The Buffalo Tree

( 3 )

Overview

Young men serving time in a detention center must discover themselves and find their own strength in this School Library Journal Best Book.

Adam Rapp is an accomplished playwright. He has received the Herbert and Patricia Brodkin Scholarship and Boston's Elliot Norton Award, and his work was short-listed for the William Saroyan International Prize for Writing. His works have appeared at the Edge Theater in New York City, the Arcola Theatre in London, and at theaters in ...

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Overview

Young men serving time in a detention center must discover themselves and find their own strength in this School Library Journal Best Book.

Adam Rapp is an accomplished playwright. He has received the Herbert and Patricia Brodkin Scholarship and Boston's Elliot Norton Award, and his work was short-listed for the William Saroyan International Prize for Writing. His works have appeared at the Edge Theater in New York City, the Arcola Theatre in London, and at theaters in Pittsburgh and Chicago. His first feature film, Winter Passing, which he wrote and directed, was released in 2005. Mr. Rapp lives in New York City.

While serving a six-month sentence at a juvenile detention center, thirteen-year-old Sura struggles to survive the experience with his spirit intact.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Rapp (Missing the Piano) draws readers into the nightmarish world of a juvenile detention facility as his narrator, incarcerated for stealing hood ornaments, recounts his day-to-day battle to survive abuse and dehumanization. Twelve-year-old Sura, his language heavily seasoned with slang and expletives, is searingly articulate in describing the horrors of Hamstock Boys Center. These range from head lice outbreaks to pummelings by other "juvies" to sadistic forms of punishment administered by guards, teachers and deans ("If you get carped enough they'll send you to Dean Petty and they say he's got a two-foot paddle with air holes. I ain't seen it yet, but they talk about it the way you talk about boogymonsters and sharks"). Two of Sura's "patch mates," weathering the worst cruelties, are pushed beyond their limits, and one of them commits suicide by plummeting from a tree. Sura endures his six-month sentence, but the impact stays with him after his release: "You get that old feeling back up in your bonesjust for a second.... You get that feeling that the night's got something up its sleeve for you. Even if it's during the day you get that feeling." The author's graphic images and use of first-person, present-tense narrative makes Sura's hellish story all the more real and immediate. Ages 12-up. (May)
Publishers Weekly
A 12-year-old boy recounts his day-to-day battles in a juvenile detention center. "Graphic images and a narrative heavily seasoned with slang and expletives make Sura's hellish story all the more real and immediate," said PW. Ages 12-up. (May) Copyright 2002 Cahners Business Information.
VOYA - Richard Gercken
Rapp is a good writer, but this is not an entirely successful novel. Some of his people are real, their speech is vigorous, and their concerns are vital for youth today and those of us who care for them. He writes sympathetically of African-American teens, capturing the rhythm of their words and even, on the page, the motion of their young bodies. But teachers and librarians will have to push this over-long novel narrated by one of the few whites in a correctional institution for young teens and preteens. Besides hazing of the cruelest sort, there is not a lot of action, except in the mind of the narrator and in the flowing, juicy language. Nor is there a lot happening emotionally, either between these young people or between them and the adults in their lives. If they are experiencing much besides language, night thoughts, and bodily rhythms, Rapp does not show us until almost too late in the book. Many potentially powerful scenes are understated in a clichéd cool, which itself approaches the very sentimentality Rapp tries valiantly to avoid. One of the novel's strengths is its demonstration that these youths incarcerated for criminal activity possess