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Without warning, a boy in the middle of a city intersection sends Detective Oscar Mariani's car careening into a busy sidewalk. The scene is bedlam as every person becomes visited by something no one else can see. We are all haunted. Usually, the apparition is someone known: a ...
Without warning, a boy in the middle of a city intersection sends Detective Oscar Mariani's car careening into a busy sidewalk. The scene is bedlam as every person becomes visited by something no one else can see. We are all haunted. Usually, the apparition is someone known: a lost relative, a lover, an enemy. But not always. For Oscar Mariani, the only secret that matters is the unknown ghost who now shares his every waking moment . . . and why.
The worldwide aftershock of what becomes known as "Gray Wednesday" is immediate and catastrophic, leaving governments barely functioning and economies devastated . . . but some things don't change. When Detective Mariani discovers the grisly remains of an anonymous murder victim in the city sewage system, his investigation will pit him against a corrupt police department and a murky cabal conspiring for power in the new world order.
Stephen M. Irwin has created an unforgettable crime novel and an intense, textured vision of the near-future. The Broken Ones is the riveting search for hope in the darkest corners of the imagination.
Best Fiction of 2012: Thrillers, Kirkus Reviews
Best of 2012 Horror, Suspense Magazine
“I was hooked from page one. The protagonist of The Broken Ones is a policeman in Australia, which (in Irwin’s narrative world), has become a different country since a sudden reversal of polarity. This reversal has changed everything: now each live person is haunted by one ghost, visible only to that person. The consequences of this situation utterly change society. Detective Oscar Mariani is still trying to be a good cop in a world that does not appreciate good cops or reward them, and the murders he is determined to solve are horrendous. Intelligent, grim, and challenging.”
New York Times bestselling author Charlaine Harris, on CharlaineHarris.com
"A truly unique and harrowing vision—Irwin's ability to blend genres is as remarkable as his imagination."
LINCOLN CHILD, #1 New York Times Bestselling Author
"In this strange and uncanny second novel, Australian author (and filmmaker) Stephen M. Irwin combines the gumshoe fiction of Raymond Chandler and the retro-futurism of "Blade Runner" to concoct a doomsday scenario that feels eerily relevant...No one in this feverish novel emerges unscathed. You may not, either. I couldn't shake the enveloping gloom or lyrical despair of The Broken Ones for days."
"In the striking retro future of this novel, bizarre and familiar comfortably coincide. A flawlessly assembled thriller."
Kirkus Reviews (Starred Review)
"A well-paced, imaginative story."
The Free Lance-Star
"Blending the supernatural thriller with hard-boiled crime fiction, Australian Irwin, in his second novel, which follows the acclaimed The Dead Path (2010), depicts a bleak future. Three years after Grey Wednesday, on which the earth’s poles suddenly switched, unemployment is rampant, while food and goods are in short supply. Perhaps most devastating of all, however, was the appearance of the ghosts. All are now haunted by the eyeless specters of people they once knew. As a result, suicide and murder rates have skyrocketed, and a unit has been created within the police department to exonerate perpetrators driven to murder by their ghosts. Rumpled, dogged detective Oscar Mariani works in that unit. He is poorly paid, constantly under threat of being shut down, and disrespected by mainstream policemen, many of whom are corrupt. But then he catches the case of a young woman whose body has been badly mutilated and marked with occult signs, and he is convinced her murder is connected to the highest levels of government. How he goes about solving his case while weighed down with guilt over his failed personal relationships provides much of the suspense in a story that also offers cinematic descriptions of a rain-drenched, ruined Brisbane and smoothly incorporated supernatural elements. A unique and thrilling blend of horror and crime."
Booklist (Starred Review)
"Stephen M. Irwin's new book is a thrilling ride, cementing him as a formidable new talent in fiction."
Book of the Month Club
“Infusing equals parts of horror and crime, The Broken Ones is masterfully written and an entertaining read.”
