The Cinema and Cinema-Going in Scotland, 1896-1950
This monograph will be the first to deal with the growth of cinema-going in Scotland in an extended scholarly manner, integrating the study of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business, on documentation kept by cinema managers, and on the diaries and recollections of cinema-goers. He considers patterns of cinema-going and attendance levels, as well as changes in audience preferences for different genres, stars or national origins of films. The thematic chapters broaden out the discussion of cinema-going to consider the wider social and cultural impact of this early form of mass leisure. The book will make a significant contribution to a growing body of work on the exhibition and reception of films across Britain.
1115398882
The Cinema and Cinema-Going in Scotland, 1896-1950
This monograph will be the first to deal with the growth of cinema-going in Scotland in an extended scholarly manner, integrating the study of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business, on documentation kept by cinema managers, and on the diaries and recollections of cinema-goers. He considers patterns of cinema-going and attendance levels, as well as changes in audience preferences for different genres, stars or national origins of films. The thematic chapters broaden out the discussion of cinema-going to consider the wider social and cultural impact of this early form of mass leisure. The book will make a significant contribution to a growing body of work on the exhibition and reception of films across Britain.
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The Cinema and Cinema-Going in Scotland, 1896-1950

The Cinema and Cinema-Going in Scotland, 1896-1950

by Trevor Griffiths
The Cinema and Cinema-Going in Scotland, 1896-1950

The Cinema and Cinema-Going in Scotland, 1896-1950

by Trevor Griffiths

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Overview

This monograph will be the first to deal with the growth of cinema-going in Scotland in an extended scholarly manner, integrating the study of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business, on documentation kept by cinema managers, and on the diaries and recollections of cinema-goers. He considers patterns of cinema-going and attendance levels, as well as changes in audience preferences for different genres, stars or national origins of films. The thematic chapters broaden out the discussion of cinema-going to consider the wider social and cultural impact of this early form of mass leisure. The book will make a significant contribution to a growing body of work on the exhibition and reception of films across Britain.

Product Details

ISBN-13: 9780748638284
Publisher: Edinburgh University Press
Publication date: 07/23/2012
Pages: 360
Product dimensions: 6.10(w) x 9.30(h) x 1.20(d)
Age Range: 18 Years

About the Author

Trevor Griffiths is Senior Lecturer in Economic and Social History at the University of Edinburgh

Table of Contents

Acknowledgements iv

Introduction 1

1 From Variety Hall to Picture House: The Emergence of Scottish Cinema to 1914 16

2 Regulating Scottish Cinema: Censorship and the Child Audience 55

3 Through War and Peace: The Changing Fortunes of Scottish Silent Cinema, 1914-29 97

4 A Seven-day Wonder? Cinema and the Scottish Sabbath 138

5 An Essential Social Habit: Cinema-going in the Early Sound Era, c.1927-39 177

6 Beyond the Dream Palace: The Role of Non-commercial Cinema in Scotland 218

7 To the Summit and Beyond: Cinema-going in the 1940s 252

8 A Flickering Image: Scottish Film Production 279

Conclusion 315

Appendices 321

Bibliography 325

Index 345

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