little sense of having done anything wrong. They do not even have the sociopath's hostility to society. Others in society are only haves from whom they, as have-nots, naturally steal. If the narrator's sexual precocity at twelve is jarring, the frankness of these young men's nightly, lonely masturbating feels believable and right. Unfortunately, somewhat more than halfway into the novel, Rapp begins explaining some of his colorful language. He does it well, but it is a mistake. If he was going to make this mistake, I wish he had made it much earlier so that I would have known sooner than I did what it meant to "clip hoodies." Rapp knew how to end his story, and the end is effective. So is a lot else: "If you buffalo another juvie it means you make him climb the dead tree in front of Spalding. If you're getting buffaloed you can either chuck or climb right up there and sit in those branches for everyone to see." That is a good example of Rapp's good writing. But 188 pages of it are a lot without more focus, more substantive characterization, and more suspense. My "S" grade-level interest is based on content and language. The S seems right, although I know that youthful readers seldom enjoy books about kids younger that themselves. VOYA Codes: 4Q 3P S (Better than most, marred only by occasional lapses, Will appeal with pushing, Senior High-defined as grades 10 to 12).
School Library Journal
Gr 7 Up--The brutal world of a juvenile detention center is the setting for this compelling story of survival and redemption, re-created through a 13 year old's inventive use of language. (June)
School Library Journal
Gr 7 UpThirteen-year-old Sura describes his life in the Hamstock Juvenile Detention Center where he is serving a six-month sentence for "clipping hoodies." Sura is hardened and street smart, but he is also a sensitive and intelligent young man who struggles to survive his experience in this ugly and violent world. He befriends his cellmate, Coly Jo, a weak and vulnerable boy who falls prey to bullying inmates and administration alike. As Coly Jo succumbs to the abuses of his predators, Sura can only stand back and watch or suffer the same. Ultimately, he is triumphant in living through his sentence with his body and spirit intact. Rapp's prose is powerful, graphic, and haunting. Sura speaks in a highly original slang that is, at times, difficult to follow. As one reads further into the novel, however, it becomes easier to understand. The author creates a vivid, memorable sense of place and strong characters. The world that Rapp portrays is often ugly, disturbing, and brutal, which makes Sura's struggles all the more poignant. Although the slang may put off reluctant readers, this is a story that should have wide YA appeal. The chapters are short, the narrative is fast paced, the characters are believable and relevant, and the story is compelling. An outstanding novel of redemption and survival that will make a strong impression on readers.Edward Sullivan, New York Public Library
Kirkus Reviews
In a distinctive, compelling narrative, Sura, 12, chronicles life at a juvenile detention home, where he has been sent for stealing hood ornaments. Although the novel is written largely in street slang, Sura's voice is sympathetic and sensitive, making vivid the sometimes horrid, sometimes touching details of life in the home. Most absorbing are the characters, from the sad (roommate Coly Jo, busted for breaking into people's homes and watching them sleep) to the cold (the abusive administrator, Dean Petty) to the ridiculous (the well-meaning but clueless counselor, Deacon Bob Fly) and the frightening (bullies Boo and Hodge). Simple observations heighten the heartbreaking humiliation of Sura's roommate; while Coly Joe is tragically beaten down, physically and emotionally, Sura learns to stand up for himself and value life on the outside, home with his mother. The affecting glimpses into the lives of some of the offenders are authentic offerings of understanding, utterly free of preaching. Rapp (Missing the Piano, 1994) writes in earthy but adept language in this dark and stirring novel.
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Product Details

