The Circleby Dave Eggers
When Mae Holland is hired to work for the Circle, the world’s most powerful internet company, she feels she’s been given the opportunity of a lifetime. The Circle, run/b>/i>/i>
The Circle is the exhilarating new novel from Dave Eggers, best-selling author of A Hologram for the King, a finalist for the National Book Award.
When Mae Holland is hired to work for the Circle, the world’s most powerful internet company, she feels she’s been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users’ personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company’s modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can’t believe her luck, her great fortune to work for the most influential company in the world—even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman’s ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge.
The latest offering from McSweeney's founder Eggers (A Hologram for the King) is a stunning work of terrifying plausibility, a cautionary tale of subversive power in the digital age suavely packaged as a Silicon Valley social satire. Set in the near future, it examines the inner workings of the Circle, an internet company that is both spiritual and literal successor to Facebook, Google, Twitter and more, as seen through the eyes of Mae Holland, a new hire who starts in customer service. As Mae is absorbed into the Circle's increasingly demanding multi- and social media experience, she plays an ever more pivotal role in the company's plans, which include preventing child abductions through microchips, reducing crime through omnipresent surveillance, and eliminating political corruption through transparency courtesy of personal cameras. Soon, she's not alone in asking what it will mean to "complete the Circle" as its ultimate goal comes into view; even her closest friends and family suspect the Circle is going too far in its desire to make the world a better, safer, more honest place. Eggers presents a Swiftian scenario so absurd in its logic and compelling in its motives that the worst thing possible will be for people to miss the joke. The plot moves at a casual, yet inexorable pace, sneaking up on the reader before delivering its warnings of the future, a worthy and entertaining read despite its slow burn. Agent: Andrew Wylie, The Wylie Agency. (Oct.)
A massive feel-good technology firm takes an increasingly totalitarian shape in this cautionary tale from Eggers (A Hologram for the King, 2012, etc.). Twenty-four-year-old Mae feels like the luckiest person alive when she arrives to work at the Circle, a California company that's effectively a merger of Google, Facebook, Twitter and every other major social media tool. Though her job is customer-service drudgework, she's seduced by the massive campus and the new technologies that the "Circlers" are working on. Those typically involve increased opportunities for surveillance, like the minicameras the company wants to plant everywhere, or sophisticated data-mining tools that measure every aspect of human experience. (The number of screens at Mae's workstation comically proliferate as new monitoring methods emerge.) But who is Mae to complain when the tools reduce crime, politicians allow their every move to be recorded, and the campus cares for her every need, even providing health care for her ailing father? The novel reads breezily, but it's a polemic that's thick with flaws. Eggers has to intentionally make Mae a dim bulb in order for readers to suspend disbelief about the Circle's rapid expansion--the concept of privacy rights are hardly invoked until more than halfway through. And once they are invoked, the novel's tone is punishingly heavy-handed, particularly in the case of an ex of Mae's who wants to live off the grid and warns her of the dehumanizing consequences of the Circle's demand for transparency in all things. (Lest that point not be clear, a subplot involves a translucent shark that's terrifyingly omnivorous.) Eggers thoughtfully captured the alienation new technologies create in his previous novel, A Hologram for the King, but this lecture in novel form is flat-footed and simplistic. Though Eggers strives for a portentous, Orwellian tone, this book mostly feels scolding, a Kurt Vonnegut novel rewritten by the Electronic Frontier Foundation.
“A vivid, roaring dissent to the companies that have coaxed us to disgorge every thought and action onto the Web . . . Carries the potential to change how the world views its addicted, compliant thrall to all things digital. If you work in Silicon Valley, or just care about what goes on there, you need to pay attention.”
—Dennis K. Berman, The Wall Street Journal
“Fascinating . . . Eggers appears to run on pure adrenaline, and has as many ideas pouring out of him as the entrepreneurs pitching their inventions in The Circle . . . [A] novel of ideas . . . about the social construction and deconstruction of privacy, and about the increasing corporate ownership of privacy, and about the effects such ownership may have on the nature of Western democracy . . . Like Melville’s Pequod and Stephen King’s Overlook Hotel, the Circle is a combination of physical container, financial system, spiritual state, and dramatis personae, intended to represent America, or at least a powerful segment of it . . . The Circlers’ social etiquette is as finely calibrated as anything in Jane Austen . . . Eggers treats his material with admirable inventiveness and gusto . . . the language ripples and morphs . . . It’s an entertainment, but a challenging one.”
