- Shopping Bag ( 0 items )
| Richard Todd | Principal |
| Graeme Revell | Composer, Producer |
| Rick Baptist | Principal |
| Larry Corbett | Principal |
| Alexander Iles | Principal |
| Robert Shulgold | Principal |
| Tim Simonec | Orchestration |
| Robert Townson | Executive Producer |
| John Yoakum | Principal |
| Robert Zimmitti | Principal |
| David Russo | Programming |
| Erick Labson | Mastering |
| Darrin McCann | Principal |
| David R. Stone | Principal |
| Peter Mandell | Principal |
| Philip M. Cohen | Music Business Affairs |
| Michael Vacarro | Principal |
| Philip Cohen | Music Business Affairs |
Editorial Reviews
All Music Guide - James Christopher Monger
Graeme Revell's score for The Chronicles of Riddick expands the moody string and choral cues from its predecessor, Pitch Black, resulting in a lush cacophony of forgettable orchestral swells and pounding action motifs. This time around, the composer flirts with the serpentine melodies of the Middle East, infusing his ominous landscapes with a much-needed sense of place. The main, two-chord theme that would appear occasionally in the series' first installment is given a larger role in Riddick, and to great effect. Gone are the overwrought keyboards, replaced here by the tireless Hollywood Studio Symphony, whose work reflects this film's larger bankroll. Atonal ...