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Joe is in control of everything in his simple life—both his day job as a janitor for the police department and his “night work.” He isn’t bothered by the daily news reports of the Christchurch Carver, who, they say, has murdered seven women. Joe knows, though, that the Carver killed only six. He knows that for a fact, and he’s determined to find the copycat. He’ll punish him for the one, then frame him for the other six. It’s the perfect plan because he already knows he can ...
Joe is in control of everything in his simple life—both his day job as a janitor for the police department and his “night work.” He isn’t bothered by the daily news reports of the Christchurch Carver, who, they say, has murdered seven women. Joe knows, though, that the Carver killed only six. He knows that for a fact, and he’s determined to find the copycat. He’ll punish him for the one, then frame him for the other six. It’s the perfect plan because he already knows he can outwit the police.
All he needs now is to take care of all the women who keep getting in his way, including his odd, overprotective mother and Sally, the maintenance worker who sees him as a replacement for her dead brother. Then there’s the mysterious Melissa, the only woman to have ever understood him, but whose fantasies of blackmail and torture don't have a place in Joe’s investigation.
Originally published in 2006 in Cleave’s native New Zealand, where it was a finalist for the prestigious Ned Kelly Award for Best Fiction, The Cleaner is a chilling and darkly funny thriller that will leave you clamoring for his next.
“An intense adrenalin rush from start to finish, I read The Laughterhouse in one sitting. It’ll have you up all night. Fantastic!”
“An intense and bloody noir thriller, one often descending into a violent abyss reminiscent of Thomas Harris, creator of Hannibal Lecter.”
“A wonderful book.... The final effect is that tingling in the neck hairs that tells us an artist is at work.”
“Cleave is a master of evoking the view askew; delving into the troubled psyches of conflicted characters. Former cop and convict Theo Tate, stumbling forward in search of some sort of redemption, returns to the scene of his first crime scene, hunting a killer and kidnapper set on revenge. Ferocious storytelling that makes you think and feel. A blood-stained high point in Cleave’s already impressive oeuvre.”
“Paul Cleave writes the kind of dark, intense thrillers that I never want to end. Do yourself a favor and check him out."
“Relentlessly gripping, deliciously twisted and shot through with a vein of humor that’s as dark as hell.”
I pull the car into the driveway. Sit back. Try to relax. The day, I swear to God, has to be at least ninety-five degrees. Christchurch heat. Schizophrenic weather. Sweat is dripping from my body. My fingers are wet-rubber damp. I lean forward and twist the keys in the ignition, grab my briefcase, and climb out of the car. Out here, the air-conditioning actually works. I reach the front door and fumble with the lock. I breathe a sigh of relief when I step inside.
I stroll through to the kitchen. Angela, I can hear, is in the shower upstairs. I’ll disturb her later. For now, I need a drink. I walk to the fridge. It has a stainless-steel door in which my reflection looks like a ghost. I open the door and squat down in front of it for close to a minute, making friends with the cool air. The fridge offers me both beer and Coke. I take a beer, twist off the cap, and sit down at the table. I’m no heavy drinker, but I knock this bottle back in maybe twenty seconds. The fridge offers up another bottle. Who am I to say no? I lean back in the chair. Put my feet up on the table. Consider taking off my shoes. You know that feeling? A hot day at work. Stress for eight hours. Then sitting down, feet in the air, beer in hand, and you take your shoes off.
Listening to the shower upstairs, I casually sip at my second beer of the year. Takes me five minutes to finish this one, and now I’m hungry. Back at the fridge and to the slice of cold pizza I spied on my first trip. I shrug. Why not? It isn’t as though I need to watch my weight.
I sit back at the table. Feet in the air. The same thing works for pizza as it does for beer once you get those shoes off. Right now, though, I don’t have the time. I wolf down the pizza, pick up my briefcase, and make my way upstairs. The stereo in the bedroom is pumping out a song I recognize, but can’t name. Same goes for the artist. Nevertheless, I find myself humming along as I lay my briefcase on the bed, knowing the tune will be stuck in my mind for hours. I sit down next to the briefcase. Open it. Take the newspaper out. The first page offers up the sort of news that makes newspapers sell. Often I wonder if the media makes half this stuff up, just to inflate sales. There’s definitely a market for it.
I hear the shower turn off but ignore it, preferring to read the paper. It’s an article about some guy who’s been terrorizing the city. Killing women. Torture. Rape. Homicide. The stuff movies are made of. A couple of minutes go by and I’m still sitting here reading when Angela, wiping her hair with a towel, steps out of the bathroom surrounded by white steam and the smell of skin lotion.
I lower the newspaper and smile.
She looks over at me.
“Who the fuck are you?” she asks.
Posted January 1, 2013