—Margaret Atwood, The New York Review of Books
“A parable about the perils of life in a digital age in which our personal data is increasingly collected, sifted and monetized, an age of surveillance and Big Data, in which privacy is obsolete, and Maoist collectivism is the order of the day. Using his fluent prose and instinctive storytelling gifts, Mr. Eggers does a nimble, and sometimes very funny, job of sending up technophiles’ naïveté, self-interest and misguided idealism. As the artist and computer scientist Jaron Lanier has done in several groundbreaking nonfiction books, Mr. Eggers reminds us how digital utopianism can lead to the datafication of our daily lives, how a belief in the wisdom of the crowd can lead to mob rule, how the embrace of ‘the hive mind’ can lead to a diminution of the individual. The adventures of Mr. Eggers’s heroine, Mae Holland, an ambitious new hire at the company, provide an object lesson in the dangers of drinking the Silicon Valley Kool-Aid and becoming a full-time digital ninja . . . Never less than entertaining . . . Eggers is such an engaging, tactile writer that the reader happily follows him wherever he’s going . . . A fun and inventive read.”
—Michiko Kakutani, The New York Times
“The particular charm and power of Eggers’s book . . . could be described as ‘topical’ or ‘timely,’ though those pedestrian words do not nearly capture its imaginative vision . . . Simply a great story, with a fascinating protagonist, sharply drawn supporting characters and an exciting, unpredictable plot . . . As scary as the story’s implications will be to some readers, the reading experience is pure pleasure.”
—Hugo Lindgren, The New York Times Magazine
“Eggers is a literary polymath . . . The Circle is funny in its skewering of Internet culture. Holland obsessively tallies the reach of her Twitter-like Zings and enthuses about a benefit for needy children that raises not money but 2.3 million ‘smiles’ (think Facebook ‘likes’). The Circle's buildings are named for epochs, so at her first party Holland gets her wine from the Industrial Revolution . . . The ideas behind "The Circle" are compelling and deeply contemporary. Holland is an everywoman, a twentysomething believer in Internet culture untroubled by the massive centralization and monetization of information, ubiquitous video surveillance and corporate invasions of privacy. Compare that to A Hologram for the King, in which a middle-aged man thoughtfully but powerlessly observes America's economic decline, realizing that his efforts to participate in globalization led to his own obsolescence. The two books together are saying something foreboding about America's place in the world: We have traded making physical things for a glossy, meaningless online culture that leaves us vulnerable to those who see that information — in the form of data, video feeds, or our own consumer desires — is power.”
—Carolyn Kellogg, Los Angeles Times
“You can’t really write a 1984 for our times, because 1984 is still the 1984 of our times. But one could think of Dave Eggers’ . . . new novel The Circle as a timely and potent appendix to it. The crux of The Circle is that Big Brother is still haunting us, but in an incarnation that’s both more genial and more insidious. We have met Big Brother, and he is us . . . In The Circle Eggers has set his style and pace to technothriller: the writing is brisk and spare and efficient . . . When I finished The Circle I felt a heightened awareness of social media and the way it’s remaking our world into a living hell of constant and universal mutual observation.”
—Lev Grossman, Time
“You may find yourself so engrossed in Dave Eggers's futuristic novel, The Circle, that you forget about Facebook entirely. And by the last pages, you may think twice before logging on again.”
—John Freeman, O, The Oprah Magazine
“Bravely, audaciously . . . [Eggers] takes on the online world in The Circle, a provocative novel named for the world’s most powerful Internet firm. Set in the not-so-distant future, the novel is part satire, part corporate thriller. But mostly it’s a cautionary tale about threats to privacy, freedom and democracy.”
—Bob Minsesheimer, USA Today
“Page-turning. . . . The social message of the novel is clear, but Eggers expertly weaves it into an elegantly told, compulsively readable parable for the 21st century. . . . What may be the most haunting discovery about The Circle, however, is readers’ recognition that they share the same technology-driven mentality that brings the novel’s characters to the brink of dysfunction. We too want to know everything by watching, monitoring, commenting, and interacting, and the force of Eggers’s richly allusive prose lies in his ability to expose the potential hazards of that impulse.”
