1928. The Pennsylvanians often used remarkably complex charts and stunningly inventive vocal arrangements; during their "Broadway" period the band's sound became downright swanky. Quoted in Dizzy Gillespie's autobiography To Be or Not to Bop, saxophonist and arranger Budd Johnson insisted that Fred ...
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AUDIO CD Very Good 705283012923 CD. Disc has light wear. Jewelcase with original artwork. (BK6A-SH4)

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Editorial Reviews

All Music Guide - Arwulf Arwulf
The T.O.M. label presents the second of two volumes devoted to Fred Waring's Pennsylvanians. These 24 Victor recordings, made between January 1929 and November 1932, illustrate how this band had traded in most of its earlier collegiate identity for slicker presentation techniques and a repertoire more worthy of the Broadway working environment in which they operated after 1928. The Pennsylvanians often used remarkably complex charts and stunningly inventive vocal arrangements; during their "Broadway" period the band's sound became downright swanky. Quoted in Dizzy Gillespie's autobiography To Be or Not to Bop, saxophonist and arranger Budd Johnson insisted that Fred Waring succeeded during the late '20s and early '30s at least partly thanks to the ingenuity of Afro-American arrangers; this information was never officially documented let alone voiced by Waring, but the jazz-like elements that made the band so terrifically exciting certainly didn't originate in rural Pennsylvania. Paul Mertz is credited with having devised many of their most exciting arrangements, but who else sold charts to Waring? Nobody knows. The vocal stars of this particular album are the three Waring Girls, also known as the "Three Girl Friends." They harmonize like a flock of Nereids during Irving Berlin's "Let Me Sing and I'm Happy," Cole Porter's notorious "Love for Sale" and Vincent Youmans' "Tea for Two," which ends with a flashy flourish after the band suddenly begins to accelerate as if trying to finish the song before the record runs out. After 1932, this group stopped making phonograph records and concentrated on broadcasting live over the radio rather than performing for posterity in the recording studio. Waring, like Irving Berlin a few years earlier and the R.I.A.A. at the beginning of the 21st century, saw technological dissemination of pre-recorded music as a threat rather than a promotional tool; he is said to have deliberately ceased producing records after it occurred to him that the Depression Era audience was hearing his music over the air for nothing rather than investing in the numerous titles listed under his group's name in the Victor catalog. Sadly, most of the records this group cut between 1923 and 1932 would soon fade from memory and are still languishing in obscurity. During the second half of the '30s, Fred Waring became obsessed with the perfection and promotion of the Waring blender. By the time he started making records again, he opted for the sifted, refined, enriched glee club formula with which the name Waring's Pennsylvanians has since been linked.
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Product Details

  • Release Date: 6/26/2001
  • Label: Old Masters
  • UPC: 705283012923
  • Catalog Number: 129

Album Credits

Performance Credits
Fred Waring Primary Artist, Vocals
Johnny Scat Davis Trumpet, Vocals
Earl Gardner Alto Saxophone
Chick Bullock Vocals
Fred Campbell Clarinet, Flute, Alto Saxophone, Baritone Saxophone, Vocals
Francis Foster Violin, Vocals
Murray Kellner Violin
Lou Bonnies Guitar
Stuart Churchill Trumpet, Alto Saxophone, Vocals, Xylophone
Elton Cockerill Clarinet, Tenor Saxophone
Gene Conklin Trombone
Frank Culley Violin, Vocals
Virgil "Stinky" Davis Clarinet, Alto Saxophone
John Gilliland Trombone
Clare Hanlon Trombone, Vocals
Charles Henderson Piano
Frank W. Hower Piano
Nelson Keller Trumpet, Vocals
Poley McClintock Drums, Vocals
Will Morgan Clarinet, Alto Saxophone, Vocals
D. Wade Schlegel Trumpet
Tom Waring Vocals
Fred Buck Banjo
Frank Zullo Trumpet, Vocals
Bill Townsend Violin, Vocals
Technical Credits
Irving Berlin Composer
Fred Waring Director
Vincent Youmans Composer
Lew Brown Composer
Irving Caesar Composer
Buddy DeSylva Composer
Howard Dietz Composer
Ray Henderson Composer
Cole Porter Composer
Arthur Schwartz Composer
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