  • ISBN-13: 9781932425994
  • Publisher: Boyds Mills Press
  • Publication date: 1/28/2007
  • Pages: 188
  • Sales rank: 781,113
  • Age range: 13 - 18 Years
  • Product dimensions: 5.40 (w) x 8.20 (h) x 0.60 (d)

Meet the Author

Adam Rapp is a novelist, filmmaker, and OBIE Award-winning playwright and director. He lives in New York City.

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Read an Excerpt

Chapter One

We are playing floor hockey in the basement of Spalding Cottage. The light cage keeps getting hit and that bulb is about to bust. When it swings you can see those long shadows creeping on the wall.

There are fifteen juvies and most of us ain't sporting shirts. When a bunch of juvies get to playing some floor hockey in the basement of Spalding you get that thick, cooked smell.

Some juvies are playing just to feel their bodies fighting, to throw some bows and bust you in the ribs, and some are mad slashing for that puck. I am playing cause Coly Jo is playing, and I like the sound of those sticks hitting each other. I am playing cause my hands are faster than theirs.

I am the only white juvy. I got a thought that if I was outside of my body and watching from the ceiling, I would look like deadness in the mass of their shiny, boiling dark, like some puppet bones.

I get my stick on the puck and flick it. I am smaller than them but I am quicker and I know they can smell the quickness on me, the same way you know about quickness when a rat is in a kitchen. They can smell it on my back when I get low and use my legs.

I am the fastest juvy in Spalding. Sometimes another juvy wants to race me. He gets those happy feet up and waits for me outside the hash house. And juvies bunch up on the other side of the parking lot and put three or four tenths on the race. Then someone whistles through his fingers and I'm off with the quickness and that wind gets up in my ears and--Go, Sura!--eleven or twelve seconds later I got me another rabbit. That's what I call those juvies who want to race me and wait for me outside the hash house likethat--rabbits. Sometimes I'll even let that juvy get a head start on me so I get a challenge.

Today I dusted Jona Kimbrough and he was sporting some track shoes.

Coly Jo plays floor hockey in his jeans cause that's all he's got. His unbreakable comb keeps falling out of his pocket and he keeps picking it up. He's always trying to bust those naps with that comb. Sometimes he'll just stick it in his Afro and walk around.

Coly Jo is my patch mate. When someone throws me into the wall Coly Jo goes after him and gets that juvy with his stick.

Coly Jo and I have been here six weeks and after blackout we take turns sleeping cause Hodge or Boo Boxfoot will creep into your room and crib shit. Hodge and Boo are on their third clip. A clip is like a year but it ain't the same. Most juvy homes don't give clips. They let you go when you make reform. But Hamstock is different. It's like Hamstock wants to keep you.

Boo and Hodge know the halls and the shadows and the tricks in the showers. I've seen how Hodge sweettalks those old hash house Honeys into extra slices of pie. I've seen the Mop Man slip a fifth of Old Crow into Boo's laundry bundle.

They cribbed most of Coly Jo's shit his first two days. I heard them in our room after blackout, creeping like some cats. Boo sports Coly Jo's Barnum Fletcher squirrelskin cap around Spalding like it's something his moms sent him. He's sporting it right now and the tail keeps flipping up.

Boo's got a harelip and he makes me rent a bedside table for six tenths a week. That's half your juvy pound. And you get that only if you don't get carped. They'll carp you with the quickness for walking into Spalding with your shoes on and cut away two tenths. And you'll be in line for your weekly juvy pound and they'll just take out their little notebook and cross. off some digits and hand you four or six tenths instead of that full bone-and-twenty. And they don't even look at you either; they just shove that change at you like it's some medicine you got to take.

And they'll carp you if you don't call them Mister, too. If you get carped enough they'll send you to Dean Petty and they say he's got a two-foot paddle with air holes. I ain't seen it yet, but they talk about it the way you talk about boogymonsters and sharks. They say it was made from some body-box wood and that he hangs it over his desk. But if you're smart you won't get carped.

That table Boo makes me rent wobbles and creaks, but it can hold pens and shit.

At the hash house Coly Jo tells the other juvies how he's going to get his cap back, how he's going to put a whipping on Hodge and Boo. Most of them laugh, though, cause Coly Jo is fat and he don't sport a belt right and sometimes his ass will creep up out of his drawers like some dark blobfish.

But I've seen Coly Jo stare at them. He does it privately and from a distance. His eyes go yellow like a sick dog's.

On my third day they cribbed my electronic football game. Sometimes I can hear them playing it after blackout. I can hear their voices and I can hear my game beating them and I can hear their hands moving in secret. But their hands ain't faster than mines.

There ain't no windows in the basement and those hair vapors keep getting in my mouth. I tried to comb some of Coly Jo's wave grease into my hair last week, but all it did was make my hair look vinyl. Wave grease's got that medicine smell that the Honeys like. I know this cause before I got caught clipping hoodies I used to watch the Honeys from Choate Street sneaking whiffs of wave grease in the pharmacy where I would crib my squares. Newports got that smooth toothpaste smell and they usually set them right up on the counter. I never smoke them, though, cause it ain't good for your lungwind...

The Buffalo Tree. Copyright © by Adam Rapp. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Reading Group Guide

Introduction

In The Buffalo Tree, Adam Rapp's bold and compelling second novel, thirteen year-old Sura's distinctively original voice brings to life the intense pressure, fear, and struggle for survival and sanity at Hamstock Juvenile Detention Center.