—Laura Christensen, Vanity Fair
“In this taut, claustrophobic corporate thriller, Eggers comes down hard on the culture of digital over-sharing, creating a very-near-future dystopia in which all that is not forbidden is required. . . . Eggers has a keen eye for context, and the great strength of The Circle lies in its observations about the way instant, asynchronous communication has damaged our personal relationships. . . . A speculative morality tale in the vein of George Orwell . . . We go on using the social media platforms that have been used against us; we post geo-tagged photos that could lead potential criminals straight to our private homes and our children's preschools, and we do all of this with full knowledge of the possible consequences. We have closed our eyes and given our consent. Everyone else is doing it. In the digital age, it is better to be unsafe than to be left out.”
—G. Willow Wilson, San Francisco Chronicle
“Eggers surveys our privacy-annihilating, social media-infested world, recoils in horror at the inevitable consequences, and unleashes a primal scream: Enough! Stop! Stop liking and sharing and tweeting and texting! Stop it all! Readers who share Eggers’ concerns about the Facebook-opticon, the surveillance state that leaves no shred of daily life unscrutinized, this superficial, hollow sense of community spaned by digital connectivity will flock to stand before this brave rallying flag. . . . The world that the Circle is delivering to the online masses is very much our world. This isn’t science fiction . . . We need a legion of Dave Eggers in the world today, calling out the dangers.”
—Andrew Leonard, Salon
“Eggers’s works pulse with life . . . The Circle pushes his art even further . . . Eggers’s work, part dark comedy, part sobering glimpse into the near-future, stuns for two reasons: Mae’s humanity and compassion are apparent even as she helps erode our civil liberties; and two, it doesn’t feel like science fiction. It feels like the next horrific—but very plausible—small step for mankind.”
—Josh Davis, Time Out New York, five stars
“You can’t read The Circle, Dave Eggers’s novel about a powerful internet company, and not recognize the book’s dystopian vision in our own obsessions with sharing and social media. The novel, set in the near future, is an engaging mix of social satire and cautionary tale . . . captures the perils of the internet — and, in particular, the over-the-top utopianism sometimes espoused by technology executives — more than any other novel of recent years . . . both hilarious and foreboding.”
—Allan Hoffman, The New Jersey Star-Ledger
“Ripped from recent headlines about privacy, technology and social media . . . A book that begins as a lighthearted cautionary tale grows into a claustrophobic portrait of relentless effort to achieve the culmination of ‘closing the Circle.’”
—Richard Galant, CNN
“Entertaining . . . A sense of horror finally arrives near the end of the book, coming . . . through the power of Eggers’s writing . . . The final scene is chilling.”
—Ellen Ullman, The New York Times Book Review
“Gripping . . . Set in the not-too-distant future, Eggers' story takes us inside a shiny-happy California-based media corporation called the Circle . . . a compelling exploration of how individuals excitedly opt into a corporately-controlled culture of complete surveillance billed as a ‘community,’ transforming ‘privacy’ into a quaint notion possessed only by the nostalgic . . . The Circle's brilliance lies in convincingly taking us inside an extreme vision of what is nascent in the 21st century cyber-utopianism we all endorse, showing us how the visions of digital media moguls are championed and propagated by an overly-willing society . . . Eggers creates for us a surprisingly contemporary world that seems strangely familiar to regular social media users — a world into which all of us excitedly join without much prompting.”
—Rob Williams, PolicyMic
“What fuels this novel is its thunderbolt of an idea: digital culture is suffocating us and, what’s more, is doing so under the duplicitous guise of widespread human beneficence . . . This is a novel about the silence inside your head . . . a powerful argument for turning off your iPhone and going for a walk.”
—Alexander Nazaryan, Newsweek
“Dave Eggers is fast becoming one of our fiercest and most compelling writers on the dark side of technology. [The Circle] is a gripping and highly unsettling read.”
—Edmund Gordon, The Sunday Times (UK)
“It has taken Eggers the 13 years since his breakout memoir to give us a book that truly matched A Heartbreaking Work’s gravitas — but with The Circle, Eggers has given us everything . . . when you put down the book and go to check your email, you might just realize that we are living the fiction . . . [The Circle] takes place before a fall that we might really be approaching, and it’s this compelling sense of impending, unpredictable doom that makes this work of fiction feel very real, and very necessary.”
—Jason Diamond, Flavorwire
“Dave Eggers’ real heartbreaking work of staggering genius might be this one. The Circle is today’s version of dystopian classics such as George Orwell’s 1984 or Aldous Huxley’s Brave New World. Eggers’ novel is terrifying, funny, real, suspenseful and visionary . . . Always keeping the focus on Mae, Eggers brings up all the Big Brother issues of our time: privacy, democracy, memory, history and the quality of how we’re connecting.”