The Birmingham Times
"Highly original...Irwin’s depiction of a world falling apart under the onslaught of supernatural forces, and the desperate measures some will take to remedy it, is one of the more memorable in recent weird fiction."
“Genre-bending and imaginative, Irwin’s sophomore novel is part fantasy, part supernatural crime thriller. Similar in style and content to the works of Cherie Priest and Richard Matheson, this will appeal to a variety of genre readers who enjoy intelligent fiction that pushes boundaries.”
"Some of the best work being produced across all the art forms in this century derives its quality and its energy from the mixing up of forms and genres... This ambitious novel combines not just two genres, but three, mixing up the conventions of supernatural mystery, police procedural and speculative fiction to produce a futuristic dystopian society that has broken down after an invasion of ghosts, with a hero straight from the hard-boiled school of crime... The writing is at once witty, gritty and grim. The horrors are genuinely horrible and the imagined scenario is satisfyingly rich and suggestive." 'Pick of the Week'
Sydney Morning Herald
Posted December 18, 2012
Oscar Mariani is an investigator with the “Barelies”. Let me explain: the Nine-Ten Investigation Unit was created 3 years ago (after Gray Wendesday), and it sounded enough like “nineteen” that it became the Barely Legals, shortened to the “Barelies”. Oscar continually has to endure the indignity of being part of an investigation unit that isn’t taken seriously, and also the ghost of a little boy that’s been haunting him since Gray Wednesday. Gray Wednesday left the world in shambles and in its wake, also left everyone with a ghost of their own.
Oscar and his partner Neve find the body of a young girl in the sewer system, laid open by an enormous industrial auger. The mutilation wasn’t enough to cover a symbol carved into the girl’s stomach. This case should have been passed to the Homicide unit, but Mariani decides to investigate it himself. Neve isn’t so enthusiastic, and isn’t afraid to show it. She soon puts in for a transfer, but it’s clear that she’s conflicted. As Oscar follows the clues, he begins to uncover something that can only be described as pure evil. At continuous risk of losing his job, the case will take him first to a home for disabled children, the Heights, a sparkling walled enclave where the elite dwell, and finally into an occult underground that will take him nearly beyond his emotional and physical endurance.
To say that I loved this book would be an understatement. Oscar Mariani is my favorite kind of protagonist: wounded, deeply moral, and determined to see things put right. When Gray Wednesday hit, his ghost appeared in front of him while driving on a busy street, and in trying to avoid what he thought was a real person in front of him, he swerved to avoid him, and struck a young girl. The pain that he carries with him because of this, and its aftermath, is palpable on nearly every page. The author set his story against a future Australia that is broken, dark, and bereft of hope, to nearly all except for the very wealthy. Power is spotty, government support is very limited, and struggling to get by is an understatement.
Amidst the ruin, Oscar is a beacon, whether he wants to be or not. His quest (and it is a quest) to see things right is fraught with danger and figuring out who can be trusted is no small task. A complicated relationship with his adoptive, ex-cop father is a fulcrum on which he swings, and we’re given small glimpses into that relationship throughout the story. The Broken Ones is not for the faint of heart, however. There’s nothing gratuitous here, but the author absolutely does not pull punches, and there were a few times that I had to look away and catch my breath. The language he uses is just beautiful, even when describing the most gruesome scenes:
There is one particular scene in The Broken Ones that absolutely terrified me. I’m talking about “watching-the-scariest-movie” muscle clenching horror. I held my breath for two whole pages. It’s been a long time since a book has had that effect on me, and frankly, it was awesome. To pigeonhole The Broken Ones into one genre would be very inaccurate. It’s a combination of supernatural thriller, police procedural, horror, and dystopian…and it works. Oh boy, does it work! Stephen M. Irwin puts his characters through the emotional and physical ringers, and doesn’t spare his reader either. I felt wrung out when I finished this novel, but in the best way, the way you feel like when you’ve finished a wonderful book...
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