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| Phil Woods | Primary Artist, Conductor, Alto Saxophone |
| Tom Hamilton | Clarinet, Saxophone, Tenor Saxophone |
| Bob Dorough | Piano, Keyboards, Vocals |
| Richard Chamberlain | Trombone |
| Steve Gilmore | Bass Guitar |
| Bill Goodwin | Bass Guitar |
| Juliet Haffner | Viola |
| Nelson Hill | Flute, Saxophone, Alto Saxophone |
| Paul Peabody | Violin |
| Roger Rosenberg | Bass Clarinet, Saxophone, Baritone Saxophone |
| Bobby Routch | Flugelhorn, French Horn |
| Mary Wooten | Cello |
| Eric Doney | Piano |
| Vicki Doney | Vocals |
| Mark William | Guitar |
| Joanna Farrer | Violin |
| Ken Brader III | Trumpet, Flugelhorn |
| Peter Dennis | Narrator |
| Rick Chamberlain | Trombone |
| Mark Williams | Guitar |
| Phil Woods | Composer |
Editorial Reviews
All Music Guide - Michael G. Nastos
Phil Woods looked at his children's book collection many decades ago, and was inspired by the writings of A.A. Milne to the point of producing this tribute to Winnie the Pooh, Christopher Robin, and friends with musicians from New York City and the Delaware Water Gap, PA area he calls home. He struggled for decades to obtain the legal rights to musically interpret Milne's verses. Some of the tracks are narrated, many others use a string section and a horn complement, while vocalists Vicki Doney and Bob Dorough sing the lyrics with the innocence and wide-eyed fascination only young kids possess. As it is in theory a suite, the storylines work from beginning to end, ...