—Holly Silva, St. Louis Post-Dispatch
“Eggers has updated Orwell’s vision by inverting it. In 1984, the members of the Party are watched by Big Brother; in The Circle, it is the people who watch the government . . . Perhaps our need for privacy will erode as technology continues to develop and the world continues to change. Or perhaps humans will still occasionally cling to the need for privacy simply because it is an essential quality of being ‘human.’ Either way, the fact that these questions linger long after finishing this book is a testament to the multiple layers and potential lasting impact of The Circle.”
—Karl Hendricks, Pittsburgh Post-Gazette
“The Circle is a deft modern synthesis of Swiftian wit with Orwellian prognostication . . . a work so germane to our times that it may well come to be considered as the most on-the-money satirical commentary on the early internet age . . . The pages are full of clever, plausible, unnerving ideas that I suspect are being developed right now . . . The book is also very funny . . . A prescient, important and enjoyable book, and what I love most about The Circle is that it is telling us so much about the impact of the computer age on human beings in the only form that can do so with the requisite wit, interiority and profundity: the novel.”
—Edward Docx, The Guardian (UK)
“Eggers’s past work has tackled sociopolitical issues such as the justice system, Sudanese refugees, and the plight of public school educators. The Circle gives him a new soapbox, and if he can convince a mass audience that Google is even a little bit evil, he’ll have produced some of the most subversive commercial fiction ever written. The novel is a pro-privacy, antitech manifesto masquerading as a Dan Brown thriller. It’s Evgeny Morozov dressed in John Grisham’s clothing.”
—Seth Stevenson, Bloomberg Businessweek
“Step away from whatever tweet you’re composing for your 484 followers. Don’t click “like” on that Facebook photo of a friend’s kids. Dave Eggers’ chilling and enormously absorbing new novel The Circle, about encroaching tentacles of the world’s most powerful Internet company, demands your thoughtful and committed attention.”
—Karen Valby, Entertainment Weekly
“A fast-moving conspiracy potboiler . . . a zippy, pulpy read that puts pressing issues into sharp relief.”
—Jessica Winter, Slate
“The Circle is Brave New World for our brave new world . . . Now that we all live and move and have our being in the panopticon, Eggers’s novel may be just fast enough, witty enough and troubling enough to make us glance away from our twerking Vines and consider how life has been reshaped by a handful of clever marketers . . . There may come a day when we can look back at this novel with incredulity, but for now, the mirror it holds up is too chilling to LOL.”
—Ron Charles, The Washington Post
“The Circle may be . . . more fable than novel, but it has all that in common with Brave New World, Animal Farm, Nineteen Eighty-Four, and Fahrenheit 451. One hopes that it will enjoy pride of place with those books in classrooms, as a reminder that surveillance and transparency were not always judged merely by what they might do for us.”
—Stefan Beck, Daily Beast
“Eggers's writing is so fluent, his ventriloquism of tech-world dialect so light, his denouement so enjoyably inevitable"
—Alexander Linklater, The Observer
“The Circle is intelligent and quirky, engaged and affecting and confirms Eggers’ place as one of the most interesting novelists currently writing.”
—Stuart Kelly, The Scotsman
“Dave Eggers takes the growing inescapabilty of social media and personal technology to clever and chilling places in his new novel.”
—Patrick Condon, Associated Press
“Game-changing . . . a fast-paced and suspenseful story . . . Eggers has produced the fable for our wired times.”
—Bethanne Patrick, AARP.org
“Most of us imagine totalitarianism as something imposed upon us—but what if we’re complicit in our own oppression? That’s the scenario in Eggers’ ambitious, terrifying, and eerily plausible new novel . . . Brave and important and will draw comparisons to Brave New World and 1984. Eggers brilliantly depicts the Internet binges, torrents of information, and endless loops of feedback that increasingly characterize modern life. But perhaps most chilling of all is his notion that our ultimate undoing could be something so petty as our desperate desire for affirmation.”
“A stunning work of terrifying plausibility, a cautionary tale of subversive power in the digital age suavely packaged as a Silicon Valley social satire. Set in the near future, it examines the inner workings of the Circle, an internet company that is both spiritual and literal successor to Facebook, Google, Twitter and more, as seen through the eyes of Mae Holland, a new hire who starts in customer service . . . Eggers presents a Swiftian scenario so absurd in its logic and compelling in its motives . . . sneaking up on the reader before delivering its warnings of the future, a worthy and entertaining read.”
—Publishers Weekly (Starred)
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Read an Excerpt
My god, Mae thought. It’s heaven.