Thirteen-year old Sura -- intelligent, reckless, sensitive, and adrift -- is serving a six-month sentence at Hamstock Juvenile Detention Center for clipping hoodies -- stealing hood ornaments from cars. Through the filter of his vivid and insightful observations, readers are thrown into life at Hamstock -- its oppressive structure and environs, the unique language spoken by its inhabitants, and the group of tough, fully realized characters who survive and perpetuate the culture of brutality which thrives there.

After Sura watches Coly Jo, his patch mate, fall victim to this dark cycle of emotional and physical abuse, he realizes that he must somehow cope with his crazed surroundings -- including brutal fights and counseling sessions that are at times ridiculous -- if he is to make it out whole from a place that seems determined to tear him apart. Avoiding confrontation with the bullies and the guards, Sura finds occasional solace in letters from his mother and friend, and he learns to stand up for himself as he passes the time -- click by click -- remaining in his sentence. Amidst the chaos that defines Hamstock, Sura is determined to escape with his spirit intact and he relies on this inner strength -- his only weapon -- to keep him sane.

Rendered in powerful, haunting language, The Buffalo Tree is a story of hope and redemption against all odds.

Questions forDiscussion

  1. "Sura," Coly Jo says again.
    "Damn, Coly Jo, you wanna get carped?" I whisper.
    "We still gonna get out of here?" he asks.
    "Soon as that guard goes on vacation."
    "When's that?"
    "Two weeks," I say.
    "Two more weeks," Coly Jo says.

    There ain't nothing but our lungwind now and I wonder how long those two weeks will feel with fifteen clicks of sleep a night.

    Discuss how the language and vocabulary used by the juvies create a culture unique to Hamstock. Why do the juvies have their own language? What are some of Sura's most memorable phrases, and how are these phrases important to the telling of the story? How does Sura's language reveal his naiveté? His wisdom? How does Rapp employ this language to help create the emotional and physical mood of Hamstock?

  2. What role does time play in Sura's life? What sort of presence does time have in the detention center? How do you think it will affect Sura's life after he is free? What is the significance of the distractions Sura creates to pass time -- re-reading letters, doing "digit art," studying the escape map?

  3. Consider the dead tree as a symbol in the novel. How are classic associations with a tree -- life, growth -- called into question in The Buffalo Tree? How are they upheld? Discuss the significance of the title in relation to your tree discussion. Why is the dead tree left standing?

  4. Discuss Sura's relationship with Deacon Bob Fly. Is Deacon Bob Fly's attempt to help Sura sincere? Even though Deacon Bob's methods for helping Sura seem careless, even clueless, at times, he is quite successful in making Sura think about his troubles, his family life, his rehabilitation. Is Deacon Bob's success calculated or inadvertent? Does Sura have any respect for him?

  5. Adam Rapp fills the novel with a collection of unique character names -- Slider, Deacon Bob Fly, Dean Petty, Boo, Long Neck, and Mr. Rose. What is the significance of these and other names in the novel? Why do you think we never find out Sura's first name?

  6. Coly Jo, Sura's patch mate, is a sad victim of the sadistic and brutal world of Hamstock, and he is abused by both the juvies and the guards. How is Sura affected by witnessing Coly Jo's downfall? What does Sura miss about Coly Jo? What do you make of Coly Jo's crime that landed him in Hamstock (he broke into people's homes to watch them sleep)?

  7. What is Slider's role in Sura's life? Why is Slider's advice so important to Sura, and why does Sura trust Slider so much? Discuss Sura's relationship to Slider as a student-mentor one, and also look at Slider as a type of father figure for Sura.

  8. At the end of the novel, Sura has survived his sentence at Hamstock and has returned home with his spirit and his sanity intact. He thinks of running track and spending time with Mazzy (who he now calls "Moms"), and he returns some stolen hoodies. But, as Sura points out early in the novel, "Hamstock wants to keep you" (p. 9). How, if at all, has Hamstock "kept" Sura? What elements of juvy life remain in Sura's routine? Do you think that, in time, Sura will give up all rituals of his life at Hamstock?

