The Cambridge Companion to Stravinsky
Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all its principal compositional developments. Reflecting the breadth of his phenomenal achievement, this Companion contains a wide range of essays in three broad sections covering the contexts within which Stravinsky worked—Russian, modernist and compositional, with his key compositions—Russian, neoclassical and serial, and with the reception of his ideas—through performance, analysis and criticism. The volume concludes with an interview with the composer Louis Andriessen and a major re-evaluation of "Stravinsky and us" by Richard Taruskin.
1100950203
The Cambridge Companion to Stravinsky
Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all its principal compositional developments. Reflecting the breadth of his phenomenal achievement, this Companion contains a wide range of essays in three broad sections covering the contexts within which Stravinsky worked—Russian, modernist and compositional, with his key compositions—Russian, neoclassical and serial, and with the reception of his ideas—through performance, analysis and criticism. The volume concludes with an interview with the composer Louis Andriessen and a major re-evaluation of "Stravinsky and us" by Richard Taruskin.
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The Cambridge Companion to Stravinsky

The Cambridge Companion to Stravinsky

The Cambridge Companion to Stravinsky

The Cambridge Companion to Stravinsky

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Overview

Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all its principal compositional developments. Reflecting the breadth of his phenomenal achievement, this Companion contains a wide range of essays in three broad sections covering the contexts within which Stravinsky worked—Russian, modernist and compositional, with his key compositions—Russian, neoclassical and serial, and with the reception of his ideas—through performance, analysis and criticism. The volume concludes with an interview with the composer Louis Andriessen and a major re-evaluation of "Stravinsky and us" by Richard Taruskin.

Product Details

ISBN-13: 9780521663779
Publisher: Cambridge University Press
Publication date: 07/24/2003
Series: Cambridge Companions to Music
Edition description: New Edition
Pages: 344
Product dimensions: 6.89(w) x 9.76(h) x 0.75(d)

About the Author

Jonathan Cross is Reader in Musicology at the University of Bristol. He is author of The Stravinsky Legacy (Cambridge1998) and Harrison Birtwistle: Man, Mind, Music (2000), and is Editor of the journal Music Analysis.

Table of Contents

Chronology of Stravinsky's life and career; Part I. Origins and Contexts: 1. Stravinsky's origins Rosamund Bartlett; 2. Stravinsky as modernist Christopher Butler; 3. Stravinsky in context Arnold Whittall; Part II. The Works: 4. Early Stravinsky Anthony Pople; 5. Russian Rites: Petrushka, The Rite of Spring, Les Noces Kenneth Gloag; 6. Stravinsky's neoclassicism Martha Hyde; 7. Stravinsky in the theatre Jonathan Cross; 8. Stravinsky the serialist Joseph N. Straus; Part III. Reception: 9. Stravinsky conducts Stravinsky Nicholas Cook; 10. Stravinsky as devil Max Paddison; 11. Stravinsky and the analytical traditions Craig Ayrey; 12. Stravinsky and the critics Stuart Campbell; 13. Composing with Stravinsky Louis Andriessen and Jonathan Cross; 14. Stravinsky and us Richard Taruskin.
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