The campus was vast and rambling, wild with Pacific color, and yet the smallest detail had been carefully considered, shaped by the most eloquent hands. On land that had once been a shipyard, then a drive-in movie theater, then a flea market, then blight, there were now soft green hills and a Calatrava fountain. And a picnic area, with tables arranged in concentric circles. And tennis courts, clay and grass. And a volleyball court, where tiny children from the company’s daycare center were running, squealing, weaving like water. Amid all this was a workplace, too, four hundred acres of brushed steel and glass on the headquarters of the most influential company in the world. The sky above was spotless and blue.
Mae was making her way through all of this, walking from the parking lot to the main hall, trying to look as if she belonged. The walkway wound around lemon and orange trees and its quiet red cobblestones were replaced, occasionally, by tiles with imploring messages of inspiration. “Dream,” one said, the word laser-cut into the red stone. “Participate,” said another. There were dozens: “Find Community.” “Innovate.” “Imagine.” She just missed stepping on the hand of a young man in a grey jumpsuit; he was installing a new stone that said “Breathe.”
On a sunny Monday in June, Mae stopped in front of the main door, standing below the logo etched into the glass above. Though the company was less than six years old, its name and logo—a circle surrounding a knitted grid, with a small ‘c’ in the center—were already among the best-known in the world. There were more than ten thousand employees on this, the main campus, but the Circle had offices all over the globe, and was hiring hundreds of gifted young minds every week. It had been voted the world’s most admired company four years running.
Mae wouldn’t have thought she had a chance to work at such a place, but for Annie. Annie was two years older and they’d roomed together for three semesters in college, in an ugly building made habitable through their extraordinary bond, something like friends, something like sisters or cousins who wished they were siblings and would have reason never to be apart. Their first month living together, Mae had broken her jaw one twilight, after fainting, flu-ridden and underfed, during finals. Annie had told her to stay in bed, but Mae had gone to the 7-Eleven for caffeine and woke up on the sidewalk, under a tree. Annie took her to the hospital, and waited as they wired her jaw, and then stayed with Mae, sleeping next to her, in a wooden chair, all night, and then at home, for days, had fed Mae through a straw. It was a fierce level of commitment and competence that Mae had never seen from someone her age or near her age, and Mae was thereafter loyal in a way she’d never known she could be.
While Mae was still at Carleton, meandering between majors, from art history to marketing to psychology—getting her degree in psych with no plans to go further in the field—Annie had graduated, gotten her MBA from Stanford and was recruited everywhere, but particularly at the Circle, and had landed here days after graduation. Now she had some lofty title—Director of Ensuring the Future, Annie joked—and had urged Mae to apply for a job. Mae did so, and though Annie insisted she pulled no strings, Mae was sure that Annie had, and she felt indebted beyond all measure. A million people, a billion, wanted to be where Mae was at this moment, entering this atrium, thirty feet high and shot through with California light, on her first day working for the only company that really mattered at all.
She pushed open the heavy door. The front hall was as long as a parade, as tall as a cathedral. There were offices everywhere above, four floors high on either side, every wall made of glass. Briefly dizzy, she looked downward, and in the immaculate glossy floor, she saw her own face reflected, looking worried. She shaped her mouth into a smile, feeling a presence behind her.
“You must be Mae.”
Mae turned to find a beautiful young head floating atop a scarlet scarf and white silk blouse.
“I’m Renata,” she said.
“Hi Renata. I’m looking for—”
“Annie. I know. She’s on her way.” A sound, a digital droplet, came from Renata’s ear. “She’s actually...” Renata was looking at Mae but was seeing something else. Retinal interface, Mae assumed. Another innovation born here.
“She’s in the Old West,” Renata said, focusing on Mae again, “but she’ll be here soon.”
Mae smiled. “I hope she’s got some hardtack and a sturdy horse.”
Renata smiled politely but did not laugh. Mae knew the company’s practice of naming each portion of the campus after a historical era; it was a way to make an enormous place less impersonal, less corporate. It beat Building 3B-East, where Mae had last worked. Her final day at the public utility in her hometown had been only three weeks ago—they’d been stupefied when she gave notice—but already it seemed impossible she’d wasted so much of her life there. Good riddance, Mae thought, to that gulag and all it represented.
Renata was still getting signals from her earpiece. “Oh wait,” she said, “now she’s saying she’s still tied up over there.” Renata looked at Mae with a radiant smile. “Why don’t I take you to your desk? She says she’ll meet you there in an hour or so.”