  9. What can we learn about the juvenile rehabilitation system from Sura's fictional story? Do you consider Sura a criminal? Is he rehabilitated? Has Hamstock rehabilitated him?

About the author

Adam Rapp is a playwright and novelist, whose works have been produced and developed by New York Theatre Workshop, Steppenwolf Theater Company, New York City's Public Theatre, and the Eugene O'Neill National Playwrights Conference. The Buffalo Tree is his second novel. Born and raised in Chicago, Rapp attended Clarke College where he studied fiction writing and psychology. He currently lives and writes in New York City.

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Customer Reviews

Average Rating 3.5
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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted March 3, 2006

    Not about Buffalos

    The first thing I noticed after reading this book is that the back of the book is very misleading. It says how the main character Sura has to go through some kind of hell, but there is no hell in the book. I was very angry with this because I was hoping for some kind of demons or something. The book turned out to be about a boy named Sura getting sent of to the Hamstock Juvenile Detention for Boys. He is sent there for stealing hoodies. The author uses a lot of strange slang that is hard to understand. One of the main things I didn¿t like about the book is that it talked about boys in the shower, which is something I really don¿t ever want to read about. This book wasn¿t interesting to me because it has no fantasy in it. I personally found the book very boring and hard to understand. There could have been a lot more detail in the book and the characters were dull and annoying to read about. I would not recommend this book for anyone that likes fantasy books because it is far from any book like that.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 23, 2003

    It was very good

    The Buffalo Tree by Adam Rapp was one of the greatest books I've read. It was hard to put down, the whole book reminded me of being in juvenile hall. It also had a very good strong point, like what the consequences of getting in trouble are. I also really enjoyed all the conflicts in it, when juvies get messed with by other juvies and when staff beat on them. Not many things I read keep me even close to being interested but this one is an exception. So I would recommend this to someone who understands these type of situations like this or have been through an experience similar to this book.

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  • Anonymous

    Posted January 6, 2003

    Sura and the Buffalo Tree

    Imagine what it is like being in a juvenile detention center for boys. You would be watching your back every minute, making sure that someone isn¿t behind you, waiting to pounce on you. You would have hard times sleeping because you know the minute you close your eyes and doze off, someone will be in your room stealing your possessions. It¿s not any boy¿s dream to be a juvy. The Buffalo Tree is a story about a young boy named Sura. Clipping hoodies gets him a ticket into a juvenile detention center called Spalding. Sura is the only white boy in Spalding but it doesn't seem to matter what color he is, to everyone in there, he is just another juvy. Sura is best friends with his patch mate, Coly Jo. Sura and him try to make it day by day through Spalding, watching each other¿s backs. They have a plan to bust out, but things start going downhill when everything begins to go wrong for Coly Jo. Sura is then left on his own. The plot of the story is something anyone can relate to. Everyone hears or knows someone who has been in a detention, jail, prison, or who has just had a hurtful loss in their life. You feel bad for Sura, even though he messed up and got himself there. He suffers the consequences of his actions, but you feel he didn't really deserve what he got. The book leaves you wondering whether things are really that bad or if they are actually worse. There are so many mixed feelings there is no right way to think. The details of juvy life in The Buffalo Tree give you a real clear understanding of what things are really like. The author, Adam Rapp, does a unique job of making you feel like you are right there, watching everything happen. There is a smooth flow from chapter to chapter, so it is hard to put the book down, not knowing what is going to happen next. Rapp achieves the goal of knowing exactly how to keep your attention throughout the whole story. He leaves you at the end of every chapter with a question you are just itching to know. Rapp shows his point that juvenile detentions aren¿t what we think they are. The Buffalo Tree is a great book that everyone would enjoy. It doesn¿t come off as being another fantasy story that could never happen. Neither does it come off as something in the past that doesn¿t happen in these days. This book gives you a real picture of Sura¿s struggle and you¿ll feel yourself relating to all of the things he experiences. After reading The Buffalo Tree, you will be left with a different and more understanding view of things in the future. Review by: Amber Shipp

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