The Cambridge Companion to the Orchestra [NOOK Book]

Overview

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, ...
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The Cambridge Companion to the Orchestra

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Overview

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts.
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Editorial Reviews

From the Publisher
"Knowledgeable readers will find much that is familiar and much they had not realized. Recommended." Choice
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Product Details

  • ISBN-13: 9781139816595
  • Publisher: Cambridge University Press
  • Publication date: 10/17/2012
  • Series: Cambridge Companions to Music
  • Sold by: Barnes & Noble
  • Format: eBook
  • File size: 9 MB

Meet the Author

Colin Lawson is Pro Vice-Chancellor of Thames Valley University, having previously been Professor of Music at Goldsmiths' College, University of London. He has an international profile as a solo clarinettist and plays with the Hanover Band, the English Consort and the King's Consort. His publications for Cambridge University Press include The Cambridge Companion to the Clarinet (1995), Mozart: Clarinet Concerto (1996), Brahms: Clarinet Quintet (1998), The Historical Performance of Music (with Robin Stowell) (1999), The Early Clarinet (2000).
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Table of Contents

1. The history of the orchestra Tim Carter and Erik Levi; 2. The development of musical instruments Robert Barclay; 3. The orchestral repertory Peter Laki; 4. From notation to sound Richard Rastall; 5. The art of orchestration Julian Rushton; 6. The history of direction and conducting Jeremy Siepman; 7. International case studies Jon Tolanski; 8. The revival of historical instruments Colin Lawson; 9. Recording the orchestra John Rushby-Smith; 10. Training the orchestral musician Simon Channing; 11. The life of an orchestral musician Clive Gillinson and Jonathan Vaughan; 12. Historical recordings of orchestras Robert Philip; 13. The orchestral composer Robert Saxton; 14. Educational programmes Sue Knussen; 15. The future of the orchestra Stephen Cottrell. Appendix 1. The constitution of selected orchestras; Appendix 2. Orchestras founded in the nineteenth century; Appendix 3. Orchestras founded in the twentieth century.
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