Mae thrilled a bit at those words, your desk, and immediately she thought of her dad. He was proud. So proud, he’d said on her voicemail; he must have left the message at four a.m. She’d gotten it when she’d woken up. So very proud, he’d said, choking up. Mae was two years out of college and here she was, gainfully employed by the Circle, with her own health insurance, her own apartment in the city, being no burden to her parents, who had plenty else to worry about.
Mae followed Renata out of the atrium. On the lawn, under dappled light, a pair of young people were sitting on a manmade hill, holding some kind of clear tablet, talking with great intensity.
“You’ll be in the Renaissance, over here,” Renata said, pointing across the lawn, to a building of glass and oxidized copper. “This is where all the Customer Experience people are. You’ve visited before?”
Mae nodded. “I have. A few times, but not this building.”
“So you’ve seen the pool, the sports area.” Renata waved her hand off toward a blue parallelogram and an angular building, the gym, rising behind it. “Over there there’s the yoga studio, crossfit, Pilates, massages, spinning. I heard you spin? Behind that there’s the bocce courts, and the new tetherball setup. The cafeteria’s just across the grass...” Renata pointed to the lush rolling green, with a handful of young people, dressed professionally and splayed about like sunbathers. “And here we are.”
They stood before the Renaissance, another building with a forty-foot atrium, a Calder mobile turning slowly above.
“Oh, I love Calder,” Mae said.
Renata smiled. “I know you do.” They looked up at it together. “This one used to hang in the French parliament. Something like that.”
The wind that had followed them in now turned the mobile such that an arm pointed to Mae, as if welcoming her personally. Renata took her elbow. “Ready? Up this way.”
They entered an elevator of glass, tinted faintly orange. Lights flickered on and Mae saw her name appear on the walls, along with her high school yearbook photo. Welcome Mae Holland. A sound, something like a gasp, left Mae’s throat. She hadn’t seen that photo in years, and had been happy for its absence. This must have been Annie’s doing, assaulting her with it again. The picture was indeed Mae—her wide mouth, her thin lips, her olive skin, her black hair, but in this photo, more so than in life, her high cheekbones gave her a look of severity, her brown eyes not smiling, only small and cold, ready for war. Since the photo—she was eighteen then, angry and unsure—Mae had gained much-needed weight, her face had softened and curves appeared, curves that brought the attention of men of myriad ages and motives. She’d tried, since high school, to be more open, more accepting, and seeing it here, this document of a long-ago era when she assumed the worst of the world, rattled her. Just when she couldn’t stand it anymore, the photo disappeared.
“Yeah, everything’s on sensors,” Renata said. “The elevator reads your ID, and then says hello. Annie gave us that photo. You guys must be tight if she’s got high school pictures of you. Anyway, hope you don’t mind. We do that for visitors, mostly. They’re usually impressed.”
As the elevator rose, the day’s featured activities appeared on every elevator wall, the images and text traveling from one panel to the next. With each announcement, there was video, photos, animation, music. There was a screening of Koyaanisqatsi at noon, a self-massage demonstration at one, core strengthening at three. A congressman Mae hadn’t heard of, grey-haired but young, was holding a town hall at six thirty. On the elevator door, he was talking at a podium, somewhere else, flags rippling behind him, his shirtsleeves rolled up and his hands shaped into earnest fists.
The doors opened, splitting the congressman in two.
“Here we are,” Renata said, stepping out to a narrow catwalk of steel grating. Mae looked down and felt her stomach cinch. She could see all the way to the ground floor, four stories below.
Mae attempted levity: “I guess you don’t put anyone with vertigo up here.”
Renata stopped and turned to Mae, looking gravely concerned. “Of course not. But your profile said—”
“No, no,” Mae said. “I’m fine.”
“Seriously. We can put you lower if—”
“No, no. Really. It’s perfect. Sorry. I was making a joke.”
Renata was visibly shaken. “Okay. Just let me know if anything’s not right.”
“You will? Because Annie would want me to make sure.”
“I will. I promise,” Mae said, and smiled at Renata, who recovered and moved on.
