Classification of Visual Art: A Philosophical Myth and its History

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Cambridge University Press, 03/28/2000, Hardcover, Brand New! New dust jacket.

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2000 Hardcover Felt-tip mark on upper trimmed edge; otherwise mint new condition. Orders are sent from our UK warehouse next working day. *****PLEASE NOTE: This item is ... shipping from an authorized seller in Europe. In the event that a return is necessary, you will be able to return your item within the US. To learn more about our European sellers and policies see the BookQuest FAQ section***** Read more Show Less

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West Nyack, New York, U.S.A. 2000 Hardcover New 0521772362. FLAWLESS COPY, PRISTINE, NEVER OPENED--SIGNED BY AUTHOR ON TITLE PAGE--AVOID WEEKS OF DELAY ELSEWHERE. --196 pages; ... clean and crisp, tight and bright pages, with no writing or markings to the text. --DESCRIPTION: "This book is an important and original contribution to the philosophy of art that bridges the disciplines of philosophy and art. It engages with a long-standing debate about what it is that bestows the designation "art" on an artwork. Tiffany Sutton shows how the history of art should influence the classification of visual art. She considers the various theories that have been put forward to define the nature of the artwork and then offers her own set of classificatory norms."--* * FS REVIEW: Proves that confusion and obfuscation rather than freedom and democracy are God's gift to philosophers of art worldwide.; Signed by AuthorAuthor. Read more Show Less

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Overview

This book is an important and original contribution to the philosophy of art that bridges the disciplines of philosophy and art. It engages with a long-standing debate about what it is that bestows the designation "art" on an artwork. Tiffany Sutton shows how the history of art should influence the classification of visual art. She considers the various theories that have been put forward to define the nature of the artwork and then offers her own set of classificatory norms.

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Product Details

  • ISBN-13: 9780521772365
  • Publisher: Cambridge University Press
  • Publication date: 3/28/2000
  • Pages: 196
  • Product dimensions: 5.98 (w) x 8.98 (h) x 0.79 (d)

Table of Contents

List of illustrations; Acknowledgements; Introduction; Part I. The Historical Basis of the Myth: 1. Juxtapositionality in art history; Part II. The Framing Myth: 2. The Framing Process; 3. Framing in art-historical perspective; Part III. The Myth Framed: 4. Theoretic refinements; Illustrations; Notes; Selected bibliography; Index.

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