Meet the Author
Dave Eggers grew up near Chicago and graduated from the University of Illinois at Urbana-Champaign. He is the founder of McSweeney’s, an independent publishing house in San Francisco that produces books, a quarterly journal of new writing (McSweeney’s Quarterly Concern), and a monthly magazine, The Believer. McSweeney’s publishes Voice of Witness, a nonprofit book series that uses oral history to illuminate human rights crises around the world. In 2002, he cofounded 826 Valencia, a nonprofit youth writing and tutoring center in San Francisco’s Mission District. Sister centers have since opened in seven other American cities under the umbrella of 826 National, and like-minded centers have opened in Dublin, London, Copenhagen, Stockholm, and Birmingham, Alabama, among other locations. His work has been nominated for the National Book Award, the Pulitzer Prize, and the National Book Critics Circle Award, and has won the Dayton Literary Peace Prize, France’s Prix Médicis, Germany’s Albatross Prize, the National Magazine Award, and the American Book Award. Eggers lives in Northern California with his family.
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Most Helpful Customer Reviews
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With all the discussions on privacy today, this book makes you squirm. It would be easy to dismiss the complications presented in the disguise of the story line but you would be doing a disservice to the intent of the novel. Every self rightous person thinks they understand privacy but it is too easy to ignore the complications. Mr.Eggers does not let you glibbly profess to be serious about the meaning of privacy. He keeps throwing fast balls directly at your biases, hitting you often as you scream foul. In fact, one should probably review Kant's discussions and definations of privacy pertaining to people and things. So if you read a review of this book which harps on shallowness of characters, remember the author knows what he is doing, it is a sophticated writing device. I give this book 5 stars because it makes you think , rethink, reposition, and review your view of privacy. A must read, but it is not a book you will walk away from saying you love it. rather you will admit we need it.
Think George Orwell too frumpy or old? Then read this current and hip look at one possible reality. Excellent read that will challange you to carefully think about technology, the ethics around technology, and why- when we have so much evidence to the contrary - humans believe they can be God. Excellent.
I love the concept of this book: technology is wonderful... up to a point. But the execution is ham-fisted at best. Everything is on the nose and predictable while at the same time, nothing is truly fleshed out enough to feel like a good story. We don't really get to know most of the characters and in many instances pivotal moments are skipped over only to be recounted in the past tense. Show don't tell, Mr. Eggers. I really expected more from this book. Again, very interesting concept, definitely thought-provoking. But ultimately disappointing as a novel.
I found this book tedious but I was still impressed with the technological concepts. All I can say is God help us if any part of this comes to fruition. The characters for the most part were poorly developed depriving you of really getting into the feel of the book.. Even the main character, Mae, was poorly developed preventing you from having any feelings or care about the character. The character of Annie, was just totally null and void, one dimensional.. The book rambled on page after page until you got to the point that if they added one more screen to Mae's desk you wanted to throw the book against the wall. For me its was a complete waste of my time. And yours too!
If you want to get an idea of what sites like Google and Facebook could _really_ do if they tried, this is the book to read. Eggers does a good job pointing out the dangers in carrying too far the Google philosophy of transparency (e.g. the "must use real name" aspect of Google+).
This book makes you think about just where all the social media stuff today will eventually lead us. Kind of scary! Enjoyed reading it though.
A rare gem. Dave Eggers manages to spin a cautionary tale of technological dystopia and yet make it engagingly charming and even funny. And like all great parables set in the future, he is really commenting on the word today. And it will make you think twice about that next social media post you make.
“We all know we die. We all know the world is too big for us to be significant. So all we have is the hope of being seen, or heard, even for a moment.” Wow, what a read! It’s been a little while since I’ve given a read 5 stars, so I’m feeling a bit like: description I went into this one a little tired from the mild let-downs that some of my more recent reads have been and wanting to take a quick breather from my list of upcoming pre-release 2016 reviews. (This one was released in 2014.) I am delighted to say that this novel, The Circle by Dave Eggers, really blew me away! I felt like it’d been a while since I read a novel that actually lived up to its blurb (and more), so I was thrilled about that, not to mention wholly enamored with this world that Eggers constructed. The Circle is the new-age Animal Farm meets “The Yellow Wallpaper,” a read reminiscent of 1984 where Eggers provides a fresh mirror in which to see ourselves and our culture in a startlingly accurate light, in a kaleidoscope of scenarios that straddle the line between personal rights and rights of commerce, the greed of cultural extravagance and the effect of e-media inundation on our lives. While, at the same time, we watched Mae’s slow and complete decent into some millennial version of madness. I loved it! First off, let me say that the lack of chapter markers was a smart play. The format threw me off balance, which kept me on my toes, a useful trick in a read like this. Or as one character put it: “I want you on your toes, off-balance, intimidated, handcuffed and willing to prostrate yourself at my command.” It also did an exhilarating job of reeling me in as a reader, making it hard for me to pull back, fully immersing me in the on-campus world through Mae’s eyes. It was like I could feel my own slow inundation with The Circle, which, of course, made the implications as they unfolded a little horrifying, the thought of this utterly realistic and culturally possible phenomenon actually happening. The completely bizarre started to become normal, sounded like it really made sense. Of course everyone should know everything! Of course we should do everything we can to keep children safe! Hmph, must be how cults are formed. Here, Eggers offered a view of our world like Big Brother on steroids. Imbedded in the fact that the Google-like company mostly employed millennials—and that we millennials are known for our social media voraciousness and oversharing—it comes off as a totally plausible alter-universe that Mae has stumbled upon when she arrives, both to herself and to the reader. If you’re a typical millennial, read it and take pause. If you’re not—especially if you’d classify yourself a Luddite—read it and weep at this completely conceivable, totally creepy, new-age possibility. The Circle was comical in its realistic nature, life-like in the way that the interactions between characters were played out. Here you’ll find competition in a survival-of-the-fittest sort of way reflected in passages that unnerve while being so relatable that they’re undeniable. Here Eggers brushes up against classism, caste, struggling to belong and competition, whether healthy or not: “Annie still held some particular status. Again Annie’s lineage, her head start, the varied and ancient advantages she enjoyed, were..." To see the whole review, go to The Navi Review at www.thenavireview.com and follow the book review blog on Twitter @thenavireview
I had t bail, good idea but too slow
I was riveted by The Circle. I couldn't put it down. Reading it is like watching Big Brother's development and birth. The Circle is a company - reminiscent of Google btw (and, yes, I am a Google user and proud of it)- that has its' fingers in all kinds of places. Now The Circle wants complete transparency. Everywhere. So as to not spoil the story I won't say more except - be careful what you ask for because you just may get it. I highly recommend this book and I wish it was a series because I would love to see what happens next.
If I were to summarize in bullet points the plot of this book, it wouldn't sound like a great book. But I would literally read a grocery list from this author! I was so compelled to continue reading even during the slower parts. Really poignant on today and our technology, great for anybody into tech, that works in silicon valley, or is just generally really into things online! Easy read too :)
The Circle is a must read for those of us who have become comfortable, perhaps too comfortable, sharing our lives on social media. I'm left to reevaluate the extent to which I wish to participate in this global community. I love when a book challenges me and really make me think.
Imagine numerous billion dollar companies with incredible amounts of influence such as Facebook, Twitter, Google or Apple. Now imagine all those companies combined as one gargantuan monopoly with influence every means of social media, technology, moral decisions, and even the government and legislation itself and you have The Circle. In a generation with everything being instantaneous, and at the ready, it is hard to imagine anything that was not worth tweeting, or posting upon impulse. In a dystopia centered around a satirical conformation, Dave Eggers presents his novel The Circle in which the world is unaware of its conformity into its technological dystopia. Throughout the novel, the reader sees the descent of conformity the main character undergoes which in more than one instance, seems far too radical to only the reader. The Circle develops devices such as tracking devices in children, applications on phones that can tell you the location and personal details of every person upon a search query, and portable cameras that can be placed anywhere and on anybody that can be viewed by the world ensuring every action is made viral. To name a few devices, the characters within the story see them as completely rational and normal for the best interests of people. Privacy is no longer a concept as privacy is seen as stealing information away from people who feel it is their God given right to know it. SECRETS ARE LIES. SHARING IS CARING. PRIVACY IS THEFT. This is the central theme throughout the book. Now should a single company have so much influence to the point where not sharing every single piece of your financial and personal information to the world is considered criminal? Should a person be ranked solely as a number based on their participation to the technological age instead of their individuality alone? Hell no. Although many have claimed the novel to be an extreme exaggeration of our technological fate, that is the point of a fiction novel; And after reading The Circle, many people forget that in order to present a radical situation or concept, fiction writers will go as over the top as necessary in order to get that message across to the audience. Dave Eggers executes this idea of a technologically dependent world in a way that seems like an almost plausible outcome to our digital downfall. Despite it's similar sounding dystopian themes, the book is by no means on par with 1984, however it still is able to present a modern problem we face and still present it in an extreme and at times, humorous fashion.
Really basic writing style, flat characters. The story was promising, but the author butchered it with slooooooow plots.
No plot line.
A very quick read but not likable characters. Ending rather abrupt. Very thought provoking topics - was a great book club choice though all readers were luke warm on actual book!